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Journal : Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal)

Reinterpretation of the Legend of Batu Gantung as the Basis for the Creation of Batak Opera, Batu Naungan Cinta Azmi Azmi; Russel Akbar Fauzi; Tuti Rahayu
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 5, No 4 (2022): Budapest International Research and Critics in Linguistics and Education, Novemb
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v5i4.7165

Abstract

The creation of the Batak Batu Naungan Cinta Opera is an attempt to reinterpret the legend of Batu Hang as the basis for creating theatrical performances. The formal object of this creation is the theory of reinterpretation (hermeneutics) and the dialectical approach. This creation process uses the concept of performing Batak Opera combined with modern theater conventions. As the basis of creation, the theory used is the theory of montage and the technique of alliance from Bertolt Brecht. The creation methods used include: Source Studies, Visual Observations and Interviews, Literature Studies, Script Writing, Dramaturgy Design, Stage and Ensemble. The result of this process of creation is the Batak Opera performance which offers a new interpretation of the legend of the Batu Gantung.
Transfer of Siti Nurbaya Novel by Marah Roesli to Siti Nurbaya Theater Performance: Bayang di Balik Tiang Mhd. Anggie Januarsyah Daulay; Russel Akbar Fauzi; Agustina Helena Samosir
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 5, No 4 (2022): Budapest International Research and Critics in Linguistics and Education, Novemb
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v5i4.7166

Abstract

Siti Nurbaya's theatrical work: Bayang di Balik Tiang is an achievement of the transfer process from Marah Roesli's novel Siti Nurbaya. The creation of this theater uses transfer theory and dramatic vision as the basis for analysis. As for staging, the theory used is Stanislavski's acting theory and Bertolt Brecht's multiple sets by utilizing the essential elements of randai. The creation methods used include: production of dramatic visions, script writing, acting training, preparation of spectacles and the realization of the unity of the show. The result of this creation process is the presence of a mamak character in Siti Nurbaya's theatrical work: Bayang di Balik Tiang by utilizing the narrator's character as the embodiment of the V-effect.