cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
ika ismurdiyahwati
Contact Email
ismurdyahwati@gmail.com
Phone
+62818422375
Journal Mail Official
budayanusantara@unipasby.ac.id
Editorial Address
jl. dukuh menanggal 12 no 4, Surabaya, Jawa Timur, 60234
Location
Kota surabaya,
Jawa timur
INDONESIA
Jurnal Budaya Nusantara
Published by Universitas PGRI Adi Buana Surabaya
ISSN : 23553367     EISSN : 25978802     DOI : https://doi.org/10.36456/b.nusantara.vol3.no2
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Social Sciences
Diterbitkan dalam bentuk jurnal yang berfungsi sebagai media hasil disseminasi penelitian dan karya ilmiah, yang bertujuan untuk menambah wawasan dalam science, knowledge, skill, dan ability dalam bidang pendidikan, seni, budaya dan desain pada aspek olah gerak, rupa, teater, sastra, suara dan bunyi-bunyian yang berada dalam khasanah budaya Nusantara.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 16 Documents
 1   2 
Search results for , issue "Vol 2 No 2 (2019): NUSANTARA " : 16 Documents clear
ADAPTASI KEARIFAN LOKAL NUSANTARA PADA PERANCANGAN HURUF DIGITAL TAPIS DAN GORGA Raden, Agung Zainal Muttakin
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1964

Abstract

Indonesia is a house of culture. Many tribes, language, art and traditional culture spread in the Indonesian regions. All of these have become a motto of Indonesia that is unity in diversity or Bhinneka Tunggal Ika. In relation to arts, it is recognized that before colonialism, Indonesia has several indigenous scripts in which the root of this typeface originating from south Indian. After colonialism, however, these indigenous scripts in Indonesia started to shifting direction to modern typeface. As a result, these indigenous scripts become endangered. In the meantime, the modern typeface is growing sustainable until nowadays. This research paper aims to design digital typefaces application with Lampung and north Sumatra local wisdom adaptation. The method in this research is descriptive analysis with typography approach. The result in this research is the production of digital typefaces with local wisdom forms which can be installed in computer.
Budaya Petung Dalam Masyarakat Jawa : Kajian Antropologi PRAMULIA, PANA
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1965

Abstract

Javanese society is identical with mysticism. Everything that Javanese people do cannot be separated from the physical and metaphysical worlds. The physical and metaphysical worlds are interrelated, as these would form harmony of life between living beings and God. The harmony built by the Javanese community is not only for the people, but also for the whole living things in the world. That is what the Javanese community call the bebrayan agung. One of the patterns carried out by Javanese people to lead a bebrayan agung is by practicing the culture of petung. This culture is not only a calculation of life behavior, but also as a dialectic between humans and fate and the universe. Many people perceive that petung culture is only a prophecy, but in fact, it teaches wisdom ​​as a way of life. This is due to that the culture of Petung or Petungan in Javanese society is closely related to birthdays, pasaran, and neptu. All of these have to do with birth, sustenance, matchmaking, illness, and death. In short, everything is strung together based on the standard calculations contained in the primbon and the Javanese calendar. In this regard, Petung culture is a mathematical civilization technology that uses calculations of numbers in the Javanese calendar.This study, therefore, is focused on exploring the culture of petung in Javanese society framed within the anthropological analysis.
Era Cyberspace Sebagai Prospek dan Tantangan Pendidikan Karakter Bangsa Karyono, Tri
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1966

Abstract

Cyberspace era is characterized by the blurring the different types of boundaries including nations, and is signalized by leaving the data trace (log files) and not leaving the physical documents (paperless). Industrial revolution 4.0 with its use of cyber physical systems is no exception. Information technology at one pointmakes the distance closer, but at another point it potentially also leads to educational, social, cultural and behavioural problems. In this regards, there should be an awareness of how to create healthier environment. This study, therefore, is aimed at providing illustrative solutions of the problems in connection with the accessibility of diverse information in the era of cyberspace which affect on the people’s way of thinking, actions and attitudes. The results of this study are expected to contribute to the ideas of charater education which is being the core to achieve the quality of national education in Indonesia. Moreover, the results of the study are expected to provide some insights of how to help society smarter in the era of cyberspace in which eventually they will have a capacity to reduce the big data information and empower this information for their better life.
Kajian Makna, Konsep, dan Teknologi Pembuatan Motif Batik Tradisional, Wilayah Barat, Provinsi Jawa Timur ismurdyahwati, ika; ., Atiqoh
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1967

