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Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya
Published by Universitas Mulawarman
ISSN : 25497715     EISSN : 25497715     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Ilmu Budaya (Jurnal Bahasa, Sastra, Seni, dan Budaya) merupakan jurnal yang dikelola oleh Fakultas Ilmu Budaya sebagai media publikasi ilmiah hasil penelitian dalam bidang bahasa, sastra, seni, dan budaya, termasuk pengajarannya. Terbit sebanyak empat kali setahun, yaitu pada bulan Januari, April, Juli, dan Oktober, dan diterbitkan hanya dalam format elektronik.
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Articles 14 Documents
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Search results for , issue "Vol 4, No 4 (2020): Oktober 2020" : 14 Documents clear
THE ANALYSIS OF THE ILLOCUTIONARY ACTS IN THERESA MAY’S BRITAIN, THE GREAT MERITOCRACY SPEECH Maharani Saskia Puteri; M. Bahri Arifin; Famala Eka Sanhadi R.
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3028

Abstract

Political leaders used political speech that contained intentional purposes to suggest various political agenda. Theresa May, United Kingdom’s prime minister from 2016 to 2019, used political speech entitled Britain, the great meritocracy to deliver British exit (Brexit). Therefore, to discover the purposes of May’s speech, this study aimed to identify the types of illocutionary acts employed in the speech based on Searle’s theory of the classification of illocutionary acts and the contexts underlying the illocutionary acts produced based on Hymes’ SPEAKING model of contexts. To conduct this study, descriptive-qualitative method and content analysis approach were used. Then, the data collection was done by close reading, speech listening, and note taking techniques. After that, compiling, disassembling, reassembling, interpreting and concluding were taken as data analysis process. Finally, the results of the study showed that 4 (four) illocutionary act types namely assertives, directives, commissives, and expressives were employed in the speech. By these findings, assertive type was the most frequently used one as this type enabled the speaker to characterize her belief to be in true or false dimensions. Functionally, it transmitted the prominent purpose of the speech which was to show both preferences and disfavors of May upon Britain. Otherwise, declaration type was not found to fit in the specific context presented at that time that was to depict how Britain should be within May’s term. Additionally, contexts underlying the emergence of the illocutionary acts in the speech were setting and scene, participants, ends, act sequence, key, instrumentalities, norms, and genre.
THE OPPRESSION TOWARDS BLACK FEMALE CHARACTERS AS MAID IN THE HELP NOVEL BY KATHRYN STOCKETT Abigail Flavia Dominilla; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3152

Abstract

This research analyzed the oppression issue that happened in The Help novel. The oppression mostly happened to the two main black female characters in the novel, namely Aibileen Clark and Minny Jackson. The purpose of this research is to analyze how the kinds of oppression happened through the postcolonial feminism perspective. To provide deeper analysis, qualitative research is used as the research method. By the analysis, it was found that Aibileen got four kinds of oppression, which are exploitation, marginalization, powerlessness, and cultural imperialism. Whereas Minny Jackson got all the kinds of oppression towards her. These oppressions can be seen through the narration, dialogue, action, thoughts, and physical appearance of the characters. Both of them got the oppression because as the third world women, they were shaped to be inferior towards Miss Hilly, Miss Leefolt as their masters and Leroy as Minny’s husband. Based on the analysis, the researchers concluded that black women experienced double oppression than the first world women, considering not only through their gender but also race and class. Penelitian ini menganalisis masalah penindasan yang terjadi dalam novel The Help. Penindasan sebagian besar terjadi pada dua karakter perempuan kulit hitam utama dalam novel, bernama Aibileen Clark dan Minny Jackson. Tujuan dari penelitian ini adalah untuk menganalisa bagaimana jenis – jenis penindasan terjadi melalui sudut pandang feminism poskolonial. Untuk memberikan analisa yang lebih dalam, penelitian kualitatif digunakan sebagai metode penelitian. Melalui analisa, telah ditemukan bahwa Aibileen mendapatkan empat jenis penindasan, yakni eksploitasi, marginalisasi, ketidakberdayaan, dan imperialisme budaya. Sedangkan Minny Jackson mendapatkan semua jenis penindasan disebabkan. Penindasan ini dapat dilihat melalui narasi, dialog, aksi, pikiran, dan penampilan fisik karakter. Keduanya mendapatkan penindasan karena sebagai perempuan negara ketiga, mereka ditentukan untuk menjadi bawahan terhadap Miss Hilly dan Miss Leefolt sebagai majikan mereka dan Leroy sebagai suami Minny. Berdasarkan analisa, peneliti menyimpulkan bahwa perempuan kulit hitam mengalami penindasan ganda daripada perempuan negara pertama, menimbang tidak hanya melalui jenis kelamin tetapi juga melalui ras dan kelas mereka.
DEIKSIS DALAM NOVEL HALIMUN SEBERKAS CAHAYA DI TANAH DAYAK KARYA RINA TRI HANDAYANI Riris Imelda
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.2939

