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Dance of Education, Universitas Negeri Jakarta

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Hubungan Kecerdasan Emosional Dengan Keyakinan Diri Mahasiswa Dalam Belajar Praktik Tari Gunungsari Gaya Surakarta Alfiah Maulina
Jurnal Pendidikan Tari Vol 1 No 2 (2021): Dance and Dance of Education
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.123

Abstract

This study aims to describe the relationship between emotional intelligence and self-efficacy in Students in Learning Surakarta Style Gunungsari Dance Practice at Students of the Dance Education Study Program, Faculty of Language and Arts, State University of Jakarta. This study used survey quantitative research method. The results The results of the study are as follows: 1) There is no relationship between emotional intelligence and self-confidence in learning the Surakarta style Gunungsari dance practice with a correlation coefficient of 0.251 with a low degree of correlation; 2) the value of is 0.063 or 6.3%; 3) sig value 0.166> 0.05; 4) value is 1.421 <t table 2.042. it can be concluded that the variable (X) emotional intelligence has no effect on self-confidence (Y), because it only gives a significance of 6.3%. While the remaining 93.7% is influenced by other factors outside the emotional intelligence variable. The results of this study were obtained with the conditions of online learning during the COVID-19 pandemic. So it can be concluded that the hypothesis is rejected.
Kelam Kehidupan Melalui Karya Tari Sesal Dita Afriyani
Jurnal Pendidikan Tari Vol 1 No 2 (2021): Dance and Dance of Education
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.125

Abstract

Sesal dance work aimed to convey the remorse of the Dangdut singer on stage with erotic shakes, slashing, and the bad views of the community that are poured into a dance work to fulfill the requirements for the Strata-1 exam for Dance Education Study Program, Jakarta State University. In addition to meeting the requirements for the final project. The method used in the Sesal dance work uses the Alma M Hawkins creation method entitled Moving from Within: A New Method for Dance Making and is translated by I Wayan Dibia in his book entitled Moving According to the Heart. Data collection techniques using interview techniques, observation and literature study. This dance creation is staged indoors by setting a black backdrop and supporting lighting because the creation of dance works was carried out during the Covid-19 pandemic. Sesal Dance has a duration of 15 minutes with 5 scenes. The movements produced in the works developed from Betawi traditional movements into new creations that are in accordance with the theme. In the creation of this dance work involves 2 dancers, where both of them become the same main character of the songstress so that the message to be conveyed in this dance work is realized.