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Jurnal Ilmiah Lingua Idea
Published by Universitas Jenderal Soedirman
ISSN : 20861877     EISSN : 25801066     DOI : https://doi.org/10.20884/1.jli
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Jurnal Ilmiah Lingua Idea ( ISSN: 2580-1066 (online) - ISSN: 2086-1877 (print)) is a peer-reviewed journal, published by Faculty of Humanities Universitas Jenderal Soedirman Purwokerto. It is an open access journal that can be accessed freely to support a greater knowledege exchange and sharing. This journal applies double-blind peer review, which means the reviewer and the author identities are concealed each other during the review process. Issued twice a year, Jurnal Lingua Ideaprovides a forum that deals with discussion on language, culture and literature studies.
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Articles 18 Documents
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Search results for , issue "Vol 9 No 2 (2018)" : 18 Documents clear
PEMBINAAN PENULISAN GRAFITI SEBAGAI WADAH CREATIVE ENTREPRENEUR BERBASIS KEARIFAN LOKAL BUDAYA MELAYU DELI Juliana Juliana; Fatimah Fatimah; Apriliyanti Apriliyanti
Jurnal Lingua Idea Vol 9 No 2 (2018)
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

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Abstract

In reality graffiti writings sometimes create some problems to the beauty of the environment. One of the problems are the creation of graffiti writings by Me&an art community on the streetwalls that affect the cleanliness of urban. Therefore, it is needed for a media as a place for the Me&an art community to express their creativity. The objective of this study is to give solution for the problem by providing a development media of graffiti writings for Me&an art community to become creative entrepreneur based on local wisdom of Malay Deli. This study focuses on developing graffiti writings by using and applying local wisdom values of Malay Deli. The results of this study are the sourvenirs model and the development place of graffiti writing as a media to express creativity based on local wisdom of Malay Deli. Briefly, the model of graffiti writing based on Malay Deli as a development media for Me&an art community to become creative industry entrepreneurs based the local wisdom.
RENDERING CULTURAL ELEMENTS IN BANYUMASAN BEGALAN: A TRANSLATION STUDIES PERSPECTIVE Asrofin Nur Kholifah
Jurnal Lingua Idea Vol 9 No 2 (2018)
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

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Abstract

Begalan is one of Banyumas traditions generally held in wedding ceremony in which involves several processions. As an oral tradition, this is undoubtedly rich of moral values to guide the local people in life over generation. Moreover, it contains symbolic meanings of Javanese philosophy. Begalan, thus, in the perspective of Banyumas people becomes tatanan (norm), tuntunan (guidance), and tontonan (performance) simultaneously. In regard to this, cultural-bound elements become inevitable issue particularly if it is viewed through translation studies. Accordingly, this paper is aimed at describing several cultural elements which are used in this tradition. Then some strategies dealing with transposing local cultures embodied in those elements are proposed. Among them are transference, paraphrase, and translation by icon. In the process of translating, a process of rewriting message, an appropriate strategy should be taken into account for the sake of retaining embodied moral values in each element. Moreover, the translator’s creativity becomes precious skill in coping with those elements. A creative translator would be able to produce a closest equivalence to reach the same effect as original one. In particular, this brings about the concept of begalan not only comprehended through its exhibition but also through written materials. In general, those strategies are possibly applied to transfer some similar texts for students in their learning, for teachers to teach translation and for translator for practice.
RUANG LIMINAL YANG AMBIVALEN: TRADISI DAN MODERNITAS DI LOMBOK DALAM KUMPULAN PUISI LANGIT SEPERTI CANGKANG TELUR BEBEK KARYA IMAM SAFWAN Muhammad Khairussibyan; Nila Mega Marahayu
Jurnal Lingua Idea Vol 9 No 2 (2018)
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

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Abstract

This research tried to reveal how the dynamics of contradiction between tradition and modernity in Lombok and how Lombok’s poet Imam Safwan, through a collection of poems of Langit Seperti Cangkang Telur Bebek (LSCTB) addressed the issue of tradition and modernity. The purpose of this study is to reveal the forms of conflict between modernity and tradition in Lombok dan view the poet’s attitude toward the conflict. The theory and analysis method of the binary opposition of Yuri Lotman’s semiotic were used to dismantle the structure and ideology of Imam Safwan’s poems. This study found that the problems of tradition and modernity in Lombok was found in the poems of Imam Safwan. Coping with this problem, Imam Safwan’s poems show ambivalence that the evaluation of two semiosphere (tradition and modernity) was conducted in turn. In a poem, Imam evaluated tradition from the point of view of modernity but in other poetry, Imam evaluated modernity from the point of view of tradition. This ambivalent attitude shows that Imam occupies the border of the semiosphere or the liminal space ini which tradition and modernity seek to be negotiated.
PHONOLOGICAL TRANSLATION IN THE HUNGER GAMES NOVEL: INVESTIGATING THE MEANINGS OF WORDS IN SECOND LANGUAGE ACQUISITION Baiatun Nisa; Sulhizah Wulan Sari
Jurnal Lingua Idea Vol 9 No 2 (2018)
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

