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Teosofia: Indonesian Journal of Islamic Mysticism
Published by Universitas Islam Negeri Walisongo Semarang
ISSN : -     EISSN : -     DOI : -
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Social Sciences
This journal provides a scholarly forum for sustained discussion of Islamic Mysticism and covers Humanities studies; Philosophy, Critical Thought, Cultural Studies, Art, Sociology, Anthropology, and Ethics. It presents developments of the related issues through publication of articles as well as book reviews. The subject covers textual and fieldwork studies with various perspectives of Mysticism, Islamic Mysticism, Religious Mysticism, Sufism, Tasawuf, and Humanities Studies. This journal warmly welcomes contributions from scholars of related disciplines.
Arjuna Subject : -
Articles 16 Documents
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Search results for , issue "Vol 9, No 1 (2020)" : 16 Documents clear
CONTESTING ISLAMIC SPIRIT AND ISLAMIC FORMALIZATION: GUS DUR PERSPECTIVES Faizatun Khasanah
Teosofia: Indonesian Journal of Islamic Mysticism Vol 9, No 1 (2020)
Publisher : Fakultas Ushuluddin dan Humaniora - UIN Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/tos.v9i1.5369

Abstract

In today’s context, Islamic values seem to be allied from Moslem’s life, but the symbol of formal Islam looks always presented in many representations, as well as the people of politic and economic’ world are always using Islamic symbols to direct public opinion. The reason is probably due to religious symbol becomes one of the most effective determinants in this regard. These actual facts are contradicted with the idea of Islam formulated by Gus Dur. He has proposed the idea of Islamic Spirit. That’s why? I would like to propose two questions: what is the contextual meaning of Gus Dur's thoughts about Islamic Spirit, and what if the idea is juxtaposed to the emergence of extreme Islamic thought. For this sake, I use critical-analysis method. The result has shown that the context of Gus Dur’s thought was the emergence of the idea of formalizing Islamic Sharia into the constitutions of the state, Indonesia, after the fall of Soeharto’s new order. Then, Gus Dur tried to countering these new ideologies of Islamic formalization. Islam, based on Gus Dur perspective, is encouraging people to be performing any good deed. To be a good Muslim, someone has no need to do good deed in the name of Islam, but he could be enough having a humanism visions. Therefore, there is no need to formalizing Islam
FRIENDLY ISLAMIC PREACHING THROUGH LITERARY WORKS: STUDY OF LUKISAN KALIGRAFI SHORT STORY COLLECTION BY A. MUSTOFA BISRI Abdul Karim Wirawan; Khumaidi Abdillah
Teosofia: Indonesian Journal of Islamic Mysticism Vol 9, No 1 (2020)
Publisher : Fakultas Ushuluddin dan Humaniora - UIN Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/tos.v9i1.5361

Abstract

This paper dedicated to examine and explore the model of dakwah found in the collection of short stories Lukisan Kaligrafi by A. Mustofa Bisri. The dakwah model examined in this paper is a friendly Islamic dakwah model. Friendly Islam is the face of Islam that is full of politeness and tolerance, not the face of Islam which is hard and full of anger. The collection of short stories Lukisan Kaligrafi is suitable as a medium to preach this friendly Islam because the short stories in this collection of short stories tell the twists and turns of the Islamic religious life experienced by the characters in each of the short stories. Therefore, this paper will try to identify (1) the proselytizing politeness in a collection of short stories Lukisan Kaligrafi and (2) the portrait of religious tolerance in a collection of short stories Lukisan Kaligrafi. Accentuating the friendly face of Islam is important because today the face of Islam is heavily tarnished by the actions of some groups acting in the name of Islam by acting outside the meaning of Islam which is rahmatan lil ‘ālamīn
ṬABAṬABA’I INTERPRETATION ON PROPHETIC MISSION IN TAFSIR AL-MIZAN FOR THE CONSTRUCTION OF NUSANTARA SPIRITUAL CIVILIZATION Achmad Achmad; Fadhlu Rahman; Pia Nuraripah
Teosofia: Indonesian Journal of Islamic Mysticism Vol 9, No 1 (2020)
Publisher : Fakultas Ushuluddin dan Humaniora - UIN Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/tos.v9i1.5328

