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All Journal Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Jurnal Ilmiah Mandala Education (JIME) Pancasila: Jurnal Keindonesiaan Prima Magistra: Jurnal Ilmiah Kependidikan Indonesian Research Journal on Education Jurnal Multidisiplin Sahombu Cantata Deo: Jurnal Musik dan Seni Journal of Education and Social Science Global Journal of Social Learning TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya Jurnal Pengabdian Pada Masyarakat IPTEKS Journal of Linguistics and Language Teaching International Journal of Social Sciences and Humanities
Suryadmaja, Galih
Universitas Nahdlatul Ulama Nusa Tenggara Barat
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Journal : Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni

 1 
The impact of changes in scale configuration on the gangsa instrument of the Bhavana Ethnic Mataram as an Indonesian music innovation Gde Agus Mega Saputra; Galih Suryadmaja; Dewi Puspita Ningsih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5887

Abstract

The use of traditional instruments in Bhavana Ethnic's musical compositions is one of the innovative aspects of Indonesian music offered. This Indonesian authenticity emerges through the characteristic sounds and drumming patterns that are presented in composing the harmony of the musical works. The innovation in question is the group's efforts to change the composition and configuration of the notes and scales on the gangsa  instrument. An instrument adopted from the Balinese gamelan ensemble. Making adjustments to the reality of traditional music in the creative process. The aim of this research is to explain the importance of innovation in the creative (music) process. Seeing how the Bhavana Ethnic group's perspective understands the reality of tradition in gangsa  instruments, the idea emerged to change the composition and configuration of the notes in an effort to meet the aesthetic needs in the work. This research was conducted using qualitative methods. Researchers as the main instrument to understand the impact of changes in the tone composition and scale configuration of bronze instruments in natural conditions. The research results are that changes in aspects of the instrument's pitch configuration have implications for changes in the number of tones, pitch range, rules, melodic pattern system, and instrument function in the ensemble. The result of the musical innovation process carried out is that there is a tendency for interval patterns in the selection of tones in each musical creation process. The tendencies for interval patterns in question include the 2- ½ -1- 2 -½ pattern on the major scale, and 1-1- 1½ -1 -1½ on the minor scale.
An ethnomathematical analysis of the Gandrung Lombok dance as an effort to utilize local wisdom in the mathematics learning process Hidayati, Djuita; Anggraini , Erna; Suryadmaja, Galih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6375

Abstract

Ethnomathematics is currently also a bridge for the emergence of new strategies in the mathematics learning process. The aim is to make mathematics easier to understand by finding cultural facts in everyday life, such as in the Gandrung Lombok dance. Until now, there has been no study of ethnomathematical analysis of the various movements of the Gandrung Lombok dance that can be used in the learning process. This research aims to explain the ethnomathematics aspects of various Gandrung Lombok dance movements. The research used a qualitative descriptive method with an ethnographic approach involving participant observation, interviews, and documentation. Interviews were conducted with maestros and performers to explain and describe various mathematical phenomena in various Gandrung Lombok dance movements. Then, the collected field data was analyzed using a qualitative descriptive approach, and the validity of the data used in this research was tested using triangulation techniques. The research results explain that counting and measuring activities are performed in various Gandrung Lombok movements. Counting activities are carried out repeatedly by counting the numbers one to eight accompanied by accompanying music. Measurement activities in the presentation of Gandrung Lombok dance movements are implemented in the presentation of movement patterns, including hand, foot, and floor patterns. Ethnomathematics related to measurement is carried out by applying the geometric concepts of semicircles, circles, and triangles. The triangle concept is the most dominant concept in various Gandrung Lombok movements, which can be seen in the shape of the hand and foot patterns. One of the findings in this research explains that the concept of triangular geometry is an important element in building the aesthetic image of Gandrung Lombok, which needs further proof.
An ethnomathematical analysis of the Gandrung Lombok dance as an effort to utilize local wisdom in the mathematics learning process Hidayati, Djuita; Anggraini , Erna; Suryadmaja, Galih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6375

