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All Journal Cultural Syndrome
Tengku Anis Qarihah Binti Raja Abdul Kadir
Centre of Studies Architecture Faculty of Architecture, Planning and Surveying (FSPU), Universiti Teknologi MARA
Arts Humanities Social Sciences

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Journal : Cultural Syndrome

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Architectural Regionalism During the Neo-Classical Era: Classifying the Architectural “Hybrid” Stylistic Forms Tengku Anis Qarihah Binti Raja Abdul Kadir; Norwina Mohd Nawawi
Cultural Syndrome Vol 3, No 1 (2021): Cultural Syndrome (In Print)
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/cs.v3i1.736

Abstract

Stylistic architectural changes that occurred during colonial era in South East Asian nations such as Malaysia and Indonesia, particularly in the 1800s had always been simplistically ‘lumped’ together as the colonial style. Using case studies of the Malay world, this paper argues, for the contrasting streams of public architecture; the modernized Malay Classical style; vs the Malayalised Colonial style; though they depict similar combinations of hybrid architectural tectonic language in buildings. This paper argues that various present writings and discourses had ‘hijacked’ the essentially evolving Malay style and had grouped these with the changes attributed to Colonial stylisations, rather than attributing them to the modernization of their own vernacular style. Using aristocratic buildings, the paper highlights cases with aim to expand the discourse on to include the evolving language of local Classical (Malay) architecture, which represent an evolvement from tradition to the Neo-Classical era of modernity. The missing discourse is characteristic of nation undergoing postcolonialism attributing to the rupture of history.  These essentially regionalized forms within the Neo-Classical era   are often mistaken as Colonial pastiche-like borrowings or ‘kitsch’ , rather than associating it within a broad local early modern vernacular which  arises local phenomena desire to modernize.  
Baitul Rahmah: a Final Evolution of The Malay Classical Style Amidst Change Noorhanita Abdul Majid; Puteri Shireen Jahn Kassim; Tengku Anis Qarihah Binti Raja Abdul Kadir; Abdul Razak Bin Sapian; Abu Dzar Bin Samsudin
Cultural Syndrome Vol 2, No 1 (2020): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/cs.v2i1.347

Abstract

The paper highlights the significance and position of the Baitul Rahmah, an early 20th-century mansion in Kuala Kangsar, Perak, Malaysia, as a key milestone of stylistic  evolvement of local vernacular architecture. Its form embodies, a typological variation  at a time of growing Colonial imperialism, while its grammar and language refers to early modern  stylistic expression reflecting the fundamental principles of indigenous architecture. The Baitul Rahmah brings to light how a final evolution and epitome of  the vernacular projects an identity as a cosmopolitan manifestation.  Its internal ornamentation recalls the stylized forms of local motifs and reflect a form of control and minimalism; i.e. an ‘ornamental decorum’. Its wood-carved expressions seem stylised into increasing ‘modernised’ simplication and  modularity, while  its masonry- timber structure reflect the identity of hybridity  in architecture which symbolise the tensions of local communities as they step into the 1900s into a global context.  
Co-Authors Abdul Razak Bin Sapian Abu Dzar Bin Samsudin Noorhanita Abdul Majid Norwina Mohd Nawawi Puteri Shireen Jahn Kassim