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JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI
Published by Universitas Sam Ratulangi
ISSN : -     EISSN : -     DOI : -
Core Subject : Education,
Languange, Linguistic, Communication & Media
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 2, No 1 (2016)" : 8 Documents clear
METAFORA PADA LIRIK-LIRIK LAGU DALAM ALBUM NO SOUND WITHOUT SILENCE KARYA THE SCRIPT GARING, DELSIUS
JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI Vol 2, No 1 (2016)
Publisher : JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI

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ABSTRACT This research is entitled “Metaphor in the Song Lyrics of the Album No Sound without Silence by The Script”. There are two problems to answer in the analysis. First is what are the types of metaphor found in The Script songs No Sound without Silence album. The second one is what the meaning of the song lyrics in The Script Album No Sound without Silence. This study uses descriptive method. The data sources used in this study are the lyrics of the 12 songs by The Script on No Sound without Silence album. This study uses the theory of Leech (1984) and Lakoff and Johnson (1980). The result reveals that there are 40 metaphors found in the Album No Sound without Silence by The Script. It can be categorized into concretive metaphor, humanizing metaphor, animistic metaphor and synesthetic metaphor. Those metaphors are divided into 32 lines of concretive metaphor, 6 lines of humanizing metaphor, 1 line of animistic metaphor and 3 lines of synesthetic metaphor. Concretive metaphor is mostly used in this album. The songwriter uses the metaphor to add some elegance to the song. In addition the messages of each song were shown by the use of metaphor. In analyzing the meaning, Lakoff  and Johnson’s theory about target and source was used. Target refers to the idea or principal subject of metaphor while source refer to the thing that has been equalizer. Keywords: Metaphor, Target and Source, No Sound without Silence.
KATA GANTI ORANG DALAM BAHASA INGGRIS DAN BAHASA TIDORE SUATU ANALISIS KONTRASTIF Djafar, Ansar
JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI Vol 2, No 1 (2016)
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ABSTRACT This Skripsi entitled “The Personal Pronouns In English and Tidore Language; A Contrastive Analysis”. The objectives of the research are to identify, analyze and describe personal pronouns in both languages based on the form, function and meaning and then to find out the similarities and dissimilarities according to Lado (1957) and Whitman (1970) concepts. There are two theories used in this research, namely, Bloomfield (1933) and Arts and Arts (1982). The data in English were collected from several linguistic books whereas the data of Tidore languge were collected from informants as primer data and the secunder data were collected from internets. English is a member of Germanic language family that is direct descendant of Indo-European and that consists of fifty-three languages. It is a member of Indo-European languages while Tidore language is the North Halmaheran of West Papuan phylum, classification language family found only in eastern Indonesian (West Papuan and North Halmahera) it is non-Astronesian. The result of this research indicates that personal pronouns in English and Tidore language Consist of first, second and third persons. There are some similarities and differences in both personal pronouns. The similarities of personal pronouns in both languages are in third person and second person. However, forms of second person in Tidore language have varieties. The main difference of both languages can be seen in first person. Tidore language distinguished several forms of personal pronouns based on cultural system such as age, economic abilites, social identity and relationship while English does not. Key words Personal pronouns, English and Tidore Language, Contrastive Analysis
ANALISIS KARAKTER TOKOH HAZEL GRACE DAN AUGUSTUS WATERS DALAM NOVEL THE FAULT IN OUR STARS KARYA JOHN GREEN MANDEROS, FERONIKA
JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI Vol 2, No 1 (2016)
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ABSTRACT   The research is entitled “Analisis Karakter Tokoh Hazel Grace dan Augustus Waters dalam Novel The Fault In Our Stars Karya John Green”. There are eleven characters in this novel but this analysis only focuses on the two main characters Hazel Grace and Augustus Waters. This research attempts to describe and analyze what are and who the characters are and the character development of Hazel Grace and Augustus Waters in the novel The Fault in Our Stars written by John Green. The data are taken from the novel The Fault in Our Stars by John Green. The indentified data are analyzed according to the concept of Wellek and Warren in describing character development. In analyzing and describing the data the writer uses intrinsic approach according to Edgar V. Roberts. This research shows that the character development of the main characters in the novel is influenced by situation, people, and feelings. This research shows what are the characters and character development of the main characters Hazel Grace and Augustus Waters in the novel The Fault in Our Stars by John Green. at first, Hazel Grace was a girl that loved to be alone, wasting her time only at home, reading books and watching tv. She then became a girl that want to share with others and have friends. Whereas Augustus at first was a boy that thought and tried to handled everything by himself and ignored a help just because he did not want to be pitied, he finally realize that he needed others in his life and being thankful for what the others did to him. ______________________________ Keyword: Main Character, Hazel Grace and Augustus Waters, The Fault in Our Stars    
DEIKSIS DALAM FILM CINDERELLA: ANALISIS PRAGMATIK MERENTEK, SILVIA HARIYATI
JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI Vol 2, No 1 (2016)
