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Soni Sadono
Universitas Telkom
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Journal : Berkala Arkeologi

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The Performing Arts in Ancient Java: Historical and Archaeological Studies Soni Sadono; Pandanwangi, Brilindra
Berkala Arkeologi Vol. 45 No. 1 (2025)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/jba.2025.9048

Abstract

This research was conducted to investigatesthe development of performing arts through historical and archaeological evidence, including inscriptions, temple reliefs, literary texts, and performing arts artifacts. This research aims to explore the cultural significance of the performing arts in ancient Java and how the influence of Hindu-Buddhist culture transformed traditional art forms into more structured and complex ones. This focus emerges from the limited understanding of how performing arts shaped and reinforced social solidarity in Javanese society. This research employs historical methodology with a qualitative descriptive approach. This method includes four main stages: (1) Heuristics collection data from written sources (inscriptions, kakawin, and historical texts) and unwritten sources (artifacts and temple reliefs); (2) Criticism to evaluate the authenticity and credibility of sources through external and internal criticism; (3) Interpretation to analyze the meaning and relationship between historical data; and (4) Historiography to compile a coherent historical story. The results show that the performing arts in ancient Java, such as wayang and gamelan, developed rapidly through the adaptation of Hindu-Buddhist values. Wayang, which was originally a medium for ancestral worship, transformed into a means of entertainment and a medium for delivering Indian epics such as the Mahabharata and Ramayana. Reliefs on temples such as Borobudur and Prambanan illustrate the integral role of dance and music as an important part of the social and religious life of ancient Javanese society. In addition, the art of comedy has also developed as entertainment that conveys moral messages and enlivens the social atmosphere.
Co-Authors Abdurrachman, Arazak Adrian Permana Zen Adzani, Qaisya Afti, Sevilla Naufal Agus Dody Purnomo Alfath, Muhammad Amal, Hanif Hasanul Amelia Pasha, Dea Arsyafitri, Yasmin Annisaa Asep Sufyan Muhakik Ayuningtyas, Ester Dyah Bagus Nur Rochman, Bagus Nur Brilindra Pandanwangi Brillian, Rayhan Muhammad Catur Nugroho Cucu Retno Yuningsih Didit Endriawan Donny Trihanondo Dwitama, Muhamad Rizki Dyah Ayu Wiwid Sintowoko Epri Diningrum, Anisa Fahrez, Arsyi Muhammad Fauzan, Emir Ahmad Firdaus, Ivan Fauzy Firdaus, Mahadika Fuadi, Rizka Aulia Putri Harrie Lutfie Hening Laksani Hibatullah, Fikri Nabil Husna, Safaratul Hutabarat, Tiurma Rotua Iqbal Prabawa Wiguna Ivana, Jenifer Janitra, Azarinnabila Kasputra, Danil Kharisma Nasionalita Kusumanugraha, Sigit Leni Cahyani Mahendra, Rengga Nadif Miftahussurur, Giat Agus Muyassar, Muhamad Ihsan Nastiti, Tiara Khaliza Nazori, Futrawan Nurwidhi, Dwiannisa Shafira Pamungkas, Ridho Putra Pandanwangi, Brilindra Paramitha Pebrianti2 Pebrianti2, Paramitha Putri, Jade Elisa Rafli, Muhammad Rahmat Hidayat Ridwan, Marsha Nabila Rohadiyat, Vega Giri Rustandi, Aprilia Putri Sampurno Wibowo Sarita, Sandrina Rahma Setiawan, Rheza Putra Teddy Ageng Maulana Topik Mulyana Tri Haryotedjo Vega Giri Rohadiat