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Journal : Jurnal Al-Kifayah: Ilmu Tarbiyah dan Keguruan

Nilai-Nilai Motif Songket Bengkalis Dalam Perspektif Pendidikan Istiqomah, Nur; Indah Permata, Dian; Syahira, Syarifah
Jurnal Al-Kifayah: Ilmu Tarbiyah dan Keguruan Vol. 2 No. 1 (2023): Jurnal Al-Kifayah: Ilmu Tarbiyah dan Keguruan
Publisher : Sekolah Tinggi Agama Islam (STAI) Al- Kifayah Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53398/ja.v2i1.296

Abstract

Bengkalis is also one of the districts with quite a lot of immigrant communities as a result of which there is a lot of cultural mixing. And there are not a few people who follow the culture brought by migrants, so that it can trigger the songket weaving craft to be less appreciated by the local community. This research will discuss 5 songket weaving motifs which are quite familiar among the people, especially the people of Bengkalis. Which aims to find out what educational values are contained in it. The research method used is descriptive qualitative method. Data collection techniques used in this research are observation, interviews and literature or documentation studies. While the selection of informants using purposive sampling technique. The Bengkalis Malay songket woven fabric has a variety of woven motifs or patterns ranging from flora, fauna, nature and others. These motifs have meanings that describe how the perspective of human life. In Riau, it has four weaving centers, namely in Indragiri Hulu, Rokan Hilir, Bengkalis and Siak. Each of these areas has a different basic motive. In the Bengkalis area, there are about 90 typical Malay motifs. In this study, five motifs that are well known among the public will be discussed, namely the bamboo shoots, ducks returning home, sentorak, elbow clouds and ants along. Riau Malay woven fabric is a fabric made by the handicrafts of the Malay people, which is done by the process of weaving threads interspersed with woven gold or silver threads with a certain variety of woven motifs or patterns. The variety of motifs and patterns of woven fabrics in Bengkalis is very diverse. And in each of these motifs there is a very close relationship between humans and nature, both animals and plants. For the Malays, the pattern is not only a mere decoration, but also used as a symbol or symbol that contains a certain meaning and philosophy which contains the noble values of the local culture
Co-Authors Abdul Karim ADELLA, DESY Adinda, Choirunnisa Adiwijaya, Elang Putri Ahmadi, Muhtar Ali Ajeng, Tendri Alimatul Qibtiyah Ambarwati, Rani Tri Andi Rosdianti Razak, Andi Rosdianti Anif Rizqianti Hariz Ariani Saputri , Chandra Atika, Mery Azkiyatun Salsabila, Nur Chiisai, Ayu Putri Dijan Supramono Eka Yanuarti, Eka Farida Rahmawati Fityan Izza Noor Abidin Florina, Ike Desi Hanim, Lailatul M Hasbullah, Ahsan Heni Pujiastuti Hera Wahyuni Hidayah, Annisa Mustikhatul Hidayatullah, Ahmad Fauzan Hijrah Eko Putro Indah Permata, Dian Ira Paramastri Kartika, Wilda Isna Kwartarini Wahyu Yuniarti Laelia Nurpratiwiningsih, Laelia Lestari, Fiqih Indah Yuni Lutfiyana, Eka M. Noor Rochman Hadjam Mardiningsih Masril Masril Maulidah, Izza MOCHAMMAD THAHA Mubarokah, Nada Adhani Mufidah, Muthmainnatun Muhammad Sukri Mumpuni, Sesya Dias Mursyid Nasiroh, Siti Netania Emilisa Netty Herawati Ni Putu Rizky Arnani NUGROHO HARI PURNOMO Parniati Pertiwi, Adharina Dian Prakosa, Herjuna Ardi Prasetya, R. Imam Budi Putri, Metha Hilmiyana Putri, Novi Mardiani Qadhawijayanti , Suci Rezkiyah Rosyidah Rini, Eka Febry Setia Rini, Hapsari Puspita Rodhiyah Mardhiyyah Rohmah, Nailur Rosidah, Ilmiyatur S Setiadi, S Sadali, Ayatullah Safrizal Safrizal Saminah SATRIYAS ILYAS Septiana, Wiwit Cahya Setiyoko, Didik Tri Setyaningsih Setyaningsih, Setyaningsih Sitania, Fendi Sri Adi Nurhayati, Sri Adi Susilowati, Novi Sutaryono - Syahira, Syarifah Syahriani Syahriani, Syahriani Syatria Adymas Pranajaya Tahir, Hasanuddin Tamamudin Tri Wintolo Apoko Veryliana Purnamasari, Veryliana Vincy, Muhammad Wardah Wardah Yana Yana, Yana Yudho Bawono Yusron Masduki, Yusron Zainal Abidin