This study examines the phenomenon of ambiguity in classical Arabic poetry, focusing on the analysis of the phrase “tob tob tobitob” found in the 15th verse of Sawt Safiri Al-Bulbuli by Al-Asma’i. Ambiguity is a linguistic phenomenon that allows for multiple interpretations of a word or phrase, whether semantically or phonologically. Through stylistic and semantic analysis, this research identifies five potential interpretations of the phrase: (1) the sound of an oud (Arabic lute), (2) the beat of a tambourine, (3) the creaking of a roof, (4) the rhythm of a joyful dance, and (5) the cooing of a dove. Each interpretation is explored contextually by analyzing the preceding and following verses, supported by lexical references from Al-Munawwir Dictionary and classical Arabic literary symbolism. The results reveal that the ambiguity in this phrase is not a linguistic flaw, but a deliberate stylistic device employed by the poet to enhance the aesthetic depth and interpretive richness of the poem. Through rhythmic and onomatopoeic sounds, the poet constructs a multilayered space for interpretation that not only stimulates artistic imagination but also reflects the cultural depth and emotional expression of Arabic poetic tradition
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