Abstract

Penelitian ini bertujuan untuk mendeskripsikan jenis dan fungsi deiksis dalam novel Halimun Seberkas Cahaya Di Tanah Dayak Karya Rina Tri Handayani ditinjau dari pragmatik. Jenis penelitian ini menggunakan metode kualitatif deskriptif, yaitu untuk memperoleh gambaran tentang jenis dan fungsi deiksis. Sumber data penelitian ini novel Halimun Seberkas Cahaya Di Tanah Dayak Karya Rina Tri Handayani. Teknik pengumpulan data menggunakan teknik baca, teknik catat, dan mengklasifikasi data. Teknik analisis data menggunakan reduksi data, penyajian data, dan penarikan simpulan. Hasil penelitian menunjukkan bahwa jenis deiksis dalam novel Halimun Seberkas Cahaya Di Tanah Dayak Karya Rina Tri Handayani terdiri atas deiksis persona berupa kata, yakni aku, kita, kamu, dan mereka yang mengacu kepada parah tokoh di dalam novel, Deiksis tempat berupa frasa, yakni di sini, ke sini yang mengacu kepada latar tempat novel, deiksis waktu berupa kata, yakni tadi, esok, nanti, dan kemarin, yang mengacu kepada waktu terjadinya tuturan dalam novel, deiksis wacana, berupa kata itu yang mengacu pada anafora bagian tertentu dalam novel. Kedua fungsi deiksis yang ditemukan berupa fungsi referensial, fungsi konatif, fungsi emotif, dan fumgsi fatis.This research attempted to describe the genre and the function of deicsis in Novel Halimun Seberkas Cahaya Di Tanah Dayak by Rina Tri Handayani was contemplated from Pragmatics. The genre of this research utilized descriptive qualitative method, that was to obtain a view of the genre and the function of deicsis. The source of this research is Halimun Seberkas Cahaya Di Tanah Dayak by Rina Tri Handayani’s novel. The technique of collecting data utilized data reduction, data serving and pulling the conclusion. The result of this research showed that the genre of the deicsis in Halimun Seberkas Cahaya Di Tanah Dayak by Rina Tri Handayani’s novel consists of personal deicsis that is the word, I, we, you and they who tends to the characters in the novel,  the place of Deicsis that is phrase, namely then, tomorrow, later, and yesterday, which tends to the time when the utterance was happened in the novel, the deicsis of discourse, that is the word that which tends to anaphora in particular part in the novel. Both the function of the deicsis which were found that were the function of referential, the function of connotative, the function of emotive and the function of fatis.
THE ERRORS OF SPEECH PRODUCTION IN DORY’S UTTERANCES OF FINDING DORY MOVIE Reza Vahlevi; M. Natsir; Ririn Setyowati
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3294

Abstract

This study is aimed to find out the errors of speech production in Dory’s utterances of Finding Dory movie. The theory used to find out the errors of Dory’s speech production was Levelt’s model of speech production (1999): conceptualisation, formulation, articulation, and self-monitoring. Words in the form of dialogues (Dory’s utterances when her short-term memory loss appeared only) were the data in this study. The research design of this study was qualitative.  The results showed the errors of speech production in Dory’s utterances were identified into five types such as words substitution, contradictory utterance, similar words rhyming, incomplete utterances, and hesitation utterance. The most affected stage by Dory’s short-term memory loss was conceptualisation. It was because during the times when short-term memory loss appeared, Dory realised that her disorder infiltrating the stage that made her to be unsatisfied and as the result, she retracted and performed her utterances from the beginning many times. Therefore, this study concluded the errors that Dory produced in her speech production were all caused by the interference of short-term memory loss.
BUDAYA PEMALI DALAM MASYARAKAT ETNIK TORAJA DI KOTA SAMARINDA: SUATU TINJAUAN SEMIOTIKA Risna Dwi Astuti; M. Bahri Arifin; Syamsul Rijal
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.2850

