Article Per Year (5 Year)
p-Index From 2020 - 2025
5.8
P-Index
This Author published in this journals
All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education SWARA - Jurnal Antologi Pendidikan Musik Prosodi: Jurnal Ilmu Bahasa dan Sastra JPsd ( Jurnal Pendidikan Sekolah Dasar ) RITME Jurnal EMT KITA Gondang: Jurnal Seni dan Budaya Ganaya: Jurnal Ilmu Sosial dan Humaniora Gulawentah:Jurnal Studi Sosial Gelar : Jurnal Seni Budaya Humaniora JSM (Jurnal Seni Musik) Nizham Journal of Islamic Studies International Journal of Visual and Performing Arts Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) Komunikasiana: Journal of Communication Studies Jurnal Adat dan Budaya Indonesia Jurnal Indonesia : Manajemen Informatika dan Komunikasi Khazanah: Jurnal Sejarah dan Kebudayaan Islam DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Jurnal Kajian Seni Sense : Journal of Film and Television Studies Cinematology Journal Anthology of Film and Television Studies Jurnal Indonesia : Manajemen Informatika dan Komunikasi Harmony : Jurnal Pembelajaran IPS dan PKN INJECT Interdisciplinary Journal of Communication
Supiarza, Hery
Unknown Affiliation
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

Published : 46 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search
Journal : Gelar : Jurnal Seni Budaya

 1 
Kota Kata Kita #3: Interpret the City Through the Perspective of the Performing Arts Dedi - Warsana; Hery - Supiarza; Erik Muhammad Pauhrizi; Irwan Sarbeni
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4412

Abstract

This study discusses the Dramaturgy lecture process using a direct acting practice approach in a theater performance project where the city is positioned as object material, then interpreted and articulated by students through the process of creating theatrical performances. The creation process went through collaborative learning from research on cities, script writing, to creation of works, while Dramaturgy is placed as a theoretical approach in theater creation. This research is an effort to provide empirical experience to students in creating teamwork as a basis for film and television work patterns. This study uses a participatory action research method where the author is involved in all actions taken by film and television (FTV) students. This study found that through project: 1) students gain an understanding of dramaturgy as a science of analyzing drama with all kinds of derivatives related to it, 2) it is more effective to gain empirical experience as a real provision when creating film and Television works, 3) students can create works based on real cases. This research is expected to be able to strengthen KBK in FTV study program and become a treasure trove of intellectual property particularly in Universitas Pendidikan Indonesia and generally become a strategy for developing dramaturgy learning for Indonesia Society
The use of formalist techniques and semiotic analysis in depicting social media realities in 'budi pekerti': a study of cinematic composition and social commentary Rizkitaa, Meira Rai; Supiarza, Hery; Pawitan, Zakiah
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6024

Abstract

The film "Budi Pekerti" has garnered critical acclaim, earning multiple awards and nominations at prominent festivals, including the Toronto International Film Festival 2023 and Jakarta Film Week 2023. This study examines how cinematic techniques are utilized to depict social realities. Anchored in Sergei Eisenstein's formalist theory and Roland Barthes' semiotic analysis, the research adopts a qualitative methodology involving scene observations, in-depth interviews with the director, and document analysis. The findings reveal that montage techniques and visual compositions effectively construct narratives that highlight moral and ethical issues. Additionally, the use of symbols within the film uncovers culturally relevant messages, providing deeper insights into contemporary social dynamics. Through an integrative approach combining formalist and semiotic perspectives, the study underscores the critical role of cinematic aesthetics in conveying complex social commentaries. This research makes a significant contribution to the fields of visual arts, communication, and linguistics by offering a comprehensive framework that links visual storytelling with cultural critique and societal reflection, emphasizing the power of film as a medium for understanding and shaping cultural narratives.
The use of formalist techniques and semiotic analysis in depicting social media realities in 'budi pekerti': a study of cinematic composition and social commentary Rizkitaa, Meira Rai; Supiarza, Hery; Pawitan, Zakiah
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6024

Abstract

The film "Budi Pekerti" has garnered critical acclaim, earning multiple awards and nominations at prominent festivals, including the Toronto International Film Festival 2023 and Jakarta Film Week 2023. This study examines how cinematic techniques are utilized to depict social realities. Anchored in Sergei Eisenstein's formalist theory and Roland Barthes' semiotic analysis, the research adopts a qualitative methodology involving scene observations, in-depth interviews with the director, and document analysis. The findings reveal that montage techniques and visual compositions effectively construct narratives that highlight moral and ethical issues. Additionally, the use of symbols within the film uncovers culturally relevant messages, providing deeper insights into contemporary social dynamics. Through an integrative approach combining formalist and semiotic perspectives, the study underscores the critical role of cinematic aesthetics in conveying complex social commentaries. This research makes a significant contribution to the fields of visual arts, communication, and linguistics by offering a comprehensive framework that links visual storytelling with cultural critique and societal reflection, emphasizing the power of film as a medium for understanding and shaping cultural narratives.
Co-Authors Alfarissy, Muhammad Ramdhan Alfathadiningrat, Danendra Alvriza Mohammed Fadly Andini, Mustika Anelina, Nazla Vania Annisa, Luli Angsal Lintang Cece Sobarna Cece Sobarna Dedi Warsana Deni Setiawan Erik Muhammad Pauhrizi Fadly, Alvriza Mohammed Farizki, Rendi Al Gilang Ramadhan Harry Tjahjodiningrat Hartono, Tono Rachmad Pujo Hutapea, Clarisa Jesika Korina Tm. Juju Masunah Madjid, Wirda Syabrina Mauly Putri Mauly Putri Dipiati Mochamad Ridwan Rosidin mulyadi, hendrikus - Nabila Pramadita Rahmadani Nada Sofia Irmanika Nala Nandana Undiana pauhrizi, erik muhammad Permadikusumah, Mu'afa Audia Pertiwi, Apsari Azimat Prabowo, Dayu Amandito Raden Muhammad Mulyadi Raguan , Sopia Rahmadani, Nabila Pramadita Reasoa, Sonia Regina Ria Sabaria Rizkitaa, Meira Rai Salsa Solli Nafsika Shelvira Alyya Putri Anjani Siti Ailani Yonaski Siti Anisa Setiani Soeteja, Zakarias S. Sugihartono, Ranang Agung Sukanta Sukanta Sukanta Sukanta Suyanto Suyanto Tisha Maulida Fazriah Tjahjodiningrat, Harry Tono Rachmad Pudjo Harto Yudi Sukmayadi Zakiah Pawitan