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This Author published in this journals
All Journal Journal of Language and Literature ELS Journal on Interdisciplinary Studies in Humanities
Okwudiri Anasiudu
University of Port Harcourt
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : Journal of Language and Literature

 1 
Transcending Hegemonic Phallic-Culture and Imaginaries: Afropolitan Feminism and Relocation as an Emancipatory Metaphor Okwudiri Anasiudu
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (359.25 KB) | DOI: 10.24071/joll.v22i2.4662

Abstract

The representation of the struggles of contemporary African women from low-income/middle-class families, and their attempt at breaking free from the hold of such struggles have not gained much attention in the criticism of recent African novels. To bridge this research gap, this study interrogates Helon Habila‘s Travellers; NoViolet Bulawayo‘s We Need New Names; and Chimamanda Adichie‘s Americanah. It underscores the experiences of Darling, Ifemelu, and Mary, as existential struggles which allegorize real-life challenges of low-income/middle-class contemporary African women, and their attempt to break free from the bounds of such challenges aggravated by a hegemonic phallic culture and imaginaries. Adopting a qualitative content-based analytic method and a conceptual framework anchored on the conflated term Afropolitan-feminism; the study demonstrates how the characters’ dissatisfaction with patriarchal exertions and their local geography animated by limited existential opportunities spurred their desire to relocate outside Africa. Importantly, their relocation constitutes a signature of action which could be read as an emancipatory metaphor for transcending those hegemonic structures, norms, worldviews, and imaginaries which militate against twenty-first-century African women's quest for agency.
Nnimmo Bassey’s Aesthetic Imagination and Social Meaning in We Thought It Was Oil but It Was Blood Okwudiri Anasiudu
Journal of Language and Literature Vol 22, No 1 (2022): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (458.249 KB) | DOI: 10.24071/joll.v22i1.3783

Abstract

This paper explores Nnimmo Bassey’s poetry collection: We Thought it Was Oil but It Was Blood. It interrogates the aesthetic imagination and language use in the construction of the poem as a text, and the social meaning wrapped in such imagination and language use. This paper draws insight from postcolonial ecocriticism and critical functional linguistics as theoretical frameworks. The methodology this paper adopts is qualitative, descriptive, and critical. The guiding motivation for this research is the dearth of critical study on Bassey’s We Thought it Was Oil but It Was Blood. The research problem and gap this study seeks to bridge is the minimal attention the available scholarship on Bassey's poetry offered to the exploration of aesthetic imagination and social meaning construed through the internal formal structure of the poem, realised through stanzas, and structures and the linguistic configuration such as deixis, metaphorical schemas. The analysis shows that place deixis, pronouns adjective, and metaphors are important linguistic designs Bassey deploys in construing his aesthetic imagination, particularly the social realities of the Niger Delta region such as the contentious issue of environmental justice, ecological despoliation, minority rights, and agitation whenever resource control is mentioned.
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