D. Jupriono
Department of Communication Science, Faculty of Social and Politic Sciences, University of 17 Agustus 1945 Surabaya, East Java, Indonesia

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search
Journal : Anaphora: Journal of Language. Literary and Cultural Studies

THE REPRESENTATION OF A POLYNESIAN THROUGH QUEQEEQ CHARACTER IN HERMAN MELVILLE’S MOBY DICK Ambar Andayani; Jupriono Jupriono
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 2 No 2 (2019): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (901.541 KB) | DOI: 10.30996/anaphora.v2i2.3367

Abstract

This research applies a literary anthropology approach that focuses the study on the uniqueness of Queqeeq character represented in Moby Dick (Mellvill, 1962). That uniqueness contains physical characteristics as a Polynesian, cultural behavior, belief, and dialect. Queqeeq character is described as a very sober man, consistent in his words and manners, and referring to Polynesid race, with large black eyes, natural dark skin, and unworldly tattoos. Quegeeq is represented as a character of a hard worker, agile, and tough as a seaman in the Pacific ocean. In religion, Queqeeq is described as a primitive ritual-religion person, who is serious in fasting; not to eat and talk in the Ramadan time, prays ritually through a wooden idol, following the ritual-religion custom of Polynesian. Generally, it can be concluded that Melville in Moby Dick (1962) succeeds in representing the specific characteristics of Polynesian culture through character and characterization of Queqeeq