Abstract

Modernism as the product of Renaissance has succeeded in couping the reality of God. The view of several western intellectuals have caused to the obscurity of human concepts which then affects to the meaning of the progress of human civilization, and further, presents serious problems almost in all social life. In the context of the archipelago (Nusantara), some Islamists groups try to establish a civilization based on materialistic point of view and with textual interpretation of the Qur'an. In fact, Islam in the archipelago genealogically has characteristics which are very spiritual so it is not appropriate to develop an advanced civilization in the archipelago based on materialist achievements as promoted by western modernism. The prophetic mission interpreted by Ṭabaṭaba’i in al-Mīzān fī Tafsīr al-Qur'an verses 1-2 and 5 gives the concept of spiritual civilization based on the Qur'an which is in line with the character of the archipelago. Thus, this study seeks to answer these research questions: first, how is the prophetic mission interpreted by Ṭabaṭaba’i in his Tafsīr al-Mīzān constructing spiritual civilization? Second, how is the construction of spiritual civilization in harmony and able to actualize the treasury of the archipelago? The method used in this study is a descriptive analysis with the approach of Ṭabaṭaba’i’s interpretation (Tafsīr) on the prophetic mission. The study finds that Ṭabaṭaba’i interpretation on the Surah al-Jumu’ah verses 1-2 and 5 gives the spiritual construction of civilization that is in line with the character of the archipelago
QUESTIONING THE “KOREAN WAVED” HIJAB STYLE IN INDONESIA: A CONTEMPORARY QUR’ANIC APPROACH Egi Tanadi Taufik; Siti Mufidatunrofiah; Nazifatul Ummy Al Amin
Teosofia: Indonesian Journal of Islamic Mysticism Vol 9, No 1 (2020)
Publisher : Fakultas Ushuluddin dan Humaniora - UIN Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/tos.v9i1.5365

Abstract

Innovations on hijab have implications for the expansion of its users. Thus it encourages the growth of new identities for hijab which are then expressed by enriching its style, form, color tone, and fabric. The cultivation of hijab throughs the pop-culture of Korea arose and known as the “Korean waved” hijab. This paper has an opportunity to elaborate on hijab’s contemporary progression worldwide. It reflects the Korean pop-culture and identifies the authenticity of the tradition of wearing the hijab in Indonesia. It problematizes the issue of Korean hijab style and how the Quran responds to it. The research framework used a sequential exploratory model henceforth resulting in a scientific response to the phenomenon of Korea's creative industries in the making of an authentic Indonesian hijab model. The results answered the challenges of the vision of "Making Indonesia 4.0" in developing the industrial sector of textile in Indonesia by tracing ethical, aesthetical, and economic modes of hijab.
THE ROLE OF ISLAMIC ART IN ENHANCING THE SPIRITUALITY OF INDONESIAN YOUNG GENERATION Muhammad Ali Rohmad
Teosofia: Indonesian Journal of Islamic Mysticism Vol 9, No 1 (2020)
Publisher : Fakultas Ushuluddin dan Humaniora - UIN Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/tos.v9i1.5376

Abstract

Islamic art is radiant beauty of the Islamic spiritual. The young generation must be able to be the front guard in preaching a beautiful religion. The public abandoned Islamic art because it was considered ancient and inferior to the conventional art, which was increasingly innovative. But lately, Islamic art has become popular in Indonesian people again as a phenomenon which is widely discussed, namely the pesantren literary art, represented by the novel Hati Suhita by Khima Anis. While, Islamic music art represented by Sabyan Gambus. As long as Islamic art can maintain quality and continue to innovate, Islamic art can break the dominance of conventional art in Indonesia. With the increasing interest of young people towards Islamic art, of course, it will increase their spirituality.
THE CONCEPT OF MARTYRDOM IN THE VIEW OF JAMĀ’AH ISLĀMIYAH IN INDONESIA Muzayyin Muzayyin
Teosofia: Indonesian Journal of Islamic Mysticism Vol 9, No 1 (2020)
Publisher : Fakultas Ushuluddin dan Humaniora - UIN Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/tos.v9i1.5367

Abstract

Religious radicalization is an irrefutable fact emerging mainly in the last decade. Several mass and suicide bombings (the nightclub Paddy's Pub in Bali, JW Marriot Hotel in Jakarta, Resort Police Mosque in Cirebon, Australian Embassy in Jakarta and several Churches in Indonesia) show this most clearly. The latest bombing in a mass building in Surabaya even had a thorough family as its actors. They and actors of other attacks claim that the bombing is of ways to put the doctrine of jihād fī sabīlillah into real life. It is therefore, the research employs a qualitative approach which aims to describe the concept of martyrdom as called amaliyat istisyhādiyah upon the perspective of Imam Samudera as one of Jamā’ah Islāmiyyah’s activist which is allegedly responsible for a number of terror attacks in South East Asia. In addition, this research conclude that Martyrdom has no relation to suicide. Its aims at establishing Kalimātullah and Islam, originating from the purest intention. While suicide is a hopeless deed performed by a person who kills himself for his own selfish reason 

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