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All Journal Gorga : Jurnal Seni Rupa Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa International Journal of Engagement and Empowerment (IJE2) Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
I Wayan Setem, I Wayan
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MEDIUM SHIFT AND EXISTENCE OF ORNAMENTS ON PELINGGIH OF SACRED BUILDINGS (TEMPLES) DUE TO THE VOLCANIC IMPACT OF MOUNT AGUNG Sumantra, I Made; Susanto, Moh. Rusnoto; Setem, I Wayan; Dewi, Citra Samara; Selimanorita, Shafa’; Dewobroto, Bambang Trisilo
International Journal of Engagement and Empowerment (IJE2) Vol. 3 No. 3 (2023): International Journal of Engagement and Empowerment
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ije2.v3i3.124

Abstract

The study of the existence of ornaments on the pelinggih (temple) buildings that utilise the black stone material of Mount Agung is considered to be only a tiny part of the ornamental manifestations applied to the black stone pelinggih building of Mount Agung when compared to the application of pelinggih ornaments using solid stone materials in general. It is done as an economic production that needs to be sold to the public, especially for Hindus in Bali. To explore this, the researcher uses socio-cultural and aesthetic approaches. The presentation of this article aims to describe (1) The form of the pelinggih temple building that has been used in the community as a place of worship. (2) The existence of ornaments, which are applied to the parts of the pelinggih building, according to the existing parts, such as the feet, the body and the top. (3) Factors influencing the creation of pelinggih with black stone material of Mount Agung, featuring ornaments with minimalist patterns. It is hoped that this research can also be used as a basis for future research to find solutions in developing techniques for sculpting or carving ornaments that utilise the black stone material of Mount Agung, using modern tools. The research approach used was descriptive qualitative. Data were collected through field surveys, literature studies, observations and interviews. Data can be collected, processed, classified and reduced, then analysed using textual and contextual analysis and interpretation. Descriptive qualitative research method that describes situations or events to make a description systematically, factually, and accurately about the facts and the characteristics of the population or sample of a particular area (Suryabrata, 2005: 76). Data in verbal form is often contained in different words with the same meaning and long and wide sentences. In conclusion, the description of ornaments on pelinggih (temple) buildings that use the black stone material of Mount Agung is related to the dominant factors that influence the embodiment of decorations. Although the structure and form of the pelinggih in the preparation have followed the ethics or the existing rules, the application of ornaments in detail is minimal, only in the form of basic patterns, both at the bottom feet, body or middle and head or top. There is still a lack of reliable and professional Gunung Agung black stone carvers
CUPU MANIK TIRTA AMERTA UNTUK MENJAGA KESEIMBANGAN KOSMOLOGI AIR DARI GUNUNG KE LAUT Setem, I Wayan; Gulendra, I Wayan; Yudha, I Made Bendi
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Pengabdian kepada masyarakat ini bertujuan untuk mencipta dan menyajikan cupu manik tirta amerta sebagai peningkatan apresiasi pendidikan ramah lingkungan untuk menjaga kelestarian lingkungan alam. Model pengabdian dengan penciptaan seni patung cupu manik tirta amerta menjadi ekspresi budaya yang mampu menjadi media upaya solusi atas permasalahan kerusakan daerah aliran sungai (DAS) Unda yang terjadi saat ini. Metode penciptaan dan penyajian meliputi perancangan model untuk menemukan desain penyajian seni patung yang memiliki kebaruan,eksplorasi alat dan bahan untuk menemukan materi utama. Proses penciptaan bersifat kalaborasi dengan masyarakat, pemerintah Desa Paksebali, Dawan Klungkung, komunitas seni, pencinta lingkungan, dan mahasiswa sehingga terjadi saling respon dan pertukaran pengalaman. Penciptaan ini juga untuk mendukung pertumbuhan ekonomi dan pengembangan inovasi dengan kreativitas yang bisa merevitalisasi objek wisata Kali Unda guna mengembalikan vitalitas kawasan yang telah menurun. Dampak penciptaan ini mampu mempengaruhi meningkatnya kunjungan wisata yang berdampak pula pada kesejahteraan masyarakat.
REPRESENTASI SUNGAI SEBAGAI NAGA BASUKI UNTUK MENJAGA KESEIMBANGAN KOSMOLOGI AIR DALAM PENCIPTAAN SENI LUKIS Setem, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.138

Abstract

The phenomenon of shifts in Balinese knowledge and treatment of rivers in a Hindu perspective is a very important fact and urgent to be explored and revealed. On the basis of the thought of awareness of the reality conditions that occur in rivers in the industrial era, the creator has hopes, ideals, longings, and spiritual values which are ideals as cosmos humans, so a view is born which is the idea of creating a painting with the title Representation of the River as a Dragon Basuki for Maintaining the Cosmological Balance of Water in the Creation of Painting. It means that by representing the river with symbols that can be understood, the artwork created is a metaphorical language that is able to communicate with the audience and will build appreciation. In this case, it is the creator's desire to convey certain thoughts (messages) to everyone through the created works of art and can produce meaning through the mechanism of articulation by the audience.
Baris Kekupu di Banjar Lebah Desa Sumerta Kaja sebagai sumber inspirasi dalam Penciptaan Karya Seni Lukis Putra Artawan, I Made; Karja, I Wayan; Setem, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1534

