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All Journal Abdi Seni Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Albertus Rusputranto Ponco Anggoro, Albertus Rusputranto Ponco
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Journal : Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa

 1 
Lukisan Tabik Karya Bibit Waluya Sebagai Parodi Visual Dan Ekspresi Kritik Identitas Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1812.904 KB) | DOI: 10.33153/bri.v2i1.281

Abstract

Painting, as one form of matter creation of art works not only offer an aesthetic experience, imagination and sensory perception for their apreciations but also knowledge. The work of art seen from perspectif hermeneutics is an autonomous artistic phenomenon in the interpret-tation of meaning.To understand the hidden or latent meaning of a painting of hermeneutic theory is needed to unravel the particular text or set of potential marks. The painting, entitled adieu, the work of Seeds 'Jrabang'  Waluya is the subject of art is interpreted by using the rules of hermeneutics to understand its role as a visual parody of criticism and expression of identity. Keywords: Painting, Works of Art, Hermeneutics, Interpretation, Pa-rody, Criticism
Alice in Wonderland versus "Alice in Wonderland": Praktik Apropriasi Dalam Teks (Komik) Poskolonial Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2094.126 KB) | DOI: 10.33153/bri.v2i2.301

Abstract

Children's novel Alice's Adventures in Wonderland by Lewis Carrol (fisrt published in 1865 in England) is one of the literary works of the 19th century which still popular as tales children. A myth that, once created the film version (1903), better known by the title of Alice in Wonderland represents the spirit of colonialism and imperialism. Alice's Adventures in Wonderland represent peoples of Europe who sailed the seas, explore alien worlds without a map that led to the occupation; Alice is a nation of "civilized" that comes in foreign lands., whisch they consider to disorder and "uncivilized", for make it civilized. Emerging resistance-cultural rsistance by the colonized, among which are appropriatied of colonial texts. They do imitation (mimicry) to mock (mockery). In the perspective of postcolonial resistance-resistance was studied and identified to understand the impacts of colonialism that still exists today. Comic / manga works Katherin alice in Wonderland is practice of appropriation : comics / manga that made a lot of time post-colonial after political decolonization in Indonesia.Keywords : colonialism,imperialism,orientalism,postcolonial,abrogation,appropriation,mimicry,mockery,comics,manga
Lukisan Tabik Karya Bibit Waluya Sebagai Parodi Visual Dan Ekspresi Kritik Identitas Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.281

Abstract

Painting, as one form of matter creation of art works not only offer an aesthetic experience, imagination and sensory perception for their apreciations but also knowledge. The work of art seen from perspectif hermeneutics is an autonomous artistic phenomenon in the interpret-tation of meaning.To understand the hidden or latent meaning of a painting of hermeneutic theory is needed to unravel the particular text or set of potential marks. The painting, entitled adieu, the work of Seeds 'Jrabang'  Waluya is the subject of art is interpreted by using the rules of hermeneutics to understand its role as a visual parody of criticism and expression of identity. Keywords: Painting, Works of Art, Hermeneutics, Interpretation, Pa-rody, Criticism
Alice in Wonderland versus "Alice in Wonderland": Praktik Apropriasi Dalam Teks (Komik) Poskolonial Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i2.301

Abstract

Children's novel Alice's Adventures in Wonderland by Lewis Carrol (fisrt published in 1865 in England) is one of the literary works of the 19th century which still popular as tales children. A myth that, once created the film version (1903), better known by the title of Alice in Wonderland represents the spirit of colonialism and imperialism. Alice's Adventures in Wonderland represent peoples of Europe who sailed the seas, explore alien worlds without a map that led to the occupation; Alice is a nation of "civilized" that comes in foreign lands., whisch they consider to disorder and "uncivilized", for make it civilized. Emerging resistance-cultural rsistance by the colonized, among which are appropriatied of colonial texts. They do imitation (mimicry) to mock (mockery). In the perspective of postcolonial resistance-resistance was studied and identified to understand the impacts of colonialism that still exists today. Comic / manga works Katherin alice in Wonderland is practice of appropriation : comics / manga that made a lot of time post-colonial after political decolonization in Indonesia.Keywords : colonialism,imperialism,orientalism,postcolonial,abrogation,appropriation,mimicry,mockery,comics,manga
Co-Authors Primadewi, Nerfita Waryanti, Dessy Rachma