cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Surya Farid Sathotho
Contact Email
suryafarid@isi.ac.id
Phone
+6282228334645
Journal Mail Official
dtreview@isi.ac.id
Editorial Address
Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang
Published by Institut Seni Indonesia Yogyakarta
ISSN : 25025880     EISSN : 26866027     DOI : https://doi.org/10.24821/dtr.v4i2
Core Subject : Humanities, Art,
Arts Humanities
Dance & Theater Review (DTR) is a journal published in May and November, hosted by the Faculty of Performing Arts of Institut Seni Indonesia Yogyakarta. It is firstly published in May 2018. Journal of DTR contains any results of research and creation of dance, theatre, and wayang as well as performing arts education.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 5 Documents
 1 
Search results for , issue "Vol 8, No 1: May 2025" : 5 Documents clear
Dramaturgi Praktik Lingkungan Pembuatan Profil Ekowisata Berbasis Teknologi Drone Padukuhan Bleberan Kabupaten Kulonprogo D.I. Yogyakarta Yudiaryani Yudiaryani; Pius Rino Pungkiawan; Bunga Islamy
Dance and Theatre Review Vol 8, No 1: May 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v8i1.14083

Abstract

Environmental Dramaturgical Practice for Ecotourism Profiling Based on Drone Technology in Bleberan Hamlet, Kulonprogo Regency, Yogyakarta Special RegionThis article examines ecological dramaturgical practice through drone-based performative mapping within the context of ecotourism and communitybased cultural performance. Responding to conditions of twenty-firstcentury media abundance, dramaturgy is reconceptualised from a predominantly analytical framework into an expanded, practice-based methodology operating across ecological, spatial, and digital domains. This study positions drone technology not merely as a visual documentation tool, but as an intermedial dramaturgical agent that actively shapes relationships between bodies, landscapes, technologies, and communities. Drawing on a case study in Padukuhan Bleberan, Kulon Progo, the research demonstrates how ecotourism functions as a performative practice that integrates ecological landscapes, ritual spaces, cultural memory, and local creative economies into a digital mapping system. Drone-based visual profiling produces performative archives that extend cultural practices beyond live events, enhancing visibility, accessibility, and sustainability. Methodologically, the study combines dramaturgical practice, ecological performance perspectives, and digital media analysis, supported by field observation, interviews, and collaborative evaluation with the local community. This approach contributes to contemporary discussions on ecodramaturgy, intermedial performance, and community-based spatial practice.Keywords: dramaturgical practice; ecological dramaturgy; performative mapping; drone technology; ecotourismKata kunci: ekowisata; teknologi drone; model profil; dukuh Bleberan.
The Transformation of Pencak Silat in Perangan Rajamala and Abilawa Prisented by Sudirman Ronggo Darsono. Hidayatulloh, Muhammad Nabil; Suyanto, Suyanto
Dance and Theatre Review Vol 8, No 1: May 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v8i1.14894

Abstract

Sudirman Ronggo Darsono's sabet perangan has its own characteristics because there is a combination of pencak silat movements. The movement is transformed with the medium of a wayang whose movement has been distilled. Motion transformation research was carried out using qualitative methods, data analysis, and interviews. Sudirman's style of sabet perangan is described specifically about the technique combined with silat movements that it becomes a treasure and insight for readers. The results of the study revealed that several silat movements are transformed to sabet perangan wayang, such as punches, kicks, slams, and evasion.
Ngayah Topeng Sidhakarya: Spirit Pengabdian melalui Bhakti dan Karma Marga Dana, I Wayan; Anggraeni, Agustin; Manganti, Galih Suci
Dance and Theatre Review Vol 8, No 1: May 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v8i1.12993

