After more than a century we continue to discuss about the great pioneer of the Arabic literature. Naô€ƒ·ô€†¯b Maô€™fô€‡Œô€š© identified bysome critics “The prince of the Arabic novelâ€, by others “The father of realism†and “Son of the Egyptian Landâ€. Actually, I’d prefer,specially at this time, if we call him “The Arabic literature ambassadorâ€: his talent, dedication, intelligence and his strong belongingemotion to the alleys of the Old Islamic Cairo have led him to the whole world. But if Maô€™fô€‡Œô€š© has arrived to the globalism obtaining theNobel 1988, it would be unfair overlook the efforts the his ancestors or ignore the new generation of Arab writers. In other words, I thinkthat Maô€™fô€‡Œô€š© is to be considered the “beginning†not the “end†of a new reciprocal estimation between the Arabic and the other literatures.With “Beginning and end†Maô€™fô€‡Œô€š© has discovered the way to compose his most great Trilogy: according to some critics “Beginning andend†is well thought-out the prehistory of his magnum opus.
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