Jakarta is a fascinating location for both artists and art curators. This paper attempts to show how the city serves as a cultural open stage where ordinary dreams unfold through the practices of contemporary art in the daily lives of citizens. Utilizing the philosophical inquiries of Michel De Certeau, on the relation between ?Space? and ?Place?, a qualitative study was conducted based upon data about Jakarta?s expansion, in terms of its urban physical structure and demographics; data analysis was also carried out on the contemporary art present in the daily life of the city. Through a phenomenological experience of and investigation into the artistic phenomena in Jakarta, three conclusions have been drawn: (1) Jakarta is a city of collaboration with local marginalized communities, (2) Jakarta is responding to its urban landscape and (3) Jakarta unwittingly has become the host of an alternative space in one of its ordinary traditional markets.
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