Abstract

Pemali merupakan salah satu bentuk tradisi lisan yang digunakan sebagai bentuk larangan paling halus dan sopan. Salah satu masyarakat yang masih mengamalkan pemali adalah masyarakat etnik Toraja. Penelitian ini membahas tentang makna tanda semiotika pemali yang ada dalam masyarakat etnik Toraja. Penelitian ini bertujuan untuk (1) mengetahui pemali apa saja yang ada pada masyarakat etnik Toraja di Kota Samarinda; (2) mendeskripsikan makna yang terkandung pada pemali masyarakat etnik Toraja di Kota Samarinda. Penelitian ini termasuk penelitian lapangan menggunakan pendekatan kualitatif dengan model pemerian deskriptif. Data penelitian ini berupa teks pemali yang diketahui dan dilaksanakan oleh masyarakat etnik Toraja di Kota Samarinda, sedangkan sumber data dalam penelitian ini, yaitu informan dari masyarakat etnik Toraja yang menetap di Kota Samarinda. Pengumpulan data dilakukan dengan teknik wawancara, perekaman dan pencatatan. Kemudian, data dianalisis dengan menggunakan teori semiotika Roland Barthes yang melihat tanda dalam dua tingkat pemaknaan, yaitu pemaknaan tingkat satu (denotasi) dan pemaknaan tingkat dua (konotasi). Hasil penelitian ini menunjukkan bahwa makna tanda pada tingkat pemaknaan kedua menjelma menjadi mitos. Dari 47 rumusan pemali yang diketahui dan dilaksanakan oleh masyarakat etnik Toraja di Kota Samarinda terdapat 5 pemali yang berkaitan dengan kesehatan, 6 pemali yang berkaitan dengan dengan keselamatan, 3 pemali berkaitan dengan rezeki dan 1 pemali berkaitan dengan jodoh.
SYMBOLISM IN ALEXANDER PUSHKIN’S THE QUEEN OF SPADES SHORT STORY Dina Friskaliana; Singgih Daru Kuncara; Anjar Dwi Astuti
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3189

Abstract

This study examines the symbols that used, the meanings of symbol, and the roles of symbol in The Queen of Spades short story. To identify the symbol, the researcher used the theory by Griffith; public symbol and private symbol. To reveal the meanings of symbol, the researcher used the theory of ‘symbolic reference’ by Whitehead. Then, to find out the roles of symbol in building the story, the researcher analyzed through plot, character, setting, and theme in the story. The method of this study used descriptive qualitative method and the data of this study based on words, sentences, and narration which reflected symbols throughout the story. Furthermore, the result of the research showed cards of three, seven, aces categorized as public symbol and the queen of spades categorized as private symbol. The number three reflected to love triangle which happened between Hermann, Lizaveta, and Lizaveta’a husband. Then, seven reflected Hermann who obsessed to know the secret of lucky card. At last, aces reflected to karma that must be accepted by Hermann and the Countess. Meanwhile, the queen of spades as private symbol reflected to the Countess Anna Fedotovna and as a symbol of the key issue on the secret of lucky cards in the story. Then, the roles of symbols reflected through plot that showed to express the disquieting effect, character that showed to express the strength qualities, setting that showed to express the strength atmosphere, and theme that showed to express the wisdom lessons.
ALIH KODE DAN CAMPUR KODE BAHASA ARAB PADA PEMBELAJARAN DI PONDOK PESANTREN IBADURRAHMAN KUTAI KARTANEGARA KALIMANTAN TIMUR Hadika Azizul Ala; Widyatmike Gede Mulawarman; Purwanti Purwanti
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3025

