<![CDATA[This study examines the representation of dandyism through shamanic and spiritual figures in the films Exhuma, The Wailing, and The Divine Fury, using Elisabeth Amann’s (2015) framework of the Three Imaginations: paranoid, catastrophic, and anachronic imagination. Employing a qualitative approach, the study analyzes visual and textual data from the films using Spradley’s data analysis technique. The findings reveal that dandyism is represented differently across the three films. In Exhuma, the shaman’s appearance and ritual practices reflect anachronic and catastrophic imagination. In The Wailing, the shaman’s ambiguous identity creates tension and reflects paranoid imagination, particularly through the character’s self-presentation and relationship with the surrounding community. In The Divine Fury, Father Ahn, a Catholic priest and exorcist, embodies all three forms of imagination through his distinctive priestly attire, rejection of materialistic values, and use of traditional religious practices in a contemporary urban setting. These representations demonstrate how dandyism can be expressed through distinctive appearances, personal values, and resistance to conformity. This study contributes to the understanding of dandyism in contemporary South Korean cinema and offers further insights into how spiritual figures are represented through the interplay of tradition, modernity, and individuality.]]>
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