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I Putu Udiyana Wasista
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udiyanawasista@isi-dps.ac.id
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+6287861236918
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lekesan@isi-dps.ac.id
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Jl. Nusa Indah, Banjar Abiankapas Tengah, Denpasar, Bali
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INDONESIA
Lekesan: Interdisciplinary Journal of Asia Pacific Arts
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 25982192     DOI : https://doi.org/10.31091/lekesan
Core Subject : Humanities, Art,
Arts Humanities
The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol. 5 No. 1 (2022): April" : 6 Documents clear
The Dance Of Sacred Water Anak Agung Gde Agung Rahma Putra; I Nyoman Sedana
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 5 No. 1 (2022): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v5i1.1646

Abstract

The Dance of Sacred Water featuring water in culture and religion is a brand new dance uniquely choreographed and presented for the academic commitees and the public audiences as part of an academic requirement to complete my Ph.D degre in Dance Department, Indonesian Arts Institute Surakarta, Middle-Java. The original title of this Ph.D final performance dissertation in local language is “Tari We Beji Langon” (literary means the Dance of Aqua Culture and Religion), presented in a newly chorepgraphed dance composition integrating dance, narration, song, and gamelan music. It is designed as a site specific choreography, inspired by the significant values of water surrounding the Beji Langon water spring. Located in Kapal Village, Mengwi District, Badung Regency, this water spring is still preserved by the local community as holy hydrospherec resorces. Choreographed and performed surrounding this natural environment instead of in a conventional theatre, the dance portrays elevating aqua culture in upgrading level of human purposes. The dacers start from the river where water employed in profane daily life, then they move to the outpouring water for various Hindu ritual ceremonies, until finally recounting holy water as tirtha from spring water for spiritual purification. This dance depicts ascending realms of profane-ordinary-sacred water according to the use of water in various aspects of Balinese Hindu community as often mentioned in Balinese lontar manuscripts. This choreography is the result of exploration on aqua culture among Balinese people who have recently begun to experience abrasion. Based on practice-based research this dance aims to convey the values of local Balinese wisdom regarding the essential role of water in the sociocultural and religious life of the Hindu Bali community. The performance of this dance is expected to reinforce the awareness and enlightenment of the local people around the location of the Beji Langon bathing area to always maintain the cleanliness and purity of the water and to preserve its surrounding environment.
Classic Jewelry Aesthetics on Payas Agung Badung A.A.Ngr. Anom Mayun Konta Tenaya
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 5 No. 1 (2022): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v5i1.1987

Abstract

Jewelry is an important and inseparable part of Payas Agung Badung's clothing. In the past, the nobles of the Badung kingdom had exclusive rights to Payas Agung (Balinese Traditional Uniform) which were used only at certain times, such as religious rituals and traditional events. Payas Agung Badung is still used today. specifically for weddings and tooth-filling in the Badung district and Denpasar city. The unique nature of this dress does not only come from the material and design aspects but also from the socio-cultural aspect, especially the artistic value of Payas Agung Badung clothing, which has a strong character. Traditional fabrics harmoniously blend with Balinese jewelry. The focus of this research is on jewelry which is the center of attention of the overall appearance of Payas Agung Badung. This research is a qualitative study using aesthetic theory. The primary data was obtained from the jewelry used at Payas Agung Badung in the period from 1930 to 1970. The secondary data were photographs belonging to the Puri Anom family in Denpasar. The results showed that the beauty of jewelry at Payas Agung Badung comes from intrinsic values, such as raw materials and motifs, as well as extrinsic values, such as the pakem (aesthetic principles) and deep meaning of the jewelry.
Using The Documentary Film “Sang Hyang Jaran: Teja Darmaning Kauripan” as A Medium For Preserving Traditional Art I Nyoman Payuyasa; I Made Denny Chrisna Putra
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 5 No. 1 (2022): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v5i1.1988

Abstract

Arts and culture make Bali one of the world's tourist destinations. At first glance, it seems that Balinese art and culture are holding up well. In fact, various media reports that several art forms have become extinct, such as the Sang Hyang dance, the baris kraras dance, the wayang wong dance, and so on. Even in Karangasem, there are ten traditional arts that have become extinct. In Badung Regency, there are fifteen types of culture that are almost extinct, as well as in Buleleng and Denpasar. It is very important to save endangered art forms by using audio-visual media, especially documentary films. There is a documentary that is very interesting to study, namely a documentary entitled "Sang Hyang Jaran: Teja Darmaning Kauripan". This film records the re-embodiment of the art of the Sang Hyang Jaran dance in Sanur Kaja Village, which was once extinct. The problem studied in this study is how to use the documentary film "Sang Hyang Jaran: Teja Darmaning Kauripan" as a medium for preserving traditional arts? This research is a qualitative descriptive study using observation and interview data collection methods. Data analysis in this study used the Milles interactive model procedure with three stages of data analysis, namely (1) data reduction, (2) data presentation, and (3) verification or drawing conclusions. The result of this study is that the use of this film as a medium for preserving traditional arts can be seen from two elements, namely the first element is the visual element which includes the proactive observationalism and reactive observationalism, and the second element is verbal testimony.
Amba in Gender Study Perspective I Wayan Nuriarta; Renata Lusilaora Siringo Ringo
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 5 No. 1 (2022): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v5i1.1989