Abstract

ABSTRAKPenelitian ini membahas tentang alih kode dan campur kode bahasa Arab pada pembelajaran di Pondok Pesantren Ibadurrahman. Tujuan penelitian yaitu: menemukan bentuk alih kode dan campur kode bahasa Arab yang terjadi pada pembelajaran di Pondok Pesantren Ibadurrahman dan menguraikan faktor-faktor terjadinya alih kode dan campur kode bahasa Arab yang terjadi pada pembelajaran di Pondok Pesantren Ibadurrahman. Penelitian ini merupakan penelitian lapangan dengan pendekatan kualitatif dekskriptif. Data dalam penelitian ini adalah bahasa Arab pada tuturan guru dan santri di Pondok Pesantren Ibadurrahman. Sumber data penelitian ini adalah pengajar dan santri kelas IX Madrasah Tsanawiyyah Ibadurrahman dalam pembelajaran Muthala’ah, di Pondok Pesantren Ibadurrahman. Lokasi penelitian ini di Pondok Modern Ibadurrahman beralamatkan di Jalan K.H.A. Tsani Karim, L III, Blok C, Kecamatan Tenggarong Seberang, Kabupaten Kutai Kartanegara, Provinsi Kalimantan Timur. Teknik pengumpulan data yang digunakan meliputi: Observasi, rekam, teknik catat. Teknik analisis data dalam penelitian ini yaitu: reduksi data, penyajian data, dan penarikan kesimpulan. Adapun hasil penelitian ini yaitu: alih kode dan campur kode bahasa Arab pada pembelajaran di Pondok Pesantren Ibadurrahman. Peristiwa yang terjadi berupa alih kode dalam wujud intern dengan bentuk alih kode bahasa Arab kiasan ke bahasa Arab fashih. Alih kode ekstern dengan bentuk alih kode bahasa arab ke bahasa Indonesia. Campur kode yang terjadi berupa campur kode ke dalam berupa sisipan kata bahasa Arab kiasan ke bahasa Arab fashih dan campur kode ke luar berupa sisipan kata, frasa, dan klausa. Kata Kunci: alih kode bahasa Arab, campur kode bahasa Arab, sosiolinguistik
THE DEPRESSION SYMPTOMS OF VIRGINIA WOOLF AS THE AUTHOR PORTRAYED IN MRS DALLOWAY NOVEL Ruspika Margiana; Singgih Daru Kuncara; Indah Sari Lubis
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3132

Abstract

The purpose of this research was to find the depression symptoms of Virginia Woolf as the author portrayed in the characters Septimus Warren Smith and Clarissa Dalloway in Mrs Dalloway novel. It could be seen from the analysis of the data from biographical information of Virginia Woolf, narrations and utterances of the major characters Septimus and Clarissa. In order to determine the depression symptoms, Beck’s cognitive theory of depression was used in this research. This research belonged to qualitative method. The data sources were Mrs Dalloway novel and the biographies of Virginia Woolf. The data were the biographical information of Virginia Woolf, narrations and utterances in the novel refers to Woolf’s depression symptoms portrayed in the characters Septimus and Clarissa. The finding showed the depression symptoms of Virginia Woolf as were portrayed in Septimus such as negative expectation, self blame and self criticism, paralysis of the will, avoidance, escapist, and withdrawal wishes, suicidal wishes, loss of appetite, sleep disturbance, loss of libido, and hallucination.Meanwhile, the depression symptoms that were portrayed in Clarissa such as dejected mood, negative feeling toward self, low self evaluation, delusion of worthlessness, and suicidal wishes.
MONOMYTH: THE HERO’S STRUGGLE OF EZIO AUDITORE IN OLIVER BOWDEN’S ASSASSIN’S CREED RENAISSANCE NOVEL Muhammad Akmal Farhan Noor
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3136

