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Representasi Kesenian Tradisi Lenong Betawi Pada Tayangan Drama Komedi Nglenong Nyok Di Trans TV Falasifah, Anna; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 5 No. 2 (2014)
Publisher : Seni Media Rekam ISI Surakarta

This discussion is intended to know the form of display of comedy drama ofÂ Nglenong Nyok, and how this comedy drama representsÂ lenong BetawiÂ traditional art in its display. This study was a descriptive qualitative study using an embedded single strategy. Source of data obtained from informants, documents, books, audio-visual displays, and internet. The sampling technique used was purposive sampling. Data were analyzed using an interactive model. The results showed thatÂ Nglenong NyokÂ is an event with a sitcom format, which looks at the troubleshooting at the end of each episode within 30 minutes and the fourth element which is characteristic of a sitcom that is the fact that the story is presented, the language used, characters, and place. Overall, the comedy drama of Nglenong Nyok as an adaptation display can represent a lenong show into the display, although the production process has undergone development in some elements. Still keepholding on guidelines (grip, Java) of the showlenong BetawiÂ is evidence that the comedy drama ofÂ Nglenong NyokÂ is able to represent the lenong show in the middle of the television business that requires the program makers to be more concerned with profit than the quality. Keywords:Â representation, Lenong, Betawi, Nglenong Nyok, and Trans-TV

Kostum Dalam Membangun Karakter Tokoh Pada Film Soekarno Sintowoko, Dyah Ayu Wiwid; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

This study discusses the procedures of costumes and characters in the Sukarnofilm. This qualitative descriptive research apply the Sukarno film as source of data. Thecollection of data by purposive sampling, with the method of observation, interviews,and literature. Data were analyzed through data reduction, data display, drawingconclusions and verification process. The results showed that the costumes portraythe characterization of the characters. Costume adjusted with basic clothing, headclothing, body clothing, legs underwear, and accessories are known for costume parts.Each character has a unique costume and a differentiator from other figures. Costumealso build characterization of actors according to the physiological dimension (neatness,cleanliness, beauty, beauty, valor, charm, charisma, and authority). Sociological dimensionsindicate socioeconomic class, role in the family / community, ideology, ancestry, levelof education, religion, ethnicity / race, and interaction between the actors. While thepsychological dimensions adapted to the atmosphere and scene. Color and layoutcostume describing feelings, honesty, sincerity, emotion, desire, desire, passion, inneraction, as well as the vision of each character in the film.Keywords: costume, characterization, actor, film, and Soekarno

Teknik Editing Pada Film Rectoverso Dalam Mewujudkan Cerita Ali, Moh. Mahrush; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 6 No. 2 (2015)
Publisher : Seni Media Rekam ISI Surakarta

This study aims to determine the editing technique that is applied to the Rectoverso film and to know how editing can form storytelling in the Rectoverso film. The study used descriptive qualitative approach. Data collection used interviews, observation, and literatures. Data analysis was performed based on the theories on Miles and Huberman, namely data reduction, data presentation, drawing conclusions, and verification. Type of editing applied in the film Rectoverso is continuity editing. This type of editing to ensure the achievement of sustainability of a series of stories in the scene of action. There are seven techniques and processes used to achieve the editing, namely Rules 1800, Shot/Reverse-shot, Establishing/reestablishing shot, eye line match, cutting point of view, cut-in, and match on action. The conclusions of the study that the use of continuity editing can form storytelling and supporting each scene in the movie. The splicing shot and scene shows the implicit message in it. Overall the Rectoverso film uses cross-cutting techniques or parallel editing. If the pattern is associated with the development of the story, then the movie Rectoverso uses three stages, namely, the stage of the beginning, middle, and closing. The goal is that the bond of causality (cause and effect) will be maintained because of the unity and development of the story is also determined by them. So, editing as one element in the Rectoverso film can also form the storytelling.Keywords: editing, Rectoverso, film, and story

REPRESENTATION OF NOSTALGIA IN THE PROGRAM MEMORI MELODI IN TVRI NASIONAL Ramadhoni, Ayudha Eka; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 12 No. 1 (2020)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i1.2674

This study describes the representation of nostalgia in the “Memori Melodi” music program in the episode Tribute To Yon Koeswoyo. This study uses a construction approach from the representation of Stuart Hall. The sampling technique uses purposive sampling technique. Data collection used is observation without a roleplay and interviews. Data analysis used Miles and Huberman model data analysis which consisted of data reduction, data presentation, conclusion drawing and verification. The results of this study indicate there is a nostalgic representation in the music program of “Memori Melodi” episode Tribute To Yon Koeswoyo. The appearance of nostalgic is constructed through verbal and non-verbal language in each segment. The construction of social interactions between the performers (host, singer, audience) and sensory input (music, visual, narrative about Koes Plus and Yon Koeswoyo, and expressions of the performers) is a form of nostalgia in the Tribute To Yon Koeswoyo's episode. This nostalgic representation is useful knowledge about the reappearance of nostalgia in music programs on television.