Abstract

This research looks for the basic pattern of meaning that traversesall the journey soft tribal history,through the 'old' batik motif, which originates from the western part of the East Java province.Through these mythologies, the position of man will be reflected in his cosmology and try to surveyhis life, be safe and happy according to his position in thisworld order. Its in terestis to document themotives to make inspiration for the developmen to fart in the future, with out putting aside theconcept soft its predecessors and the technology it uses. His research method, using qualitativeresearch, by optimizing observation and observation. Another goal ist okey now the extent to whichthese motives develop. In connection with the government program on the creative economy, it ispossible to develop the forms of motifs and functions of batik cloth that are not only used as clothfor the lower part of clothing, and kebaya (women) or beskap (men) as superiors. The resultsobtained in its development were, batik cloth with sacred motifs, became profane because of thelack of understanding of the concep to motives in the younger generation. Then in itsdevelopment,the batik cloths not only became profane but became material forother things to use, such as;negligee, casualpants, vacationclothes, hotel sandals, to formal clothes for uniforms andcelebrations.
komparasi karya seni lukis MOOI Indie Antara Seniman Indonesia dan Seniman Dari Barat Periode 1930-an Pandanwangi, Ariesa
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1968

Abstract

The purpose of this study is to compare the 1930s indie mooi painting works between Indonesianartists and western artists. The samples of this study were paintings of Indonesian artists andWestern artists made in 1930s. Each work of these artistsis selected to represent his period. Hiswork is, therefore, analyzed using Feldman's theory. The results of this study show that manyartists' creative ideas are inspired by the scenery of Indonesia. These creative ideas lead to themesemerged which visualizing fields and mountains on their indie mooi paintings. The primarilyreason of visualizing the beautiful scenery on their paintings is that these paintings are intended tofavourEuropean communities living in Java. Another result of the study is that paintings at thattime still used traditional techniques and media, oil paint on canvas and the colours used aremostly bright.
PENERAPAN METODE TUTOR SEBAYADALAM MENINGKATKAN KREATIVITAS BERMUSIK PESERTA DIDIK PADA MATA PELAJARAN SENI BUDAYADI KELAS VIISMP NEGERI 1 SUKARESMI Kurniadi, Dedi
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1969

Abstract

This study aims to analyze the reality of improving the students’ musical creativity through peer tutor on arts and culture lesson at VII grade, State Junior High School 1 Sukaresmi. Quasi experiment with statistical test is used in this study. The result of the study shows that peer tutor significantly improves the students’ musical creativity compared to that of conventional method. This improvement can be seen from the control class which uses conventional method showing average score of 60.7 and the experiment class which uses peer tutor method showing the higher average score of 79.7.
RUANG PUBLIK DAN SENI PUBLIK Jabaril, Rahmat
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1970

Abstract

Public Space and Public art, are two different senses. Public Space is a space that can be spread out because of the existence of a community that has the imagination that engages in it. Society is created and creates public space as a real democratic space. This is because, every actor in it interferes with imagination, and ideas that make that space continue to be spread out as public space. Public art is unconstitutional, so its beauty is a dynamic process. In that, then the public space and the art of public are compounds which have no meaning. Often it is not revealed that what we see on the streets, for example, provides reflective space and gives inspiration to the street performers. Public art, public space and public actors will make public dynamics an aesthetic form.
TANTANGAN DALAM PENCIPTAAN SENI RUPA TRADISI DI ERA REVOLUSI INDUSTRI 4.0 ., Karsam
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1971