Abstract

Baris Kekupu Dance is a dance that was originally created to accompany the memukur/nyekah ceremony, which is during the mepurwa daksina process. The idea of creating the Baris Kekupu dance is from the butterfly decoration on the resin brackets that are found during the memukur ceremony. The Baris Kekupu dance has its own uniqueness and characteristics such as colorful costumes, wearing legong coils, and using the butterfly wing property which has an aesthetic value in terms of color. The meaning contained in the Baris Kekupu dance and its uniqueness has become an idea and source of inspiration for the author in painting. The method used in the research of the Baris Kekupu Dance in Banjar Lebah is the method of observation, interviews, literature, and documentation. The idea in this creation are realized by the author using the methods of exploration, experimentation, and formation. In the process of realizing this work, the author pours his ideas and imagination into canvas media. The author describes the object of the Baris Kekupu dance and its supporting objects by pouring the author’s imagination in accordance with the uniqueness and meaning contained in this dance, which the author manifest into six works, including: 1. The Birth of the Baris Kekupu Dance, 2. Pitra Yadnya, 3. Mepurwa Daksina, 4. Journey to Sunia Loka, 5. Towards Swarga Loka, 6. Towards Neraka Loka. In the creation of this work, the author applies the elements and principles of painting. The creation of paintings is viewed from the physioplastic and ideoplastic aspects. Then the writer is able to describe the meaning of the six works.
Babi Sebagai Media Ekspresi Kritik Sosial Dalam Penciptaan Seni Lukis Darma Yoga, I Made; Setem, I Wayan; Murdana, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1535

Abstract

Pig is one of animal which has its own characteristics, both in terms of physical and characteristics that distinguish them from other animals. Pigs are greedy, dirty, lazy, stupid, savage, lustful and so on. By understanding to involve and observe a pig from their uniqueness on people's life, either directly or indirectly, it will lead to an understanding and perspective in assessing everything which is experienced in daily life. With the background of observing the life of pig in Balinese society in particular, the creator has an interest in expressing it into painting. The creation of this painting tries to visualize a metaphor from the characteristics of pig which is exist in the present context of human. It can be seen from the society phenomena which actually reflect the characteristic of the pig itself. In realizing ideas and themes in artworks through process, experiment, preparation, formation and finishing. Creating the artwork by organizing the elements and elements of art on a two dimension. Regarding the displayed theme, they are sourced from the nature environment and personal experience which is interesting or imprint in memory and provide memories so that the artwork will create as a record of personal life. Personally in this context, the creator sees various interesting things which can be expressed through the depiction of the characteristics of a pig, which can be concluded that with the life of a pig, the creator can understand, express, interpret the characteristic of a pig as a social critique in the creation of an artwork.
Zodiak Sebagai Ekspresi Dalam Penciptaan Karya Seni Lukis Kristina, Renata Ayu; Setem, I Wayan; Purnami Utami, Ni Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1541

Abstract

This thesis raises the theme of "Zodiac as Expression in the Creation of Paintings" from an observation of various types of behavior, characters, and characteristics of the zodiac. This gives rise to the urge to bring the expressions of the zodiac cancer, pisces, and scorpio into abstract style paintings. In the embodiment of the work, the style used is a combination of naturalism and abstractionism, which are the characteristics of Mr. Made Budhiana's painting as a partner in the independent study program of the Merdeka Learning Campus Merdeka. With the aim and benefit of providing an understanding of the zodiacal character of the water element, the author expresses ideas that are processed using qualitative methods, equipped with interview guidelines, reduction and presentation of data that can be used as ideas in creating a painting. Ideas or ideas cannot be separated from observations and interactions with surrounding conditions and personal experiences so that the author can express the feelings of the zodiac character with the water element in the painting. The idea obtained also comes from astrological records that have been studied since time immemorial, namely the Ancient Greek tradition that is spread on social media. So it can be concluded that this painting with the theme of the water element zodiac can be used as a reference to understand a person's character, especially the Cancer, Pisces, and Scorpio zodiacs in everyday life
Rerajahan Sebagai Sumber Inspirasi Penciptaan Seni Lukis Arsad Tri Gunawan, I Made; Wirakesuma , I Nengah; Setem, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1545

