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Eksperimentasi Penciptaan Karya Keramik Monumental Dengan Tungku Rekayasa Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

In the process of creating ceramic art, the size scale is a problem. When making large ceramic works, meaning the risk of failure too great. This relates well with the chemical composition of clay and the right mixture. After the drying process is also longer, but the longer the drying period is the longer the duration of the crack or rupture prone. Last is a burning issue that must use a big oven. Larger furnace is also more expensive. Some of these cons-traints which ultimately makes ceramic artists in Indonesia did not dare to experiment making great work. Complex process coupled with the limitations of the furnace equipment (oven) for high-priced, making leaps of the idea of creation of ceramic artists and Indonesia not seprogresif dyna-mic branch other art. Es-pecially in terms of its magnitude. Noted, functional ceramics produced most only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Chris-tanto very monu-mental in his "1000 man land". The fact is captured by the author. Article "Creation Experi-mentation Stove Works Engi-neering Ceramics Using" this merrupakan exploration of the possibility of aspects of the main raw material composition (clay structure and all materials mixed), initial combustion process, and the main thing is burning stove model development, which is inspired from the stove burning bricks. Keywords: Experimentation, Cera-mics, Sculptures Monumental, Furnace Combustion Engineering.

Studi Model Tungku Pembakaran Untuk Pembuatan Patung Keramik Monumental Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

In the process of creating works of ceramic art, the amount of size is a problem. When making large ceramic works, meaning the risk of failure too great. This relates very well with the chemical composition of clay and mixtures that fit. After that also the longer the drying process, whereas the longer period of drying, the longer the duration also susceptible crack or rupture. Last is the burning issue that must use a large fireplace as well. Larger furnace means also more expensive. Some of these constraints which ultimately makes ceramic artists in Indonesia do not dare to make the work of a great experiment.Complex process coupled with the limited equipment furnace (oven) because high-priced, making leaps of idea creation Indonesian ceramic artist does not as dynamic as the other branches of art. Especially in terms of its magnitude. Noted, functional ceramic wares produced at large is only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Christanto very monumental in his work "1000 man land".The fact is captured by the researcher. In "Burning Furnace Model Development Study for the Preparation of Ceramic Sculpture Monumental", has researched and explored various aspects of the composition of the possibility of major raw materials (clay structure and all material pencampurnya), initial combustion process, and most important is the development model of the furnace combustion . Keywords:Â ceramics, furnace, monumental ceramic sculpture.

Studi Penciptaan Batu Bata Ekspos Bermotif Lokal Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

The focus of this study is divided into two major parts, the first is the search for material composition mixture of clay as the main material of brick making and the second is the development of product design to conventional brick-patterned brick exposed locally. The long term goal of this research in addition to improving product variants that have a competitive national and global markets. Research design in the creation of this study is exploratory research, a process of â€œtrial and seeâ€ or controlled trial. Techniques of data collection was conducted by researchers observations (the process of making brick and clay soil sampling is used), interviews brick craftman in the district. Mojolaban (associated with a brick making technology) and literature searches (related on the clay-forming elements and some chemical elements as reinforcing material clay). Data is processed and tested in the laboratory with a ceramic combustion process, then selected a mixture of clay formula which is most suitable for making bricks. After successfully making quality bricks (strong and precision), then make the exposed brick with ornamnetal motifs develop tradition of batik motifs develop in Surakarta. Keywords : brick,ornamnet, batikÂ

PATUNG KESEIMBANGAN SEBAGAI REPRESENTASI CITRA KAMPUS II ISI SURAKARTA Prasetya, Laras Shinta; Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i1.7070

