<![CDATA[The acculturation of Islam and local culture constitutes an important aspect of the formation of Banjar cultural identity. One manifestation of this acculturation is reflected in pineapple (Kanas) ornaments found in traditional Banjar architecture, which function not only as aesthetic elements but also convey symbolic meanings associated with religious values and the philosophy of life of Urang Banjar. This study aims to analyze the symbolic meaning of pineapple ornaments as a representation of the acculturation of Islam and local culture and its relationship with the philosophy of life of Urang Banjar. This study employs a qualitative approach involving a literature review and descriptive observation of pineapple ornaments in the Kuin Utara area of ​​Banjarmasin. The data gathered from literature and observations are analyzed interpretatively to reveal the symbolic meaning of the pineapple ornaments and their connection to Islamic values, local culture, and the philosophy of life of the Banjar people. The analysis indicates that pineapple ornaments can be interpreted as symbols of spiritual purification, steadfastness, sincerity, and beneficial living that correspond with Islamic values. Within the Banjar cultural context, this symbolism can also be associated with the philosophy of Baiman, Bauntung, Batuah, representing faith, a life that brings goodness and benefit, and a meaningful life for oneself and the social environment. Thus, pineapple ornaments can be understood as a visual medium that brings together Islamic values, local identity, and the philosophy of life of Urang Banjar while contributing to the intergenerational transmission of cultural values.]]>
Copyrights © 2026
