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Regaria Tindarika
Program Studi Pendidikan Seni Tari dan Musik FKIP Untan, Pontianak
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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Journal : Jurnal Pendidikan Sosiologi dan Humaniora

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Inclusivity in Jepin and Raddat Dance: Exploring Changes in Gender Roles in Traditional Performing Arts Tindarika, Regaria; Rianto, Ridho; Satrianingsih, Aline Rizky Oktaviari; Aditya, Mega Cantik Putri
Jurnal Pendidikan Sosiologi dan Humaniora Vol 16, No 1 (2025): April 2025
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v16i1.91607

Abstract

This study aims to examine the changes in gender roles in the Jepin dance in Sambas Regency, particularly regarding the involvement of women in performances that were previously dominated by men. The research also aims to understand the impact of these changes on the preservation of art, aesthetics, and the cultural values of the Sambas community. The methodology used is a qualitative approach with literature analysis and in-depth interviews with dance practitioners, cultural actors, and community leaders. The data obtained is then analyzed using anthropological and feminist approaches to explore the dynamics of gender roles in the context of traditional arts. The results show that gender roles in the Jepin dance were initially influenced by social structures and cultural values that restricted women's participation in dance. However, with social development, education, and globalization, women began to be accepted as part of the Jepin dance performances. Women's involvement not only enriched the aesthetics of the dance but also reflected broader social changes in gender equality. The positive impacts of these changes include the preservation of the art and the introduction of new aesthetics, while the negative impacts include potential cultural conflicts regarding violations of traditional norms. Overall, this study demonstrates that the transformation of gender roles in Jepin dance contributes to social change without eliminating the cultural essence embedded in the dance.
PESAGUAN DAYAK CULTURE: TENTOBUS TRADITIONAL CEREMONY Tindarika, Regaria; Satrianingsih, Aline Rizky Oktaviari; Aditya, Mega Cantik Putri; Sulissusiawan, Ahadi
Jurnal Pendidikan Sosiologi dan Humaniora Vol 14, No 2 (2023): Edisi Oktober 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v14i2.71510

Abstract

The Pesaguan Dayak ethnic has various types of culture and customs within it. One of the cultures it has is in the form of traditional ceremonies. The Tentobus Traditional Ceremony has a series of activities that have been arranged systematically from start to finish. This research aims to describe the processions contained in the Tentobus Traditional Ceremony considering that carrying out traditional ceremonies has its own applicable rules and procedures. The rules and procedures for carrying out traditional ceremonies in an ethnic group are a reflection of the society that has them. The data was obtained using data collection techniques such as direct observation, in-depth interviews, documentation and literature studies related to the object and focus of the research. The results of this research are that the Tentobus traditional ceremony procession was held for 2 consecutive days. The traditional ceremonial procession on the first day consists of tentobus; penyorahan sensarang; betare; and menanam ancak. Meanwhile, the Tentobus traditional ceremony procession of the Dayak Pesaguan ethnic on the second day consisted of the Besogak Dance; Makan Betanggai;, and Mengerurutan Payung Langit.
Co-Authors Aditya, Mega Cantik Putri Ahadi Sulissusiawan ALINE RIZKY OKTAVIARI SATRIANINGSIH Anisa Safitri, Nur Apriani, Nadella Asfar Muniir, Asfar Berlisia, Melisa Budihardini, Sindy Sri Cantik Putri Aditya, Mega Dwi Oktariani Egi Putri Grandena IMAM GHOZALI Imma Fretisari Ismunandar Ismunandar . Janita, Angen Dea Mastri Dihita Sagala Nahak, Innocentia Marta Abuk Nurmila Sari Djau Oktaviari, Aline Rizky Parasbanyu, Kalista Fiona Putri, Suci Adelia Rianto, Ridho Ridho, Rianto Saputra, Agus Saputri, Suri Ulhasanah, Nida Utami, Riana Winda Istiandini Yery Silaban, Chiristianly Zakarias Aria Widyatama Putra