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All Journal MEDIASI Jurnal Kajian dan Terapan Media, Bahasa, Komunikasi
Namira Choirani Fajri
Magister Kajian Sastra dan Budaya, Fakultas Ilmu Budaya, Universitas Airlangga
Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Dualism of Sedulur Sikep Images in Documentary Film: Analysis of "Samin vs Semen" and "Sikep Samin Semen" Film Namira Choirani Fajri
MEDIASI : Jurnal Kajian dan Terapan Media, Bahasa, Komunikasi Vol 1, No 2 (2020): May
Publisher : Politeknik Negeri Media Kreatif

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (761.339 KB) | DOI: 10.46961/mediasi.v1i2.40

Abstract

"Samin vs Semen" and "Sikep Samin Semen" are documentary films that raised Orang Samin as the main character in the story. This article aims at looking at the depiction of sedulur sikep (Orang Samin) in two documentaries, so that the needs can be identified. The method used is the genre analysis method. Through genre analysis, construction or building art production can be concluded by the audience. The image of Sedulur Sikep in the film Samin vs Semen" and "Sikep Samin Semen" different. The existence of the dualism of the image of Sedulur Sikep shows that the documentary film which is considered to represent reality cannot show a single sound. As a communication medium, film still represents the voice of its maker so that it cannot be seen as absolute truth.
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