Abstract

Ngayah adalah tradisi yang dijalankan oleh masyarakat Bali sebagai kewajiban sosial dalam menerapkan ajaran bhakti dan karma marga.bhakti marga merupakan jalan penyerahan diri, patuh dan setia kepada Sang Pencipta (Tuhan). Karma marga melalukan jalan dengan perbuatan, bekerja tanpa pamrih. Topeng Sidhakartya merupakan salah satu genre seni pertunjukan topeng Bali yang disajikan sebagai bagian tak terpisahkan dari pelaksanaan yadnya (korban suci). Tujuan penelitian ini ingin mengetahui bahwa para seniman Bali melaksanakan profesinya dengan jalan penyerahan diri dan berbuat atau berkarya sepenuhnya sebagai spirit pengabdian yang tulus ikhlas kepada Sang pencipta alam semesta dengan menyajikan Topeng Sidhakarya. Topeng Sidhakarya sesuai namanya, topeng ini yang menjadi bagian tak terpisahkan dari pelaksanaan sebuah yadnya, dengan hadirnya topeng ini menadakan bahwa karya atau kerja menjadi sidha (selesai) dengan sempurna. Metode yang digunakan metode penelitian kualitatif yang pelaksanaannya lebih mengarah pada pengumpulan data melalui observasi secara langsung di lapangan. Hasil yang diharapkan bahwa profesi sebagai penari, khususnya Topeng Sidhakarya adalah untuk ngayah (mengabdi) berkaitan dengan persembahan yang tulus ikhlas (bhakti dan karma marga) kepada Sang Pencipta.
BÂJÂNG KERTÈ: SENI PERTUNJUKAN WAYANG TOPENG MASYARAKAT SITUBONDO Hidayatullah, Panakajaya
Dance and Theatre Review Vol 8, No 1: May 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v8i1.14465

Abstract

This research seeks to examine the bâjâng kertè art form from various aspects, including its history and developmental dynamics, form and function, transmission and regeneration, as well as performance modes and survival strategies. The study employs a qualitative research approach, utilizing ethnographic methods. Data were collected through participatory observation, interviews, and literature review. The data were then interpreted by employing a multidisciplinary perspective, including history and performing arts. The findings reveal that bâjâng kertè is an intangible cultural heritage of significant value to the community of Situbondo. It was created by a skilled Madurese puppeteer named Kertisuwignyo, who later migrated and settled in Situbondo. Bâjâng kertè flourished in Situbondo during the 1970s to the 1990s. It was performed in various contexts such as parlo, rokat panhâbâ, rokat tasè’, rokat bhumi, salamettan, and other events. Its performance structure consists of several parts, including dhing-ghendhingan, tèmangan, tari srimpi, and maen carèta. This art form serves multiple functions within the community, including educational, entertainment, spiritual, and economic purposes. The knowledge and skills related to bâjâng kertè are culturally transmitted by its artists through two pathways: informal learning (cantrik) and group training. Various challenges and problems faced by bâjâng kertè artists have ultimately sparked new innovations. These include the emergence of new performance modes such as topeng rokatan, topeng can-macanan, topeng lawak, and the incorporation of bâjâng kertè content in audiovisual recordings.
Dampak Masa Pandemi Covid-19 Pada Eksistensi Festival Film: Studi Kasus Festival Film Pelajar Jogja 2020 Setyawan, Deddy; Widyastutieningrum, Sri Rochana; Handriyotopo, Handriyotopo; Hartanto, Denny Antyo; Setyawati, Febfi
Dance and Theatre Review Vol 8, No 1: May 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v8i1.19466

Abstract

The Impact of Covid-19 Pandemic Toward Film Festival; Case Study on Jogja Student Film Festival 2020. The Covid-19 pandemic poses a big challenge for the sustainability of film festivals as a space for the distribution and appreciation of student works in Indonesia. The Jogja Student Film Festival (FFPJ), which has been taking place since 2010, faced an extraordinary situation in 2020 when the organization had to transform from an offline format to an online format. This study aims to describe the adaptation process of FFPJ management throughout the pandemic and identify the driving factors for these changes. A qualitative descriptive approach is used with data collection techniques in the form of documentation, structured observations, and interviews with founders, judges, volunteers, and festival participants. The validity of the data is maintained through source triangulation while the analysis is carried out using the management function theory framework (POAC). The results of the study show that strategic adaptation and the use of digital technology allow the sustainability of the festival without permanent sponsors, while still prioritizing aspects of critical literacy and appreciation space for young filmmakers. FFPJ organizers and communities have shown the ability to maintain the existence and regeneration of the student film community even in crisis conditions.Keywords: Student's Film Festival, Covid-19 Pandemic, Existence 

Page 1 of 1 | Total Record : 5

 1 

Filter by Year

2025 2025


Reset
Filter By Issues
All Issue Vol 8, No 2: November 2025 Vol 8, No 1: May 2025 Vol 7, No 2: November 2024 Vol 7, No 1: May 2024 Vol 6, No 2: November 2023 Vol 6, No 1: May 2023 Vol 5, No 2: November 2022 Vol 5, No 1: May 2022 Vol 4, No 2: November 2021 Vol 4, No 1: May 2021 Vol 3, No 2: November 2020 Vol 3, No 1: May 2020 Vol 2, No 2: November 2019 Vol 2, No 1: May 2019 Vol 1, No 2: November 2018 Vol 1, No 1: May 2018 More Issue