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Abstract

This article discusses phonological translation in fiction text of The Hunger Games Novel translated by Hetih Rusli. This research investigates translation acquisition of transferring or replacing the Source Language into the Target Language as the second language. In analyzing the novel of The Hunger Games, the writers allude the process of translation that is produced by translator using the methods of phonological translation. The reseach used qualitative method and the data is taken from the novel of Suzanne Collins: The Hunger Games from both English and Indonesian version. The purpose of this paper is to find out the meaning of words from the Source Language into the Target Language using the method of phonological translation. Many words in the novel are commonly used in daily life of society such as the word of animal, places, and plants. From the discussion, it can be concluded that phonological translation is used in translating the Hunger Games novel. Using phonological translation could sound better and could deliver the meaning of the words itself with the play on sound. Thus, the research finds that the meanings of translation word in the Hunger Games Novel which have been analayzed in SL show the sense of original or foreign meaning in the TL. The significant of this study is to reveal the meaning of word as a languange phenomenon and communication used in daily life of society through phonological translation.
RELIGIOUS PROPAGANDA AS HEGEMONY STRATEGY DEPICTED IN AGORA (2009) Purwoko Budhi Setiaji; Afrizal Zein; Ali Naqi; Dominika Jenetaugusta Jalatirani
Jurnal Lingua Idea Vol 9 No 2 (2018)
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

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Abstract

This paper entitled “Religious Propaganda as Hegemony Strategy Depicted in Agora (2009)” aims to find out the hegemony occurred in Agora movie that is reflected through religious propaganda. In conducting the research, the researcher uses the theory of hegemony by Antonio Gramsci. The data collection was based on the dialogue of the movie, which then supported by books, journals, and articles depicting the hegemony and the social setting of the movie. In conducting the research, the researchers found that the hegemony depicted in the Agora movie are reflected in the religious propaganda in the form of condemnation towards other religion and the preaching of the Christianity itself.
CALENGSAI : KREATIVITAS DAN INOVASI PEKERJA SENI DALAM MEMPERTAHANKAN KESENIAN TRADISIONAL Dyah Tjaturrini
Jurnal Lingua Idea Vol 9 No 2 (2018)
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

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Abstract

Calung Lengger is one of the traditional art from Banyumas, Central Java. Calung Lengger is a tool / media to represent the identity of Banyumas community. Calung Lengger experiencing ups and downs in its development, caused by the progress of science and technology. This influence is very large for the development of the traditional arts of calung and lengger. This traditional art of calung lengger must be defended in order to maintain the existence of art itself. Various efforts are made by art workers by innovation and creation. This innovation and creations by incorporating other traditional arts such as lion dance, art from Tiongkok. This can happen because of the intensive interaction by using the symbols that exist in each art. Symbolic interaction is a continuous relationship between symbols and intercations. The symbol used is a representation of a mutually agreed phenomenon. The interaction between Banyumas and Tionghoa community is bridged by symbols, and the symbol is a verbal symbol that uses art as a means of representing a phenomenon. This intensive interaction also results in a combination of two cultures that occur in a harmonious and peaceful life.
MENDIDIK MELALUI HATI SEBAGAI STRATEGI MEMBENTUK KARAKTER BANGSA Sunhaji Sunhaji
Jurnal Lingua Idea Vol 9 No 2 (2018)
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

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Abstract

This paper discusses the concepts of character education. The character of the nation is one key for the nation to develop. The character of the nation is highly determined by its efforts to continuously improve the character education processes. No character education may be well implanted to the men’s behavior when the heart of the nation is unhealthy. The main key education success of the nation is a healthy heart. The heart should be healthy that good education may be easily implanted and united into an individual who is reflectively and continuously demanded to do the good things. Thus, whatever the education is named by either character education, value education, multicultural education, religious education, or others intended to build the character and behavior of the educational participants may uneasily be realized if not firstly initiated by educating the heart.
WHEN CLASS DEFINES ART AND MARRIAGE APPROVAL: A MARXIST ANALYSIS OF THE GREATEST SHOWMAN Galih Yoga Saputro; Fauziah Setianingsih; Kuni Maskurotal Azizah
Jurnal Lingua Idea Vol 9 No 2 (2018)
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

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Abstract

This research is descriptive qualitative research with Marxist theory on social class and culture stratification as its basis of the theory. Looking at the primary data taken from the movie, it is proven how social class and culture stratification affects art status and marriage approval. Circus as art is considered lower class art because it is cheap and historically poor just like it is rejected in the movie. Marriage approval is also affected by social class on how different class cannot marry because they would be not considered as not family member anymore. Industrial revolution as the beginning of all social class affect many things until today as what is depicted in the movie.

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