Abstract

Gender studies are used as a tool to examine gender issues, especially in analyzing gender inequality in society. There are three gender assessment criteria used to re-read the story of the Amba character in the Mahabharata comic by Gun Gun. The three criteria are (1) Activity Analysis, (2) Control/Dominance Analysis, and (3) Impact Analysis. Amba is one of the king's daughters who gets unfair treatment in her life. Regarding this treatment as a symbolic fact, it is important to re-read the character and life story of Dewi Amba with gender studies. This study uses a descriptive design with qualitative methods. The type of data in this study is qualitative data in the form of visual text and verbal text of the Mahabharata comic by Gun Gun in the story of Kutukan Dewi Amba (Dewi Amba's Curse). Data analysis was carried out by identifying and describing the data, classifying the data, analyzing it based on the gender study criteria that had been formulated, and drawing conclusions. The results show that in this context the dominant stereotype that women are weak and men are strong is deeply emphasized. The woman who is described as Dewi Amba is the party who is most unfairly treated due to male domination in her life.
Capitalist Community in Tourism Development: Cultural Study Perspective Dewa Putu Oka Prasiasa
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 5 No. 1 (2022): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v5i1.1990

Abstract

The study of capitalist society in tourism development based on the perspective of cultural studies is more emphasized on the relationship between politics and tourism, especially in terms of how tourism can change the composition of power and values in a Tourist Destination Area and vice versa. This research is a literature review research with qualitative descriptive analysis. Based on the results of the analysis of literature documents, this study finds the pattern of tourism development and its processes are the answers to conflicting values and interests; tourism can change the composition of power and values in a tourist destination in the form of domination as the exercise of power; tourism grows and develops in the midst of political changes that are strongly influenced by space and time; the study of tourism politics has presented three key players in tourism development, namely the state, society and market; capitalization and commodification arise as a result of the globalization of the tourism market or as a result of the internationalization of tourism; the placement of tourism in the capitalist space as a consequence of tourism politics will talk about who gets what, where it is obtained, and how to get it; and in studying tourism politics, it is necessary to know the political theory and political values that underlie public policy decisions, both explicitly and implicitly.
The Musical-Drama Television Film “Bung Karno Under The Breadfruit Tree” I Komang Arba Wirawan
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 5 No. 1 (2022): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v5i1.1992

Abstract

The purpose of this research is to create a Musical-Drama Television Film titled “Bung Karno di Bawah Pohon Sukun” (Bung Karno Under the Breadfruit Tree), a television film that was initiated to form real learning spaces in the film industry for university students; refresh the creativity of the program in the world of industry (DUDI) in Bali TV; and create a work that provides learning related to the values of nationalism. This product is made of five episodes of 24 minutes each. In short, this film tells the story of Bung Karno's contemplation period when he was exiled in Ende, Flores. After the script preparation, the script breakdown was carried out with workshops, pre-production, and production. The workshop stage was carried out for the maturation of the script material and strengthening the appreciation of the characters. The resource persons presented are as follows: I Gusti Putu Bawa Samar Gantang, Jean Couteau, Warih Wisatsana, Heny Shanti, Happy Salma, and Ida Bagus Purwa Susila. All stages of production have been carried out, namely pre-production, production, post-production and distribution stages. The pre-production stage carried out was the preparation of the script, script breakdown, survey of shooting locations at Nusa Penida, Bangli, and Singaraja, wardrobe, logistics, transportation, accommodation, equipment check, casting, reading, recce, and Pre Production Meeting (PPM) which was attended by the entire division. The second stage is the production that took place in Singaraja, followed by the post-production stage of editing and music scoring. The theory used to dissect this film is the theory of mise en scene (Roland Barthes) to describe the visual aspects of the frame. The research method is descriptive qualitative analysis of the constituent elements and structures of the Musical-Drama Television Film "Bung Karno Under the Breadfruit Tree".   The results of the analysis show that the role of institutional leaders, partners in the world of work, lecturers and university students in this Matching Fund (MF) program is the result of the collaboration between the Indonesian Institute of the Arts Denpasar (ISI Denpasar) and Bali TV to actualize the independent learning curriculum for independent campuses (MBKM) at ISI Denpasar. In the implementation of the MF for television film production titled "Bung Karno under the Breadfruit Tree", there were 16 students in the seventh semester taking the MBKM class. The involvement of students from Film and TV Production Study Program, Music Study Program, Fashion Study Program, Dance Study Program, and PSP ISI Denpasar Study Program in the production of this film is an effort to hone and train hard skills and soft skills of the students. They were actively involved in collaborating and practicing directly the process of preparing scripts, music, wardrobe, and artistic arrangements in film directing by being given responsibilities according to their respective divisions as film work colleagues. They could also study cases in the field accompanied by a supervisor when there was a problem in the process. Program-based learning in the form of film production involving Bali TV as partner and also supported by PT. (Limited Incorporation) Silur Barong and movie studio Bali (MSB) to strengthen the character of students who are ready to enter the industrial world. In the production of the television film "Bung Karno under the Breadfruit Tree", Bali TV as a partner contributed to the publication of activities in the form of behind-the-scenes (BTS) shows, talk shows to the screening of a 5-episode Television Film series.

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