Abstract

Departing from an idea about rerajahan illustration which always has its own meaning in each of its strange forms, it creates an impetus to present rerajahan visualization by combining certain techniques and references to achieve goals and meanings that are in accordance with what is desired. The problem faced is how to process the rerajahan visuals to represent ideas so that the embodiment of the work looks interesting. The purpose and benefits are to provide a new reflection and elevate the existence of rerajahan which is full of use in various yadnya ceremonies in Bali, and to increase the author's understanding of the forms of rerajahan. To answer what is the purpose of this work, the method of creation uses exploration, improvisation, and forming. By arranging elements of art, and going through the stages of exploration, improvisation, and the forming stage, and combined with ideas and ideas to create 6 works entitled: 1) "covered", 2) "Self Struggle", 3) "Formed", 4 ) “Temporarily”, 5) “Destroyed”, 6) “Ready? Go!”. In the embodiment of the work, the author will use several technical references from other artists. By combining the blurry technique and the oil paint suction technique in the visualization of works that have a strange shape, and combined with texts such as in comic books to represent a movement, it is hoped that they will produce quality works and become the identity of the author. In the end, it can be concluded that traditional arts, especially rerajahan, provide a lot of inspiration in their work and are very interesting to be raised and developed with imaginative ideas that will become valuable and meaningful works. With the creation of this work, it is hoped that it can convey a message or meaning to a personal phenomenon that the author has experienced.
Ornamen Nusantara Sebagai Sumber Inspirasi Penciptaan Lukisan Pada Kain Sutra Utomo, M. Indra Bayu; Setem, I Wayan; Yudha, I Made Bendi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1839

Abstract

In writing this final report, the author raised the theme of ornament as a source of inspiration for creating paintings on silk. Silk painting is a type of craft product originating from China and India since the 2nd century AD. Silk painting entered Indonesia about 200 years later because of the trade relations between Indonesia and China and India. Although the art of silk painting has long been known in Indonesia, the art of silk painting is still not developed like other types of craft products that have been widely developed in Indonesia. Because when the influence of silk painting entered Indonesia, Indonesia had already developed the batik industry. The art of silk painting itself is more or less influenced by batik techniques. The author develops archipelago ornaments in the creation of paintings on fabrics, especially silk, the techniques studied are very interesting for the development of painting techniques. Therefore, the author makes 6 beautiful works that have their own ornamental style, besides that the author also develops the creation of archipelago ornaments by creating new ornaments on both denim and silk fabrics with different methods and techniques
Pujawali Pura Dalem Tungkub Mengwitani Sebagai Inspirasi Penciptaan Karya Lukis Prayoga, I Made Adi Putra; Setem, I Wayan; Yudha, I Made Bendi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3500

Abstract

Pujawali is a day to celebrated by Hindus as a form of gratitude to God. Furthermore, the pujawali at Dalem Tungkub Mengwitani temple includes several processions, including the process of ngias sumpang, going to the purification, give the blabaran, mamendet, murwa daksina, joint prayer, napak pertiwi, and nyineb. The aim of creating this work and writing is to find the author's unique painting style inspired by pujawali activities using expressionist techniques. The method used in the process of creating this work of painting is the writing method by Hawkins, including the stages of exploration, improvisation and formation. The results of this activity correspond to the stages carried out, namely (1) in the exploration stage relevant ideas and studies related to the work created are produced; (2) the improvisation stage produces sketches in a sketchbook; and (3) the formation stage produced six works of painting according to the pujawali plot at Pura Dalem Tungkub Mengwitani.
The Impact Of Deforestation As An Idea In The Creation Of Painting Nataprawira, Muhammad Rafli Ramdhani; Mustika, I Ketut; Setem, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3628

Abstract

This thesis contains a description of the creation of a work of painting with the theme "The Impact of Deforestation as an Idea in The Creation of Painting" which was inspired by reading a book which reminded the author of his visit to Kalimantan. This will discuss the impact of deforestation in Indonesia. Indonesia is the largest archipelagic country in the world, with its vast territory, Indonesia is known for its very diverse cultural, ethnic and natural riches, and as the Lungs of the World. However, the serious problem currently facing Indonesia is deforestation. Deforestation is the activity of cutting down forests where the land is converted for non-forest use. This change in forest land causes disruption of environmental conditions such as natural disasters, extinction of flora and fauna, global warming and climate change. The aim to be achieved in creating this work is to understand the impact of deforestation in Indonesia through creativity and imagination in the form of paintings using various techniques, media, considering the elements and principles of fine art. From the theme above, there are 6 (six) works that can be realized from the impact of deforestation which can provide an overview of the impact of deforestation in Indonesia.
Co-Authors Arsad Tri Gunawan, I Made Aryani, Ni Nyoman Ayu Suti Darma Yoga, I Made Dewi, Citra Samara Dewobroto, Bambang Trisilo Drs. I Wayan Mudana,M.Si. . Gede Putra Jaya, I Made Gulendra, I Wayan I Ketut Murdana I Made Bendi Yudha, I Made Bendi I Made Sudana I Nengah Wirakesuma, I Nengah Kanta, Putu Aripta Dera Karja, I Wayan Kondra, I Wayan Kristina, Renata Ayu Mustika, I Ketut Nataprawira, Muhammad Rafli Ramdhani Prayoga, I Made Adi Putra Purnami Utami, Ni Made Putra Artawan, I Made Selimanorita, Shafa’ Sumantra, I Made Susanto, Moh. Rusnoto Tjokropramono, Gede Yosef Utama, Pande Komang Budhi Sastra Utomo, M. Indra Bayu Wirakesuma , I Nengah