Antropomorfisme Dalam Kesenian Indonesia Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Anthropomorphism in arts has been known since the prehistoric period and developed in all over the world, including the primitive arts in the Borneo and Papua hinterland. During the Indonesia-Hindu culture, anthropomorphism was used to represent the character of â€˜extraordinaryâ€™ in the old fables and serves as a medium of religious. While anthropomorphism in modern Indonesian arts today can be found in the form of comics, movies, and television soap operas although anthropomorphic shape still not as extraordinary as Indonesian-Hindu arts earlier. Key word: anthropomorphism, arts, Indonesia

Pengaruh Sajian Program Berita Tatv Terhadap Kebijakan Pemkot Surakarta Dalam Memilih Media Publikasi Amelia, Citra Ratna; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 3 No. 1 (2011)
Publisher : Seni Media Rekam ISI Surakarta

TATV is local television pioneer in Surakarta which has tried to present programs thatare beneficial and interesting for the community. Its existence provides an alternativeoption for the Local Government of Surakarta (Pemerintah Kota Surakarta) in the useof mass media as media publications, especially TATV news programs. This study aimedto assess whether TATV news programs affect to policies of the Local Government ofSurakarta in the prioritization of the use of the mass media as a means of publicationor not. This study was a qualitative descriptive research and the data analysis used theinteractive model. From the research that has been conducted showing that the newsprograms â€œFokus Kitaâ€ in TATV can affect to policy of the Local Government of Surakartain terms of the changing in percentage in the use of mass media and changing in the useof funds allocation for the mass media as a means of publication.

STRUKTUR NARATIF SERIAL ANIMASI UPIN DAN IPIN Saputra, Iwan Ady; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 5 No. 1 (2013)
Publisher : Seni Media Rekam ISI Surakarta

This study aims to describe the elements of narrative and narrative structure realisticpattern on the animated series Upin dan Ipin episodes Ramadhan Kembali Lagi and MenjelangSyawal.In order to examine a series of stories in the animated series Upin dan Ipin,the approachused is narrative structure. Sources of data in a research were video animation series pin danIpin.The data was obtained through observation role and literature.The process of data analysiscarried out in several stages, namely: data collection, data reduction, data analysis, andconclusions.The results of the research showed that Upin dan Ipin animated series set in abeautiful village, schools, courts, mosques, and homes of Upin and Ipin.The series uses a linearpattern,telling of the beginning of fasting until the feast.Perpetrators of these serial stories fromvarious tribes and religions.The conflict in this series is an external conflict,a conflict betweenthe main character and other characters.The purpose of this series is the physical (real).Thepattern of narrative structure used in the animated series Upin dan Ipin episodes RamadhanKembali Lagi and Menjelang Syawal is a three-stage pattern of alternative structures, namelyrealistic narrative.The series has a storyline floating,presenting a story of what it is like life itself.Although the pattern of realistic narrative has a clear goal but it is easily understood story.Keywords : Structure, narative, animation, Upin & Ipin

DIRECTING ANIMATION DALAM FILM SERI SERIBU SATU CANDI Prayogo, Koko Is; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 8 No. 1 (2016)
Publisher : Seni Media Rekam ISI Surakarta

The making of the work of this final project animation departs from the assumption thatÂ the development of Indonesian films is much about the search for identity or an identity,Â and the struggle of nationalism. However, there are still less of them involving folkloreÂ that developed in Indonesian society.By using creative formula of Kentaro Kimura style,Â the making of this film tries to lift the folklore in Indonesia and try to pack it interestingly.Â At the stage of idea creation,we do a research of the narrative element of a folklore andÂ reconstructed to explore possibilities in making into a new story.The series of animatedÂ films Thousand and One Temple (Seribu Satu Candi) is raised and inspired from theÂ Legend of Prambanan Temple.This film tells the twists and turns of life of BandungÂ Bondowoso before he becomes a prince of magic. Narratively the concept of comedyÂ makes these stories more interesting.The use of ornamentic concept from batik for theÂ object textures makes this work give more nuances of Nusantara.Keywords :Directing,animation,and Seribu Satu Candi

Antropomorfisme Dalam Kesenian Indonesia Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v2i2.609

Anthropomorphism in arts has been known since the prehistoric period and developed in all over the world, including the primitive arts in the Borneo and Papua hinterland. During the Indonesia-Hindu culture, anthropomorphism was used to represent the character of â€˜extraordinaryâ€™ in the old fables and serves as a medium of religious. While anthropomorphism in modern Indonesian arts today can be found in the form of comics, movies, and television soap operas although anthropomorphic shape still not as extraordinary as Indonesian-Hindu arts earlier. Key word: anthropomorphism, arts, Indonesia

Pengaruh Sajian Program Berita Tatv Terhadap Kebijakan Pemkot Surakarta Dalam Memilih Media Publikasi Amelia, Citra Ratna; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 3 No. 1 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v3i1.645

TATV is local television pioneer in Surakarta which has tried to present programs thatare beneficial and interesting for the community. Its existence provides an alternativeoption for the Local Government of Surakarta (Pemerintah Kota Surakarta) in the useof mass media as media publications, especially TATV news programs. This study aimedto assess whether TATV news programs affect to policies of the Local Government ofSurakarta in the prioritization of the use of the mass media as a means of publicationor not. This study was a qualitative descriptive research and the data analysis used theinteractive model. From the research that has been conducted showing that the newsprograms â€œFokus Kitaâ€ in TATV can affect to policy of the Local Government of Surakartain terms of the changing in percentage in the use of mass media and changing in the useof funds allocation for the mass media as a means of publication.

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