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All Journal Hanifiya: Jurnal Studi Agama-Agama Paradigm: Journal of Language and Literary Studies
Rohanda Rohanda
Sunan Gunung Djati State Islamic University Bandung
Religion Humanities Languange, Linguistic, Communication & Media

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THE STRUCTURE AND MEANING OF KAWIH IN RONGGENG GUNUNG PERFORMANCE Dian Nurrachman; Hasbi Assiddiqi; Rohanda Rohanda; Deden Hidayat
PARADIGM: Journal of Language and Literary Studies Vol 2, No 2 (2019): Paradigm: Journal of Language and Literary Studies
Publisher : English Letter Department, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v2i2.7627

Abstract

Ronggeng Gunung is a combined performing art which thrives especially in southern Ciamis (including Pamarican and Banjarsari) and Pangandaran (including Padaherang and Kalipucang). Generally, this is almost the same as the conventional ronggeng, in which a dancer performs while being accompanied by gamelan (Javanese/Sundanese music instrument) and kawih (Sundanese songs). The main ronggeng dancer is a woman who wears a shawl as a part of the dance to invite males to dance with her. Allegedly, in its mythological narratives, Ronggeng Gunung was created from the grief of a princess who lost her beloved husband and her attempt of revenge toward the killer. This paper is actually intended to find out how are the structures and meanings of Kawih as an inseparable part of Ronggeng Gunung performance. This study applies structuralism as both theoretical approach and method, since it provides the theoretical framework to find out both the structural construction and the meaning of the Kawih. The result of this study shows that kawih accompanying Ronggeng Gunung performance represents a passionate romance of solace, unrequited love, as well as the cultural values of modesty, politeness, and the importance of solidarity in facing every problem encountered by human.  
Reviving Faith: The Dynamic Legacy of HKBP Resort Balige Church Pinem, Masmedia; Burhanudin, Dede; Cahyadi, Indrawan; Rohanda, Rohanda; Nurjaman, Andri
Hanifiya: Jurnal Studi Agama-Agama Vol 7, No 2 (2024): Hanifiya: Jurnal Studi Agama-Agama
Publisher : Program Studi Studi Agama-Agama Pascasarjana UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hanifiya.v7i2.37495

Abstract

HKBP is one of the largest congregations in the world and has even spread to America and Europe. HKBP in Indonesia is a Christian Church based in Tanah Batak, namely in Tarutung City, North Tapanuli, North Sumatra Province. The main focus of this research is the history of the HKBP Resort Balige church. This research uses a historical research method which has four stages, namely stages heuristics, criticism, interpretation and historiography. The research results show that the history and development of the HKBP Ressort Balige Church began with the arrival of Christian missionaries to Batak Land, then built the HKBP church, which was consecrated as the HKBP Balige church by Ompu Ephorus Pdt. I.L. Nommensen. In its development, the HKBP Balige church developed well; this was marked by the social charities around the church, such as hospitals, Schools, universities and a Multi-Purpose Building which functioned as a public service to the surrounding community. The role of the HKBP Church in the social life of the Balige community as a fellowship of believers always requires order and order in the implementation of services. This can be proven by your willingness to be selected as an Elder, Deacon, or Servant on the Development Commission or on the Committee of an activity.
Co-Authors Cahyadi, Indrawan Dede Burhanudin, Dede Deden Hidayat Dian Nurrachman Hasbi Assiddiqi Masmedia Pinem Nurjaman, Andri