<![CDATA[This research  is concerned  with the social  construction  of islamic simbolization  reality  on films  and with the fac tors that constitute  this reality. Through the qualitative  research method,  the analysis  techniques  in use were genre and narrative  analysis,  and hermeneutics  analysis.Based  on research,  social  construction  of islamic  simbolization  reality  on film  is a reflection  of society  attitudeswhich  create  the polarization  have a cultural  context.  In this sense, film,  in the context  of social  construction  of reality,  is an arena  of ideas  and beliefs people  have  are systematically  related  to actual,  spiritual  and material conditions  of existence.The result of this research  showed  that islamic  simbolization  reality whether  it is constructed  by society  or by film derive from  the paramount realities  of interaction  between  religion  and culture.]]>
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