Abstract

The industrial revolution 4.0 was an era where all aspects were made, carried out, carried out with tools and facilities that were all modern including the creation of traditional art. The order of human behavior in work that cannot keep up with changes in the digital age will be marginalized. This condition can marginalize and even destroy the existence of traditional art.This research was carried out by using qualitative method in which data are obained from observation, literature review and direct practice in the field, where the author is the actor of the creation of traditional art.The purpose of this study is to preserve and preserve the existence of traditional fine art on this earth, so the creators (Artists, Masters, Kriyawan, Craftsmen, etc.) must be able to use media, tools, materials, facilities that develop in this time. The author hopes that this research can benefit readers, researchers, reviewers and traditional art actors to continue working in this era of industrial revolution 4.0 without abandoning traditional artistic values.
ADAPTASI KEARIFAN LOKAL NUSANTARA PADA PERANCANGAN HURUF DIGITAL TAPIS DAN GORGA Agung Zainal Muttakin Raden
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1964

Abstract

Indonesia is a house of culture. Many tribes, language, art and traditional culture spread in the Indonesian regions. All of these have become a motto of Indonesia that is unity in diversity or Bhinneka Tunggal Ika. In relation to arts, it is recognized that before colonialism, Indonesia has several indigenous scripts in which the root of this typeface originating from south Indian. After colonialism, however, these indigenous scripts in Indonesia started to shifting direction to modern typeface. As a result, these indigenous scripts become endangered. In the meantime, the modern typeface is growing sustainable until nowadays. This research paper aims to design digital typefaces application with Lampung and north Sumatra local wisdom adaptation. The method in this research is descriptive analysis with typography approach. The result in this research is the production of digital typefaces with local wisdom forms which can be installed in computer.
Budaya Petung Dalam Masyarakat Jawa : Kajian Antropologi PANA PRAMULIA
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1965

Abstract

Javanese society is identical with mysticism. Everything that Javanese people do cannot be separated from the physical and metaphysical worlds. The physical and metaphysical worlds are interrelated, as these would form harmony of life between living beings and God. The harmony built by the Javanese community is not only for the people, but also for the whole living things in the world. That is what the Javanese community call the bebrayan agung. One of the patterns carried out by Javanese people to lead a bebrayan agung is by practicing the culture of petung. This culture is not only a calculation of life behavior, but also as a dialectic between humans and fate and the universe. Many people perceive that petung culture is only a prophecy, but in fact, it teaches wisdom ​​as a way of life. This is due to that the culture of Petung or Petungan in Javanese society is closely related to birthdays, pasaran, and neptu. All of these have to do with birth, sustenance, matchmaking, illness, and death. In short, everything is strung together based on the standard calculations contained in the primbon and the Javanese calendar. In this regard, Petung culture is a mathematical civilization technology that uses calculations of numbers in the Javanese calendar.This study, therefore, is focused on exploring the culture of petung in Javanese society framed within the anthropological analysis.

Page 1 of 2 | Total Record : 16

 1   2 

Filter by Year

2019 2019


Reset
Filter By Issues
All Issue Vol 6 No 2 (2023): NUSANTARA DAN ADAT ISTIADAT Vol 6 No 1 (2023): NUSANTARA DAN ADAT ISTIADAT Vol 5 No 3 (2022): NUSANTARA DAN RITUS Vol 5 No 2 (2022): NUSANTARA DAN RITUS Vol 5 No 1 (2021): NUSANTARA DAN RITUS Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL Vol 4 No 1 (2020): NUSANTARA & RUANG VIRTUAL Vol 3 No 2 (2020): Nusantara & Media Vol 3 No 1 (2019): NUSANTARA & MEDIA Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI Vol 2 No 1 (2018): NUSANTARA & TEKNOLOGI Vol 1 No 2 (2018): NUSANTARA & KONTEMPORER Vol 1 No 1 (2017): NUSANTARA & KONTEMPORER Vol 2 No 1 (2015): Nusantara & Kontemporer Vol 1 No 2 (2014): BUDAYA ADI LUHUNG Vol 1 No 1 (2014): BUDAYA ADILUHUNG More Issue