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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 18 Documents
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Search results for , issue "Vol. 6 No. 2 (2014)" : 18 Documents clear
PERENCANAAN STRATEGIS PENGEMBANGAN TV KAMPUS ISI SURAKARTA SEBAGAI TELEVISI SENI DAN BUDAYA Murfianti, Fitri
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.203

Abstract

This study is an evaluation form of ISI TV. During this time, ISI TV can not be aired optimally but itsexistence is important and necessary either by the campus community and the residents of ISI Surakartaitself. It requires an evaluation to identify the internal and external factors of ISI TV constraints to airperiodically and strategic planning that can be taken to make the ISI TV as an art and culture televisionthat is instructive as well as to be a creative and productive laboratory for lecturers and students.The method used to evaluate this situation is to make the IFE Matrix, EFE Matrix, SWOT Matrix andMatrix QSPM.The results of the study indicate that the campus television ISI TV is internally weak and unresponsiveboth to the opportunities as well as threats that exist in the industry. Therefore, the strategic actionsthat could involve two important aspects include improving management and Rejuvenation Hardware.Reengineering Management is done by optimizing the existing human resources in accordancewith the job description, increasing the number of human resources management in ISI TV, recruitingmore students to join with ISI TV, doing approach to all units in ISI TV, forming curator, working withTV with other cable or local television, building a partnership with the third agent to support thefunding of program activities. Strategic action in rejuvenation equipment is, for example, asking themto help funding in the equipment purchasing to the foreign foundation; and establishing cooperationwith foreign universities also makes the television stations are more advanced technologically.Keywords: Campus TV, Strategic Planning, SWOT
IDENTIFIKASI RUANG PUBLIK DI LINGKUNGAN BANDARA ADI SUMARMO SEBAGAI ART SPACE Sulistyani, Harmilyanti
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.209

Abstract

The mobility of human being needs a transit space. Airport as a transit space or terminal has a facilityto support the activity of the air traffic. Based on the activity, space on the airport is divided intoseveral criteria. There are public area, private area and service area.Public area is a space that canbe acces by visitor with or without requirement. Airport public space is different from another terminalpublic space. This research uses graphic analysis with interpretation discription. Graphic analysis isused to identify the room visual structure. Interpretative analysis is used to explore the connection ofform and room function. Public space on Adi Sumarmo Airport can be used as an art space due to thestatus as International airport and commercial airport.Keywords: Adi Sumarmo Airport, public space, art space, commercial airport, transit space
ANALISIS HUBUNGAN ANTARA KEGIATAN MELUKIS DENGAN KEBUTUHAN PSIKOLOGIS PADA REMAJA Shokiyah, Nunuk Nur
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.211

Abstract

This research aims to learn the correlation between painting activities and psychological needs of theteens. There are two variables in this research covering painting activities as the independent variableand psychological needs as the dependent variable. The correlation technique of Product MomentPearson is used to know the correlation between painting activities and the psychological needsof the teens, while the calculation uses the computer program SPSS 15 for windows release. Subjectof this research is all active students of the Pure Fine Arts Department in Institut Seni IndonesiaSurakarta. All data that is collected covers 61 subjects. The measuring instrument used is the intensityscale of painting activities and the scale of psychological needs. The result of this research showsthe coefficient correlation (rxy = 0,746; p = 0.000), it means that there is a significant correlationbetween the painting activities and the psychological needs to the teens. Meanwhile, the determinationcoefficient of the correlation is R2 is 0,556. It means that the painting activities give the effectivecontribution to the psychological needs to the teens as much as 55,6 % while the rest of 44,6 % isdetermined by other variables.Keywords: painting activities, psychological needs.
PENGUATAN CITRA MEREK BATIK DENGAN TIPOGRAFI VERNACULAR Murtono, Taufik
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.215

Abstract

This study aims to design a brand identity of batik with vernacular typography. Vernacular typographyis typography with daily life character that is familiar with the activities of local community.Vernacular typography is used in this study because the types that are created by the previous researchdo not meet the needs of the product owners at batik center in Bayat, Klaten District. Themethod used is descriptive qualitative research to find qualitative data that is used as the base of thevernacular typography creating through the design process which is divided into four stages. Thestages covers assimilation, such as the collection and arrangement of information problem that isbeing studied; general studies, such as investigating the characteristics of the problem and possiblesolutions as well as tools and support materials; developing, creating and modifying; communicationconcerning the creative presentation of one or more solutions to the people inside and outside of theresearch team. Small scale industries such as batik center Bayat have disadvantages in accessingcreative sources because of the limited capital and opportunity. Therefore, this study becomes a helpfulthing in designing the brand identity for small industries. The results obtained include vernaculartypography design that is traced from the surrounding environment so that they produce specialtypefaces for example typographic style of batik motif, street-style typography, typographic styleengraving, handwriting-style typography, and free-style typography. Typographies that are generatedsubsequently applied in developing batik brand identity. Keywords: Typography, vernacular, brand, batik
TIPOGRAFI DEKORATIF KAWUNG FLORAL REGULAR Handriyotopo, Handriyotopo
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.217

