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All Journal Humaniora JOGED Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Kajian Linguistik dan Sastra MUDRA Jurnal Seni Budaya Panggung Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Tonil, Jurnal Kajian Sastra, Teater dan Sinema Tarling : Journal of Language Education International Journal of Education and Teaching Zone Terob : Jurnal Pengkajian dan Penciptaan Seni KONSELOR Jurnal Multidisiplin Indonesia IDEA: Jurnal Seni Pertunjukan Panggung Al-Bunyan: Interdisciplinary Journal of Qur'an and Hadith Studies Harmonia: Journal of Arts Research and Education
Nur Sahid
ISI Yogyakarta
Religion Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Veterinary Other

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Journal : Harmonia: Journal of Research and Education

 1 
Symbolic Meaning of Drama “Perlawanan Diponegoro” Sahid, Nur; Susantina, Sukatmi; Septiawan, Nicko
Harmonia: Journal of Arts Research and Education Vol 16, No 2 (2016): (Nationally Accredited, December 2016)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i2.7445

Abstract

Study on Drama entitled “Perlawanan Diponegoro” or “Diponegoro Insurrection” by Lephen Purwanto is aiming at deeply digging the semiotic meanings attached to it. This study employed Keir Elam’s theatrical semiotics as the approach, while Krippendorf’s content analysis was implemented as the method of study. Citing from Krippendorf, content analysis is a method that is particularly develop to study symbolical phenomena with a major purpose that is to dig and reveal other examined phenomena, comprising content, meaning, and essential element of a literary work.
Symbolic Meaning of Drama “Perlawanan Diponegoro” Sahid, Nur; Susantina, Sukatmi; Septiawan, Nicko
Harmonia: Journal of Arts Research and Education Vol 16, No 2 (2016): December 2016
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i2.7445

Abstract

Study on Drama entitled “Perlawanan Diponegoro” or “Diponegoro Insurrection” by Lephen Purwanto is aiming at deeply digging the semiotic meanings attached to it. This study employed Keir Elam’s theatrical semiotics as the approach, while Krippendorf’s content analysis was implemented as the method of study. Citing from Krippendorf, content analysis is a method that is particularly develop to study symbolical phenomena with a major purpose that is to dig and reveal other examined phenomena, comprising content, meaning, and essential element of a literary work.
The Meaning of Political Conflict in the Ketoprak “Satru Ing Ngepal” Sahid, Nur; Junaidi, Junaidi; Iswantara, Nur
Harmonia: Journal of Arts Research and Education Vol 23, No 1 (2023): June 2023
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v23i1.42447

Abstract

This study aims to analyze the meaning of signs related to political conflict between characters in sineprak “Satru Ing Ngepal” (SIN). The political conflicts between these figures will be analyzed for their meaning by relating them to the social-historical context of Indonesia in the New Order and Reformation Eras. The research uses a theatrical semiotic theory approach, dividing theatrical performances into 13 sign systems. Signs related to political conflict between figures will be analyzed denotatively and connotatively. The content analysis method from Kriipendorf was used to analyze the data. The results of this study indicate that Senopati’s political conflict with Mangir semiotically refers to the meaning of the political conflict between the New Order and Reform rulers and the opposition. The enmity between Senopati, Juru Mertani, and Mangir refers to the meaning of the conflict between Wiranto and Prabowo Subianto. Pembayun’s marriage to Mangir means Prabowo Subianto joining President Jokowi’s government for 2019-2024. Pembayun’s courage to fight for Mataram peace with Mangir’s fief land refers to RA Kartini’s emancipation.
The Civilization of Sandur Watch’s Transcendence in the Age of Globalization Hidajad, Arif; Zulaeha, Ida; Sahid, Nur; Cahyono, Agus
Harmonia: Journal of Arts Research and Education Vol 22, No 1 (2022): June 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i1.34803

Abstract

This research departs from the background that Sandur has a form of sublimation of transcendent normativity values conveyed through folk theater products. The main focus of the problem’s formulation in this study is to analyze the symbol system in Sandur, which is to connect to the meaning of transcendence normativity to be associated with the area of civilized society in the era of globalization. The aim is to prove the existence of the normative meaning of transcendence from the symbol system of Sandur’s spectacle and to implement the meaning of the normativity of the transcendence of Sandur as an effort to civilize society to face the negativity of globalization. The analysis in this study was carried out using descriptive qualitative methods through observation, interviews, documentation, and literature, then described based on the concept of Clifford Geertz’s interpretive anthropology. The results obtained in this study are (1) the symbol system in Sandur’s rituals, scenes, and songs has a transcendent normativity in the form of Mutmainah’s attitude and Beyond meaning, as a network of interactions and relationships in the vertical and horizontal dimensions, and (2) the transcendence civilization of Sandur’s spectacle in the era of globalization through Beyond meanings and attitudes Mutmainah to face the negative culture of globalization that allows the occurrence of cultural and moral decadence. The problem that becomes the focus of the transcendence civilization of Sandur’s spectacle in this study is not rejecting the achievement of globalization progress but rather an attempt to internalize the values in the sign of globalization to maintain the mentality of cultural ecstasy of the people born of transcendence normativity.
Symbolic Meaning of Drama “Perlawanan Diponegoro” Sahid, Nur; Susantina, Sukatmi; Septiawan, Nicko
Harmonia: Journal of Arts Research and Education Vol 16, No 2 (2016): December 2016
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i2.7445

Abstract

Study on Drama entitled “Perlawanan Diponegoro” or “Diponegoro Insurrection” by Lephen Purwanto is aiming at deeply digging the semiotic meanings attached to it. This study employed Keir Elam’s theatrical semiotics as the approach, while Krippendorf’s content analysis was implemented as the method of study. Citing from Krippendorf, content analysis is a method that is particularly develop to study symbolical phenomena with a major purpose that is to dig and reveal other examined phenomena, comprising content, meaning, and essential element of a literary work.
Co-Authors Agnestasya Leony Sundy Agus Cahyono Akhmad Nizam ARIF HIDAJAD Dewanto Sukistono Edi Sunaryo Endah Wulansari Farid Sathotho, Surya Hanisputra, Muflikh Auditama I Made Sukanadi Ida Zulaeha Junaedi - Junaidi Junaidi Lisnawati M. Dwi Marianto Moh Abdul Kholiq Hasan Muh Nashiruddin Nanang Arisona Nanang Arisona Ni Putu Laras Purnamasari Nicko Septiawan Nicko Septiawan, Nicko Notosutanto Arhon Dhony, Nugroho Nur Iswantara P Purwanta Purwanto - Purwanto Lephen Raharjo, Arif Budi Risa Erdila Septiawan, Nicko Sukatmi Susantina Sukatmi Susantina, Sukatmi Surya Farid Sathotho Susantina, Sukatmi Tama, Krisna Wadiyo Wadiyo Wahyudi , Riki Wibono, J. Catur Wicaksana, Dewa Ketut Zaki Daris Arhan