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All Journal Grenek: Jurnal Seni Musik Gorga : Jurnal Seni Rupa Gondang: Jurnal Seni dan Budaya Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Seni Makalangan Jurnal Abdimas Mahakam DESKOVI : Art and Design Journal Besaung : Jurnal Seni Desain dan Budaya Tamumatra : Jurnal Seni Pertunjukan Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Musica: Journal of Music Musik Etnik Nusantara Awilaras
RICO GUSMANTO
Institut Seni Budaya Indonesia Aceh
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Law, Crime, Criminology & Criminal Justice Public Health Social Sciences

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Journal : Besaung : Jurnal Seni Desain dan Budaya

 1 
PEMANFAATAN BATOK KELAPA SEBAGAI MEDIA PEMBUATAN BIO-INSTRUMEN MUSIK Rahman, Surya; Gusmanto, Rico
Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v5i2.1450

Abstract

Bio-musical instruments can be defined as musical instruments made from plant wastes in the surrounding environment. One of the plant waste that is easily found in the community is coconut shell. Coconut shells are often overlooked for their use as a creative medium, especially in the field of music. Musical instruments are the main media for creativity in the art of music. The rise of musical instruments or musical instruments with high prices has become one of the inhibiting factors for young people to be creative in the field of music. Seeing this phenomenon, it is deemed necessary to develop people's creativity in making their own musical instruments at economical prices but still able to compete with manufactured musical instruments. In making this bio-instrument, the method used consists of problem identification, preparation, application, and evaluation. Through this method, the results obtained in the use of coconut shell waste into creative media are the Kalimba instrument played by plucking the iron keys as the source of the tone, while the coconut shell is used as the main medium for the sound resonance of the Kalimba instrument. Kalimba is classified into a type of lamellophone instrument, which is a musical instrument that has a tongue or a thin plate. In addition to the easy-to-use manufacturing process, the tools and materials in making these instruments are also easy to find and can even take advantage of used materials. The results of making bio-musical instruments are expected to become a reference and reference for academics and non-academics, regarding how to make musical bio-instruments using coconut shell waste.
ANALISIS MELODI LAGU ANEUK YATIM CIPTAAN RAFLY KANDE Rozak, Abdul; Pratama, Haria Nanda; Gusmanto, Rico
Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v5i2.1448

Abstract

Aneuk Yatim is a song created in 1999 by Rafly, has a message and meaning of peace in responding to issues of political upheaval in Aceh, and represents the condition of children in Aceh during the conflict. Through lyrics and melody, Rafly is able to create an atmosphere of sadness that can be felt by the community regarding the conditions and situations during the conflict. The vocals in the song Aneuk Yatim, written by Rafly, have a melodic structure and form consisting of musical ornaments, melodic travel arrangements and scales. This study describes the melody in the song Aneuk Yatim written by Rafly Kande using Western music theory. The purpose of this study is to determine the melody analysis method of pop music in Indonesia in general and regional pop music in particular. The approach taken is a qualitative approach, with descriptive analysis methods, assisted by ethical and emic approaches to facilitate the smoothness of the data search process. The selection of methods and approaches is carried out through documentation, observation, and interviews with participants. The form and structure of the melody in the song Aneuk Yatim, written by Rafly Kande, consists of two parts with a tempo of 60 bpm, each of which is divided into two sentences / periods. The sentences are arranged based on various forms of motifs, each of which has a melody and scale that is repeated in the next period / sentence with a slight change in the melody at the end of the figures (closing phrase). The scale used in this song is the Original Minor and Harmonious Minor, with sequences development techniques, diminished, and augmented. The results of this study are expected to become a reference and reference in the perspective of formal objects and material objects, related to the analysis of the form and structure of the melody, the development of melodic patterns discussed in Western music theory.
ANALISIS MELODI LAGU ANEUK YATIM CIPTAAN RAFLY KANDE Abdul Rozak; Haria Nanda Pratama; Rico Gusmanto
Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v5i2.1839