Abstract

Typeface as a print advertising communication element has an important role to convey the message.There are many variations in the use of type application in typography. One is a kind of decorativetypeface. The existence of decorative letters during the Dutch East Indies in terms of silografi iswidely used in newspapers. Currently the use of decorative letters is less productive because it is onlyused as a supplement and as an aesthetic element. The creation of works of decorative letters will adddigital reference letters in adopting elements of local culture in the motif. The chosen motif to thesource of creation decorative letters is like motif kawung of Surakarta and Yogyakarta batik stylesthat have a common history. The application of this new type of decorative fonts as supporting visualaesthetic in design wedding invitations, especially themed Javanese batik or marriage. The method ofcreation is through the stages of observation and exploration, experimentation, creation and applicationin the design of wedding invitation cards.Keywords: Decorative letter, batik, wedding invitations
UNSUR SOSIAL BUDAYA DALAM SERAT ANGLINGDARMA Masturoh, Titin
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.221

Abstract

This research aims to find answers of the questions: (1) how the Serat Anglingdarma as the literarywork is; (2) how the Socio-Cultural Elements of Serat Anglingdarma are. Focus of this researchdiscusses about the text of Serat Anglingdarma, so the use of genetic structuralism approach to theanalysis of intrinsic and extrinsic elements are the elements of social culture.This result of the research shows that Serat Anglingdarma contains message that can function as thekingdom dynasty relationship and strengthening or authority at the time as a complementary chain ofgenealogical ancestors. Serat Anglingdarma as a literary work contains the important elements, theyare: (1) element of plot; (2) element of characterizing; (3) element of setting; (4) element of theme (themain theme and additional theme); (5) element of message. The social elements of Javanese culture inSerat Anglingdarma can be seen from the kinship system. It can also be seen from the language,because the language used in Serat Anglingdarma is Java krama and Java ngoko language. SeratAnglingdarma can be seen from the farm system containing the ways of farming. While viewed fromthe art, Karawitan is used for the ceremony and certain days.Keywords: Socio-cultural, Serat Anglingdarma, Javanese.
IDENTITAS VISUAL DALAM DESTINATION BRANDING KAWASAN NGARSOPURO Panindias, Asmoro Nurhadi
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.223

Abstract

Surakarta city, then known as Solo, has a long history as part of the cultural centers of Java. “SoloPast is the Solo Future”, a slogan created by Solo City Government in an effort to make Solo as anicon of cultural heritage preservation. Solo is known as one tourist destination in Indonesia, which isrich in a variety of tourist attractions, ranging from cultural tourism, nature tourism, and culinarytours. Economic development and business in Solo can go hand in hand with the development, preservationof cultural heritage and tourism. Ngarsopuro is an area in front of the Mangkunegaran,which formerly lined electronics stores and antique markets called Triwindu. Ngarsopuro region isseen as a cultural activity. As a tourist destination, Ngarsopuro Region needs to have an identity as adifferentiating factor and promotion. It is necessary for a studies associated with Visual IdentityNgarsopuro area for promoting tourism potential.This design study will design a visual identity for the region as a destination brand Ngarsopuro, soresearch conducts with qualitative studies. To design a visual identity Ngarsopuro Region Solo willrequire methods to acquire the concept and design results, among others, to study and data collectingprimary data and secondary data conducted by interview, observation and documentation of data onthe scope of Ngarsopuro area, potential and excellence and values contained in Javanese culture.The visual identity of a company is not only formed by a logo, but also the supporting visual elementsthat appear in each component company. With consistency in the use of visual elements in a companywill further strengthen the position and identity of the company in the eyes of the visitor or relatedparties. Visual identity also includes some of the constituent elements including the name, logo, colors,and slogan.Keywords: Destination brand, Visual identity, Ngarsopu
KEDUDUKAN DALEM PADA PROGRAM RUANG RUMAH INDIS SAUDAGAR BATIK LAWEYAN DI AWAL ABAD KE-20 Hastuti, Dhian Lestari
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.225

Abstract

This article is a result of research that discusses about the tradional position of dalêm in the homespace program of Laweyan batik merchants in the early 20th century which explain and understandthe position of dalêm as cultural artifacts. Two approaches are used to approach the systems of Javaneseculture and quadrant system which describes the nature of space as a symbol of Javanese culture.This study aims to understand the merchant community perspective of Laweyan socially marginalizedculture in the early 20th century, through the notch dalêm to their home space program. The resultsare: 1) physical form of three home Indies batik merchants Laweyan, a smart strategy in makingdesign decisions in harmony with nature, social environment, economic life, and ideals. 2) Position ofdalêm for the space program is regarded as a sacred area and the cosmic center, although without theapplication of the concept mancapat. Dalêm placement on the highest floor level is a reflection of thesacred area and the cosmic center. Prerequisite relations relatives and well known to the owner of thehouse is a symbol that dalêm position as a sacred area of the quadrant system.Keywords: dalêm, Indis, quadrant system, a sacred area

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