In the history of the development of Indonesian art, many associations of artists are known to emerge as times change. This association of artists has a tendency and intention to work collectively in accordance with the times. Through a historical approach, this study tries to look at the periodization of artist associations in Indonesia based on the sociohistorical context underlying them. This study uses literature studies with a historical approach. In this study the periodization of artist associations in Indonesia was based on the development of the Sanento Yuliman version of painting. This study shows 4 (four) stages of the development of artist associations in the Indonesian art scene, including: periods of natural scenery and realism, periods of propaganda and associations of artists, abstractperiods and new art, and periods of association of contemporary artists.
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