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ABSTRACT   In English, there are 5 types of deixis, those are: person deixis (1st person deixis, 2nd person deixis and 3rd person deixis), place deixis, time deixis, discourse deixis, and social deixis. Deixis itself is a pointing term in language.   This study is an attempt to describe and analyze deixis which is found in the film Cinderella. The aim of this research is to identify and classify the form and the meaning of deixis used in the film. The method used in this research is descriptive method. The data of deixis have been taken from the sentences in the film Cinderella and analyzed using Levinson’s concept. The result of this study shows that deixis is classified into 5 forms, those are: person deixis (1st person deixis: I, my; 2nd person deixis: you, your; and 3rd person deixis: they, her, she, he him), place deixis: inside, away, behind, here, besides, there, here; time deixis: now, two weeks hence; discourse deixis: that, it; and social deixis: madam, miss, mister, Your Royal Highness, Your Majesty, prince.   ---------------------------------------------------------------- Keywords: deixis, , Pragmatic Analysis, Film Cinderella
BAHASA KIASAN DALAM PUISI-PUISI KARYA CARL SANDBURG ALOTIA, HAKRYAN
JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI Vol 2, No 1 (2016)
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ABSTRACT   This study which is entitled “Figurative Language in Carl Sandburg Poems” focusing on the use of a figurative language and categorize it accordance with the types and describe the meaning of figurative language itself. The writer chooses five poems which have interesting titles and famous works of Carl Sandburg and using content analysis method with intrinsic approach to gain an understanding of the meaning of figurative language in each poem. The purpose of this study was to identify and categorize the types of figurative language and analyzing and explaining the meaning of figurative language used Carl Sandburg in his poems. This study uses the theory of Perrine (1983: 576-645), in his book “Literature, Structure, Sound and Sense”. According to Perrine, figurative language is a way to express something beyond the usual way. In his book also describes the types of figurative language such as personification, metaphors, similes, symbols, synecdoche, metonymy, and hyperbole. The results of the study can be summarized as follows : first, in the poems of Carl Sandburg, there are seven types of figurative language, including : personification, metaphor, symbol, similitude, metonymy, hyperbole, and synecdoche. The metaphors and personification types dominate every poem of Carl Sandburg. Second, the meaning of figurative language used by Carl Sandburg in his poems in general described the poet’s admiration of the existence and role of the people and the relationship between the people and the government in a city or country. Keywords : Poems, Figurative Language, Carl Sandburg  
KALIMAT TANYA DALAM FILM PITCH PERFECT KARYA JASON MOORE Londok, Aprilia Fenria Ireine
JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI Vol 2, No 1 (2016)
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ABSTRACT This study, entitled “The Interrogative Sentence in The Film” Pitch Perfect by Jason Moore, is aimed at identifyng and analyzing the interrogative sentence found in the film. The data have been collected by focusing on the conversation among the characters in the film and analyzed based on Aarts and Aarts’ concept. Interrogative sentence is a sentence that contains subject and open with an auxiliary verb or a wh-word. Interrogative sentence which is open with an auxiliary verb is called yes/no question and another type of yes/no question that consist of statement appended to the question is called question tag. The result shows that there are three forms of interrogative sentence in English used in the film. Those are yes/no question, question tag, wh- question. Yes/No question can be answered by yes/no, question tag is a question that is added at the end of sentence, wh-question begins with a question word such as : who, what, when, where, why, how, whom, or which. In this film the characters or use interrogative sentence without a question word but with rising intonation. According to its functions in communications, interrogative  sentence can be functioned as question and reques.   Keywords: Interrogative Sentence, Grammatical Analysis, Film Pitch Perfect.
TINDAK UJAR DIREKTIF DALAM FILM THE HOBBIT: BATTLE OF THE FIVE ARMIES (Suatu Analisis Pragmatik) Tembengi, Handry
JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI Vol 2, No 1 (2016)
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ABSTRACT This research is entitled “Directive Act in film The Hobbit: Battle of the Five Armies”. It is a pragmatic analysis that focuses on one kind of Illocutionary act, called directive act. It is an attempt to find the functions of directive act in the film. The data have been taken from the character’s utterances in the film The Hobbit. The writer analyzed the data descriptively by concentrating on utterances which contain directive act. The theory used in this research is taken from Searle’s theory about illocutionary act especially in directive act. The findings of this research showed several functions of directive act in film The Hobbit: Battle of the Five Armies. The functions of directive act in film The Hobbit: Battle of the Five Armies can be classified into five functions those are commanding, suggesting, requesting, demanding, and ordering.   Keywords: Directive act, Functions, The Hobbit: Battle of the Five Armies
TWO-WORD VERBS DALAM ALBUM STAND UP AND SCREAM OLEH ASKING ALEXANDRIA SAINO, RIFCKY
JURNAL ELEKTRONIK FAKULTAS SASTRA UNIVERSITAS SAM RATULANGI Vol 2, No 1 (2016)
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ABSTRACT   This study is an attempt to find out the forms and analyze the meaning of “Two-Word Verbs in the Album Stand Up and Scream by Asking Alexandria. The data were analyzed based on the theories of Coghill (2003: 114) and McCarthy and O’Dell (2007: 6). The method used in this research was descriptive method. The data of two-word verbs were taken from the lyrics in the album Stand Up and Scream by Asking Alexandria. The result of this study shows that there are 61 of two-word verbs found in the 15 songs, there are categorized into 3 forms based on the theory of Coghill (2003: 114) Transitive separable two-word verbs (there are 43 forms), Transitive inseparable two-word verbs (there are 14 forms)  and Intransitive two-word verbs (there are 4 forms). Based on the theory of Randall (1982: 330), each two-word verbs has it’s own means. Keywords: Two-word verbs, Transitive & intransitive phrasal verbs, Asking Alexandria.

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