Abstract

Ethnomathematics is currently also a bridge for the emergence of new strategies in the mathematics learning process. The aim is to make mathematics easier to understand by finding cultural facts in everyday life, such as in the Gandrung Lombok dance. Until now, there has been no study of ethnomathematical analysis of the various movements of the Gandrung Lombok dance that can be used in the learning process. This research aims to explain the ethnomathematics aspects of various Gandrung Lombok dance movements. The research used a qualitative descriptive method with an ethnographic approach involving participant observation, interviews, and documentation. Interviews were conducted with maestros and performers to explain and describe various mathematical phenomena in various Gandrung Lombok dance movements. Then, the collected field data was analyzed using a qualitative descriptive approach, and the validity of the data used in this research was tested using triangulation techniques. The research results explain that counting and measuring activities are performed in various Gandrung Lombok movements. Counting activities are carried out repeatedly by counting the numbers one to eight accompanied by accompanying music. Measurement activities in the presentation of Gandrung Lombok dance movements are implemented in the presentation of movement patterns, including hand, foot, and floor patterns. Ethnomathematics related to measurement is carried out by applying the geometric concepts of semicircles, circles, and triangles. The triangle concept is the most dominant concept in various Gandrung Lombok movements, which can be seen in the shape of the hand and foot patterns. One of the findings in this research explains that the concept of triangular geometry is an important element in building the aesthetic image of Gandrung Lombok, which needs further proof.
The impact of changes in scale configuration on the gangsa instrument of the Bhavana Ethnic Mataram as an Indonesian music innovation Agus Mega Saputra, Gde; Suryadmaja, Galih; Puspita Ningsih, Dewi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5887

Abstract

The use of traditional instruments in Bhavana Ethnic's musical compositions is one of the innovative aspects of Indonesian music offered. This Indonesian authenticity emerges through the characteristic sounds and drumming patterns that are presented in composing the harmony of the musical works. The innovation in question is the group's efforts to change the composition and configuration of the notes and scales on the gangsa  instrument. An instrument adopted from the Balinese gamelan ensemble. Making adjustments to the reality of traditional music in the creative process. The aim of this research is to explain the importance of innovation in the creative (music) process. Seeing how the Bhavana Ethnic group's perspective understands the reality of tradition in gangsa  instruments, the idea emerged to change the composition and configuration of the notes in an effort to meet the aesthetic needs in the work. This research was conducted using qualitative methods. Researchers as the main instrument to understand the impact of changes in the tone composition and scale configuration of bronze instruments in natural conditions. The research results are that changes in aspects of the instrument's pitch configuration have implications for changes in the number of tones, pitch range, rules, melodic pattern system, and instrument function in the ensemble. The result of the musical innovation process carried out is that there is a tendency for interval patterns in the selection of tones in each musical creation process. The tendencies for interval patterns in question include the 2- ½ -1- 2 -½ pattern on the major scale, and 1-1- 1½ -1 -1½ on the minor scale.
Co-Authors -, Baiq Larre Ginggit Sekar Wangi Agus Mega Saputra, Gde Anggraini , Erna Apriawan, Andika Ashar Banyu Lazuardi Biagi, I Wayan Kusuma Di Buana, Daffa Satya Jaya christofer satria Dewi Puspita Ningsih Dewi Puspita Ningsih Di Biagi, I Wayan Kusuma Djuita Hidayati Duwi Purwati Haryono Haryono Hilmi , Muhammad Zoher I Nyoman Miyarta Yasa I Wayan Kusuma Di Biagi Irfan Hidayat, Irfan Irhas Irhas, Irhas Kukuh, Lalu Guruh Virgiawan Dwi Kurnia, Wahyu Lalu Dwi Satria Ardiansyah Mawardi, Taufik Mukminah Nahdlatuzzainiyah, Nahdlatuzzainiyah Nurtikawati Puspita Ningsih, Dewi Putrajip, Mohamad Yudisa Qatrunnada, Qatrunnada Rahmadi, Didin Septa Renda, Rapi Rizkika, Andhika Saearani, Muhammad Fazli Taib Safitri, Karisma Sakbanai, Rosdiana Salniwati Utari, Retno