Abstract

Monomyth as known as hero’s journey was created to define the patterns of stages to become heroes. Every part of the stages consists challenges that force hero struggling to complete the stages. The form of struggle itself is variety depends on the condition and situation based on hero’s background. This research intended to find the hero’s struggle and hero’s journey that appeared in Ezio’s heroic journey. In this research, the researcher analyzed one of the characters from Assassin’s Creed Renaissance novel. In specific, a character, named Ezio Auditore, was analyzed through hero’s journey theory. The data were analyzed with hero’s struggle theory by George R. Goethals and Scott T. Allison, and hero’s journey theory by Joseph Campbel. The data were generated from the actions, dialogues, and other’s character’s narrations as well as Ezio’s struggle through his journey to become a hero. In conclusion, the research revealed that Ezio experienced all three struggles that mentioned by Goethals and Allison, those are pain and hardship, vulnerability and weakness, and evil encounter. It also matched eleven stages from seventeen stages of hero’s journey by Joseph Campbell, those are the call to adventure, refusal of the call, supernatural aid, the crossing of the first threshold, the road of trials, the meeting with the goddess, woman as the temptress, atonement with the father, apotheosis, the ultimate boon, and the crossing of the return threshold. Finally, the conclusion can be drawn is that the findings above strengthen the fact that Ezio Auditore in Assassin’s Creed Renaissance is a heroic story.
PEMALI DALAM BUDAYA ETNIK DAYAK LUNDAYEH DI KOTA SAMARINDA: SUATU TINJAUAN SEMIOTIKA Rujina, Rujina; Arifin, M. Bahri; Rijal, Syamsul
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.2858

Abstract

Penelitian ini membahas tentang makna tanda semiotika dalam pemali yang ada dalam masyarakat etnik Dayak Lundayeh yang berdomisili di Kota Samarinda. Penetilian ini bertujuan untuk (1) mengetahui pemali apa saja yang diketahui dan dilaksanakan oleh etnik Dayak Lundayeh yang berada di Samarinda Provinsi Kalimantan Timur; (2)  mendeskripsikan makna tanda yang terkandung dalam pemali etnik Dayak Lundayeh yang berada di Samarinda Provinsi Kalimantan Timur. Penelitian ini termasuk penelitian lapangan menggunakan pendekatan kualitatif dengan metode deskriptif. Data penelitian ini berupa teks pemali yang diketahui dan dilaksanakan oleh masyarakat etnik Dayak Lundayeh di Kota Samarinda, sedangkan sumber data dalam penelitian ini, yaitu informan dari masyarakat etnik Dayak Lundayeh. Pengumpulan data dilakukan dengan teknik wawancara, perekaman, dan pencatatan. Kemudian, data dianalisis dengan menggunakan teori semiotika Roland Barthes yang melihat tanda dalam dua tingkat pemaknaan, yaitu pemknaan tingkat satu (denotasi) dan pemaknaan tingkat dua (konotasi). Hasil penelitian ini menunjukan bahwa makna tanda pada pemaknaan tingkat kedua menjelma menjadi mitos. Dari 41 rumusan pemali yang diketahui dan 20 rumusan pemali dilaksanakan oleh masyarakat etnik Dayak Lundayeh di Kota Samarinda terdapat 2 pemali yang berkaitan dengan kesehatan, 14 pemali yang berkaitan dengan keselamatan, 1 pemali yang berkaitan dengan rezeki dan 3 pemali berkaitan dengan jodoh.This study discusses the meaning of the semiotic  sign in the pamali of  dayak Lundayeh ethnic community. This study aims to (1) find out pamali that are recognize and exerised by the Dayak Lundayeh ethnic community in Samarinda city; (2) describ the meaning of sign in the pamali of  the Dayak Lundayeh ethnic in Samarinda city. The research is a  field research using qualitative approaches with descriptive method. This data of this study were in the from of pamali  text that was known and conducted by the Dayak Lundayeh ethnic  community in Samarinda city, while the source of the data were informants from the Dayak Lundayeh. Data collection was done by interview, recording, and note taking techniques. Then, the data were analyzed using Roland Barthes  semiotic theory which sees the sign in two levels of meaning, namely first level meaning (dentations) and second level meaning (connotations). The results of this study indicatethat the meaning of the sign at the second level meaning  emerges to be myth. Of the 41 pamali known and conducted and 20  pamali is that conducted by the Dayak Lundayeh ethnic community in Samarinda city,  2 pamali were health  related, 14 pamali related to safety, 1 pamali  related with sustenance and 3 pamali With regards to soul mate.

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