Penelitian ini bertujuan untuk mengkaji makna pada Patung Keseimbangan yang menjadi penanda visual bagi Kampus II Institut Seni Indonesia (ISI) Surakarta. Fenomena banyaknya patung yang hadir untuk menghiasi ruang publik sebagai landmark, merepresentasikan citra dari pada suatu wilayah. Patung Keseimbangan, yang terletak di tengah taman melingkar pada lanskap menuju Gedung Dekanat Fakultas Seni Rupa dan Desain (FSRD), Kampus II ISI Surakarta, merupakan sebuah landmark yang membentuk citra dari kampus tersebut. Pada karya abstrak dari pematung bernama Effy Indratmo menjadi bukti bahwa sebuah patung bukan hanya sekedar menjadi elemen dekoratif ruang publik, melainkan bagian penting dalam membangun identitas dari institusi. Penelitian ini menggunakan metode kualitatif deskriptif dengan perspektif semiotika. Teori semiotika diterapkan untuk membaca tanda dan menganalisis makna, sehingga dapat mengungkap esensi patung tersebut. Hasil dari analisis menunjukkan bahwa, Patung Keseimbangan memiliki makna simbolis yang selaras dengan nilai-nilai seni, serta sejalan dengan visi di fakultas FSRD ISI Surakarta.

Eksperimentasi Penciptaan Karya Keramik Monumental Dengan Tungku Rekayasa Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.237

In the process of creating ceramic art, the size scale is a problem. When making large ceramic works, meaning the risk of failure too great. This relates well with the chemical composition of clay and the right mixture. After the drying process is also longer, but the longer the drying period is the longer the duration of the crack or rupture prone. Last is a burning issue that must use a big oven. Larger furnace is also more expensive. Some of these cons-traints which ultimately makes ceramic artists in Indonesia did not dare to experiment making great work. Complex process coupled with the limitations of the furnace equipment (oven) for high-priced, making leaps of the idea of creation of ceramic artists and Indonesia not seprogresif dyna-mic branch other art. Es-pecially in terms of its magnitude. Noted, functional ceramics produced most only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Chris-tanto very monu-mental in his "1000 man land". The fact is captured by the author. Article "Creation Experi-mentation Stove Works Engi-neering Ceramics Using" this merrupakan exploration of the possibility of aspects of the main raw material composition (clay structure and all materials mixed), initial combustion process, and the main thing is burning stove model development, which is inspired from the stove burning bricks. Keywords: Experimentation, Cera-mics, Sculptures Monumental, Furnace Combustion Engineering.

Studi Model Tungku Pembakaran Untuk Pembuatan Patung Keramik Monumental Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.277

In the process of creating works of ceramic art, the amount of size is a problem. When making large ceramic works, meaning the risk of failure too great. This relates very well with the chemical composition of clay and mixtures that fit. After that also the longer the drying process, whereas the longer period of drying, the longer the duration also susceptible crack or rupture. Last is the burning issue that must use a large fireplace as well. Larger furnace means also more expensive. Some of these constraints which ultimately makes ceramic artists in Indonesia do not dare to make the work of a great experiment.Complex process coupled with the limited equipment furnace (oven) because high-priced, making leaps of idea creation Indonesian ceramic artist does not as dynamic as the other branches of art. Especially in terms of its magnitude. Noted, functional ceramic wares produced at large is only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Christanto very monumental in his work "1000 man land".The fact is captured by the researcher. In "Burning Furnace Model Development Study for the Preparation of Ceramic Sculpture Monumental", has researched and explored various aspects of the composition of the possibility of major raw materials (clay structure and all material pencampurnya), initial combustion process, and most important is the development model of the furnace combustion . Keywords:Â ceramics, furnace, monumental ceramic sculpture.

Studi Penciptaan Batu Bata Ekspos Bermotif Lokal Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.325

The focus of this study is divided into two major parts, the first is the search for material composition mixture of clay as the main material of brick making and the second is the development of product design to conventional brick-patterned brick exposed locally. The long term goal of this research in addition to improving product variants that have a competitive national and global markets. Research design in the creation of this study is exploratory research, a process of â€œtrial and seeâ€ or controlled trial. Techniques of data collection was conducted by researchers observations (the process of making brick and clay soil sampling is used), interviews brick craftman in the district. Mojolaban (associated with a brick making technology) and literature searches (related on the clay-forming elements and some chemical elements as reinforcing material clay). Data is processed and tested in the laboratory with a ceramic combustion process, then selected a mixture of clay formula which is most suitable for making bricks. After successfully making quality bricks (strong and precision), then make the exposed brick with ornamnetal motifs develop tradition of batik motifs develop in Surakarta. Keywords : brick,ornamnet, batikÂ

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