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All Journal Jurnal Ilmiah Manajemen "E M O R" LINGUISTIK : Jurnal Bahasa dan Sastra Hasta Wiyata SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Klasikal: Journal of Education, Language Teaching and Science CENDEKIA : Jurnal Ilmu Pengetahuan Jurnal Pendidikan dan Profesi Keguruan Seminar Nasional Pengabdian Kepada Masyarakat HUMAN: South Asian Journal of Social Studies IPTEK: Jurnal Hasil Pengabdian kepada Masyarakat Seminar Nasional Hasil Penelitian LP2M UNM DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia Leksikon: Jurnal Pendidikan Bahasa, Sastra, dan Budaya GEMBIRA (Pengabdian Kepada Masyarakat)
Irma Satriani, Irma
Fakulstas Sastra Universitas Gadjahmada
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Journal : DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia

 1 
Kajian Kritik Sastra dengan Pendekatan Psikologi Sastra pada Cerpen Kucing Setan yang Merasakan Cinta Karya Cicilia Oday Anggita, Dwi; Satriani, Irma
DIDAKTIS : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 3 No 2 (2025): DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Fakultas Sastra Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/didaktis.v3i2.924

Abstract

This study aims to reveal the psychological dynamics of the main character in the short story Kucing Setan yang Merasakan Cinta by Cicilia Oday through the lens of literary psychology using Sigmund Freud's psychoanalytic theory. The short story stands out by presenting a cat character as a symbolic figure undergoing an inner transformation influenced by its social environment. Employing a qualitative descriptive method with reading and note-taking techniques as well as literature review, this research analyzes the character's personality structure based on Freud's three main components: id, ego, and superego. The results show that the cat undergoes complex psychological conflicts, where instinctual drives (id) initially dominate its behavior filled with anger and vengeance. However, as the story progresses, the development of the ego enables the character to mediate between these instinctual urges and the social norms introduced by the environment. The superego emerges as a moral compass when the character begins to experience affection and comprehend the value of sacrifice. This transformation demonstrates that even symbolic non-human characters possess psychological structures worth exploring. This study is expected to contribute to Indonesian literary criticism by expanding the analytical space for symbolic characters in short stories.
Relasi Kuasa dan Wacana Resistensi dalam Novel Janji Karya Tere Liye Perspektif Michel Foucault Ramadani, Atika Suri; Satriani, Irma
DIDAKTIS : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 3 No 2 (2025): DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Fakultas Sastra Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/didaktis.v3i2.919

Abstract

This study aims to analyze the forms and dynamics of power relations in Tere Liye’s novel Janji through Michel Foucault’s theory of discourse and power. The research employs a qualitative method with a Foucauldian discourse analysis approach to examine how power operates, spreads, and produces truth within the novel’s social context. The data consist of textual excerpts that illustrate elements of surveillance, discipline, and resistance. The findings reveal that power in Janji is not monolithic or merely repressive but rather productive and diffused across three major domains: mental control through normalization and surveillance, bodily discipline through social and institutional mechanisms, and social domination maintained through economic and symbolic power. On the other hand, acts of resistance emerge as counter-discourses performed by the main character, demonstrating that power always allows space for opposition and social transformation. The study concludes that Janji reflects the complexity of power relations that not only constrain but also shape individual identity, behavior, and awareness within social networks, emphasizing the importance of critical consciousness toward the mechanisms of power embedded in everyday life.
Relasi Kuasa dalam Novel Anjing Mengeong, Kucing Menggonggong Karya Eka Kurniawan: Perspektif Michael Foucault Lulyastuti, Lulyastuti; Satriani, Irma
DIDAKTIS : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 3 No 1 (2025): DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Fakultas Sastra Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/didaktis.v3i1.789

Abstract

This journal discusses the analysis of power relations in the novel Anjing Mengeong, Kucing Menggonggong by Eka Kurniawan using Michael Foucault's perspective. The research method used in this analysis is the qualitative description method. This method is a research process that produces descriptive data in the form of words rather than numbers. In the analysis of the novel Anjing Mengeong, Kucing Menggonggong by Eka Kurniawan, a descriptive method was used. This research uses analytical techniques which aim to find the data contained in the novel to make data collection and classification easier. The results of the analysis of the novel Dog Meowing, Cats Menggonggong by Eka Kurniawan in this analysis can be found several evidences of relationships that exist in this literary work. In the novel, it is described how the father's power is reflected not only in harsh actions, but also in the form of words spoken to control the child's body. Apart from that, it was also found that there were authorities who were able to cause feelings of humiliation in the child. In Foucault's perspective, power can also appear as a form of control that is internalized by individuals.
Identitas Budaya dalam Novel Lusifer Lusifer karya Venerdi Handoyo: Kajian Postmodernisme Jean Francois Lyotard Saputra, Yusril; Satriani, Irma
DIDAKTIS : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 3 No 1 (2025): DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Fakultas Sastra Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/didaktis.v3i1.790

Abstract

This study explores cultural identity in the novel Lusifer Lusifer by Venerdi Handoyo using Jean Francois Lyotard postmodernism approach. Concentrating on the representation of cultural identity in the form of religion, identity deception and masking, cultural adoption, and forms of irony. concentrating on irony in the text, religious representation, identity deception, and cultural adoption. The novel Lusifer Lusifer by Venerdi Handoyo shows how elements of Christian culture influence the daily lives of its characters through family relationships, religious rituals, and spiritual symbols. In this novel, postmodernism is depicted through the perspective that modernism does not meet the needs of humans as a whole and that religion is part of a collective identity, not just a personal belief. The results show that it offers a reflection on the relationship between religion, culture, and identity and criticizes the norms of modern society. The symbols used and adapted by the characters in this work form a cultural identity, depicting the conflict between the influence of modern culture and religious beliefs.
Co-Authors ., Haerana AJ., Andi Agussalim Andi Fatimah Andi Fatimah Yunus Anggita, Dwi Aprinus Salam Aslam, Annisa Paramaswary Aslan Abidin, Aslan Asriadi Asriadi Aswati Asri, Aswati Candra Dewi, Anita Dewi, Anita Candra Faisal Faisal Hajrah Hajrah, Hajrah Herdiani, Rizki Indryani, Rahmah Johar Amir Lulyastuti, Lulyastuti Nurrahmah Nurrahmah, Nurrahmah Nurul Fadilah Aswar Ramadani, Atika Suri Ramadani, Aulia Magfira Ramadhan, Nur Syawaluddin Ramadhani, Andi Reski Reski, Reski Rosvita, Ita Sakinah Fitri, Sakinah Saputra, Yusril Shafariana, Shafariana Sompa, Andi Suarni Syam Saguni, Suarni Syam Yunus, Andi Ibrahim