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Journal : Grenek: Jurnal Seni Musik

 1 
The Existence of Sanggar Genessa in Caring for Kolintang Traditional Music Ambar Sulistyowati
Grenek: Jurnal Seni Musik Vol 12, No 1 (2023): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v12i1.40404

Abstract

Nowadays, the development of kolintang music is experiencing a phase of saturation, which can be said to be running in place. The marginalization of traditional kolintang musical instruments due to the increasing existence of modern music. In addition, the lack of interest in traditional musical instruments such as kolintang, including the marginalization of traditional musical instruments by modern musical instruments and the inability of traditional musical instruments to gain a place in the hearts of the younger generation. The presence of Sanggar Genessa in the Kawanua Harmony in the Jayapura Regency area seeks to find the best way to preserve traditional kolintang music in the midst of the mainstream of modern music development. Another vision is to introduce traditional kolintang music to the wider community. This research aims to find out the existence of Sanggar Genessa in Jayapura Regency, Papua in preserving traditional kolintang music. This research uses a qualitative approach. The research found that Sanggar Ganessa was established to be a forum for arts and cultural activities, especially reviving traditional kolintang music outside the Minahasa area. The concern and love of the Kawanua Family Harmony who are members of Sanggar Ganesa for kolintang traditional music can be seen from the efforts to transform this music along with developments in the modern era. This musical transformation is based on the life of the Kawanua Family Harmony which is full of love, solidarity and shared responsibility to preserve Minahasa's cultural heritage. This local art treasure has been passed down from generation to generation and is maintained not only as a form of entertainment, but also as a form of mutual care.
Turning Beats into Voices of Change: Moral Values in Papuan Urban Music Sulistyowati, Ambar; Kreuta, Daniel
Grenek: Jurnal Seni Musik Vol. 13 No. 2 (2024): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v13i2.59803

Abstract

This study investigates the transformative role of urban music, particularly Hip-Hop, in addressing moral values within the Papuan context. Young Papuan musicians utilize Hip-Hop as a medium for social critique and cultural expression, embedding themes such as justice, environmental stewardship, and resilience in their lyrics. Employing a qualitative approach, the research analyzed song lyrics, performances, and social media content from members of the Bhuyaka Art Center, complemented by in-depth interviews. The findings reveal that Papuan Hip-Hop artists effectively navigate global influences while maintaining cultural authenticity, using music to critique systemic injustices and celebrate local heritage. Notably, the integration of local linguistic elements underscores its role in preserving cultural identity amidst globalization. The study highlights the genre's dual function as an expressive art form and a tool for advocacy, bridging local and global narratives. This research contributes to the discourse on urban music as a catalyst for cultural preservation and moral discourse, emphasizing its potential in fostering societal change and empowering marginalized communities
The Existence of Sanggar Genessa in Caring for Kolintang Traditional Music Sulistyowati, Ambar
Grenek: Jurnal Seni Musik Vol. 12 No. 1 (2023): Grenek: Jurnal Seni Musik (June)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v12i1.40404

Abstract

Nowadays, the development of kolintang music is experiencing a phase of saturation, which can be said to be running in place. The marginalization of traditional kolintang musical instruments due to the increasing existence of modern music. In addition, the lack of interest in traditional musical instruments such as kolintang, including the marginalization of traditional musical instruments by modern musical instruments and the inability of traditional musical instruments to gain a place in the hearts of the younger generation. The presence of Sanggar Genessa in the Kawanua Harmony in the Jayapura Regency area seeks to find the best way to preserve traditional kolintang music in the midst of the mainstream of modern music development. Another vision is to introduce traditional kolintang music to the wider community. This research aims to find out the existence of Sanggar Genessa in Jayapura Regency, Papua in preserving traditional kolintang music. This research uses a qualitative approach. The research found that Sanggar Ganessa was established to be a forum for arts and cultural activities, especially reviving traditional kolintang music outside the Minahasa area. The concern and love of the Kawanua Family Harmony who are members of Sanggar Ganesa for kolintang traditional music can be seen from the efforts to transform this music along with developments in the modern era. This musical transformation is based on the life of the Kawanua Family Harmony which is full of love, solidarity and shared responsibility to preserve Minahasa's cultural heritage. This local art treasure has been passed down from generation to generation and is maintained not only as a form of entertainment, but also as a form of mutual care.
Turning Beats into Voices of Change: Moral Values in Papuan Urban Music Sulistyowati, Ambar; Kreuta, Daniel
Grenek: Jurnal Seni Musik Vol. 13 No. 2 (2024): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v13i2.59803

Abstract

This study investigates the transformative role of urban music, particularly Hip-Hop, in addressing moral values within the Papuan context. Young Papuan musicians utilize Hip-Hop as a medium for social critique and cultural expression, embedding themes such as justice, environmental stewardship, and resilience in their lyrics. Employing a qualitative approach, the research analyzed song lyrics, performances, and social media content from members of the Bhuyaka Art Center, complemented by in-depth interviews. The findings reveal that Papuan Hip-Hop artists effectively navigate global influences while maintaining cultural authenticity, using music to critique systemic injustices and celebrate local heritage. Notably, the integration of local linguistic elements underscores its role in preserving cultural identity amidst globalization. The study highlights the genre's dual function as an expressive art form and a tool for advocacy, bridging local and global narratives. This research contributes to the discourse on urban music as a catalyst for cultural preservation and moral discourse, emphasizing its potential in fostering societal change and empowering marginalized communities
Co-Authors Bidang, Aris Cosye Meilina Sahureka Deysi Olvie Mulder Gusti Nyoman Pardomuan Kadir, Yori R. Kreuta, Daniel Magdalena Susana Marlissa Manupapami, Maria E. Nanuru, Cerry Fressly Parabang, Alfaris P. Pardomuan, Gusti Nyoman Parinussa, Nelinio Parinussa, Nelinio P.M. S. Marlissa, , Magdalena sobolim, indon Yocku, Nella Yustinus Polhaupessy