Abstract

Aneuk Yatim adalah lagu yang diciptakan pada tahun 1999 oleh Rafly, memiliki pesan dan makna perdamaian dalam merespon persoalan gejolak politik di Aceh, serta merepresentasikan kondisi anak-anak di Aceh pada masa konflik. Melalui lirik maupun melodi, Rafly mampu menciptakan suasana kesedihan yang dapat dirasakan oleh masyarakat terhadap kondisi dan situasi di masa konflik. Vokal pada lagu Aneuk Yatim ciptaan Rafly memiliki struktur dan bentuk melodi yang terdiri dari ornamen musik, susunan perjalanan melodi dan scale. Penelitian ini menguraikan melodi pada lagu Aneuk Yatim ciptaan Rafly Kande menggunakan teori musik Barat. Tujuan penelitian ini yaitu mengetahui metode analisis melodi pada musik Pop di Indonesia umumnya dan musik Pop daerah khususnya. Pendekatan yang dilakukan adalah pendekatan kualitatif, dengan metode analisis deskriptif, dibantu dengan pendekatan etik dan emik untuk mempermudah kelancaran dalam proses pencarian data. Pemilihan metode dan pendekatan dilakukan melalui dokumentasi, observasi, dan wawancara dengan partisipan. Bentuk dan struktur melodi pada lagu Aneuk Yatim ciptaan Rafly Kande terdiri dari dua bagian dengan tempo 60 bpm, yang masing-masing bagian dibagi dalam dua kalimat/periode. Pada kalimat tersebut disusun berdasarkan bermacam-macam bentuk motif, yang masing-masing motif memiliki melodi dan scale yang diulang pada periode/kalimat selanjutnya dengan sedikit perubahan melodi pada akhir figures (frase penutup). Penggunaan tangganada pada lagu ini adalah Tangganada Minor Asli dan Minor Harmonis, dengan teknik pengembangan sekuen, diminished, dan augmented. Hasil dari penelitian ini diharapkan menjadi acuan dan referensi dalam perspektif objek formal maupun objek material, terkait dengan analisis bentuk dan struktur melodi, pengembangan pola melodi yang dibahas dalam keilmuan musik Barat.
PEMANFAATAN BATOK KELAPA SEBAGAI MEDIA PEMBUATAN BIO-INSTRUMEN MUSIK Surya Rahman; Rico Gusmanto
Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v5i2.1855

Abstract

Bio-musical instruments can be defined as musical instruments made from plant wastes in the surrounding environment. One of the plant waste that is easily found in the community is coconut shell. Coconut shells are often overlooked for their use as a creative medium, especially in the field of music. Musical instruments are the main media for creativity in the art of music. The rise of musical instruments or musical instruments with high prices has become one of the inhibiting factors for young people to be creative in the field of music. Seeing this phenomenon, it is deemed necessary to develop people's creativity in making their own musical instruments at economical prices but still able to compete with manufactured musical instruments. In making this bio-instrument, the method used consists of problem identification, preparation, application, and evaluation. Through this method, the results obtained in the use of coconut shell waste into creative media are the Kalimba instrument played by plucking the iron keys as the source of the tone, while the coconut shell is used as the main medium for the sound resonance of the Kalimba instrument. Kalimba is classified into a type of lamellophone instrument, which is a musical instrument that has a tongue or a thin plate. In addition to the easy-to-use manufacturing process, the tools and materials in making these instruments are also easy to find and can even take advantage of used materials. The results of making bio-musical instruments are expected to become a reference and reference for academics and non-academics, regarding how to make musical bio-instruments using coconut shell waste. Keywords : Bio-Music Intrument, Coconut Shells, Kalimba
Co-Authors Abdul Rozak Bengi, Windi Simah Berlian Denada Denada, Berlian Dwi Putra , Rizki Mona Dwi Putra, Rizki Mona Dwindy Putri Cufara FANI DILA SARI Haria Nanda Pratama Ihsan, Rivaldi Muhammad Tahir Mulya, Puja Tri Oktavianus Oktavianus Rahman, Surya Rahman, Surya Rahmatullah Rahmatullah Rozak, Abdul Surya Rahman Surya Rahman