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All Journal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Segara Widya: Jurnal Penelitian Seni VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Journal of Music Science, Technology, and Industry (JOMSTI) Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Ghurnita: Jurnal Seni Karawitan Abdi Widya: Jurnal Pengabdian Masyarakat Global Art Creativity Conference
Indra Sadguna, I Gde Made
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : Ghurnita: Jurnal Seni Karawitan

 1 
Music Composition Banyu Milir | Komposisi Musik Banyu Milir Darmawan I Made Yudi; I Gde Made Indra Sadguna
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.2076

Abstract

Subak is an organization owned by farming communities in Bali that specifically regulates the management or irrigation system/irrigation of rice fields traditionally. Banyu Milir composition uses instruments such as drums, reong, kajar, ceng-ceng ricik, jublag, jegog, gong, kemong, flute and there are two additional instruments, namely the kempur and cedugan drums. Through the creation of this work, the stylist wants to develop a pattern that has existed before, this development is in accordance with the musical elements of the stylist's interpretation, namely expressing something that is in the stylist's mind that will be poured into the gamelan that has been determined by the stylist. Banyu Milir's innovative musical work is elevated to a work as a reflection and a message to us that water is an important element that cannot be separated from living things. The process of composing Banyu Milir's innovative musical works has gone through five stages, namely the Inspiration Stage (Ngawirasa) The Exploration Stage (Ngawacak) The Conception Stage (Ngarancana) The Execution Stage (Ngawangun) The Production Stage (Ngebah), Banyu Milir's innovative musical work consists of three main parts, namely part one, part two and part three. This piece is supported by 17 musicians from Sanggar Mekar Seruni with a duration of approximately 12 minutes.
Music Composition Banyu Milir | Komposisi Musik Banyu Milir Darmawan I Made Yudi; I Gde Made Indra Sadguna
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.2076

Abstract

Subak is an organization owned by farming communities in Bali that specifically regulates the management or irrigation system/irrigation of rice fields traditionally. Banyu Milir composition uses instruments such as drums, reong, kajar, ceng-ceng ricik, jublag, jegog, gong, kemong, flute and there are two additional instruments, namely the kempur and cedugan drums. Through the creation of this work, the stylist wants to develop a pattern that has existed before, this development is in accordance with the musical elements of the stylist's interpretation, namely expressing something that is in the stylist's mind that will be poured into the gamelan that has been determined by the stylist. Banyu Milir's innovative musical work is elevated to a work as a reflection and a message to us that water is an important element that cannot be separated from living things. The process of composing Banyu Milir's innovative musical works has gone through five stages, namely the Inspiration Stage (Ngawirasa) The Exploration Stage (Ngawacak) The Conception Stage (Ngarancana) The Execution Stage (Ngawangun) The Production Stage (Ngebah), Banyu Milir's innovative musical work consists of three main parts, namely part one, part two and part three. This piece is supported by 17 musicians from Sanggar Mekar Seruni with a duration of approximately 12 minutes.
Music Creation of Taru Pule | Tabuh Kreasi Taru Pule I Kadek Agus Dwi Antara; I Gde Made Indra Sadguna
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3319

Abstract

Music creation Taru Pule was inspired by a personal experience that the artist saw. It felt the coolness and serenity of the beauty of the Pule tree, which is so big, solid, and towering with leaves waving in the wind, creating a relaxed and calm atmosphere. In Bali, the Pule tree is very sacred because it usually grows in holy places such as temples and cemeteries. Therefore, apart from depicting the coolness and serenity of the beauty of the Pule Tree, the stylist also wanted to give a sacred and majestic impression associated with processing the melody. Hence, the stylist used the Semar Pagulingan saih pitu gamelan as a medium of expression to create this atmosphere. The methods used in Taru Pule's work are three methods: the exploration method, namely the idea search stage; the improvisation method, namely the idea merging stage; and the forming method, namely the refinement stage. The musical work "Taru Pule" is composed of three parts, namely the first part, the second part, and the third part. The first part describes how the atmosphere is relaxed and calm under a tree; the second part depicts the silence and beauty when the wind blows the leaves. Apart from that, it also gives a sacred impression associated with processing the melody. The third part combines parts one and two with different melodies and a work duration of 10 minutes.
Music Creation of Taru Pule | Tabuh Kreasi Taru Pule Antara, I Kadek Agus Dwi; Indra Sadguna, I Gde Made
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3319

Abstract

Music creation Taru Pule was inspired by a personal experience that the artist saw. It felt the coolness and serenity of the beauty of the Pule tree, which is so big, solid, and towering with leaves waving in the wind, creating a relaxed and calm atmosphere. In Bali, the Pule tree is very sacred because it usually grows in holy places such as temples and cemeteries. Therefore, apart from depicting the coolness and serenity of the beauty of the Pule Tree, the stylist also wanted to give a sacred and majestic impression associated with processing the melody. Hence, the stylist used the Semar Pagulingan saih pitu gamelan as a medium of expression to create this atmosphere. The methods used in Taru Pule's work are three methods: the exploration method, namely the idea search stage; the improvisation method, namely the idea merging stage; and the forming method, namely the refinement stage. The musical work "Taru Pule" is composed of three parts, namely the first part, the second part, and the third part. The first part describes how the atmosphere is relaxed and calm under a tree; the second part depicts the silence and beauty when the wind blows the leaves. Apart from that, it also gives a sacred impression associated with processing the melody. The third part combines parts one and two with different melodies and a work duration of 10 minutes.
Co-Authors Antara, I Kadek Agus Dwi Darmawan I Made Yudi Desiari,  Made Ayu Desiari, Made Ayu I Kadek Agus Dwi Antara I Ketut Sariada, I Ketut I Nyoman Kariasa, I Nyoman Kadek Dimas Mahardika M.Pd Prof. Dr. I Nyoman Sudiana . Noorwatha, I Kadek Dwi Setiana, Margaretha Christie Sudirana, I Wayan Suratni, Ni Wyn. Sutirtha, I Wayan Wasista, I Putu Udiyana