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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 24 Documents
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Search results for , issue "Vol. 9 No. 1 (2017)" : 24 Documents clear
PELATIHAN SABLON DENGAN TEKNIK COLET CRAYON BAGI SISWA BERKEBUTUHAN KHUSUS DI SLB BINA KARYA INSANI KARANGANYAR Syafi’i, Achmad
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (397.261 KB) | DOI: 10.33153/acy.v9i1.2119

Abstract

Screen printing businesses still had great opportunities to serve as potential entrepreneurial activities. The purpose of screening training with colet crayon technique to students with special needs(disabled) in SMPLB and SMALB Bina Karya Insani was to prepare the skills of SLB students in orderto gain recognition and be able to be independent in society besides could be used for entrepreneurship. Activities that were carried out involving 40 studentsof Deaf-Speech impaired (B-class) andMentally Disables (C-class). The execution technique used brainstorming method and the method ofspecial classroom action techniques. The brainstorming method was used so that the active workshopparticipants expended their ideas in the form of visual design to be transferred on paper throughscreen printing with colet crayon technique. While the specific classroom action method was meant,was a persuasive approach, because people with special needs required more attention. So with theindividual approach in fishing ideas and their imagination, students were expected to be honed andwell developed.Keywords: colet crayon, screen printing, special need students.
ANTROPHOMETRI DAN AKSESBILITAS DIFABEL PADA TOILET UMUM PORTABEL DI SURAKARTA Hapasari, Putri Sekar
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (889.434 KB) | DOI: 10.33153/acy.v9i1.2124

Abstract

Public toilets for persons with disabilities were important tool used as a support for the smooth functioning of disabled persons in the public sphere. Portable public toilets were usually used to supportcertain activities that were considered incapable of being facilitated by permanent toilets. This studyaims to determine the level of anthrophometry and accessibility of people with disabilities in portabletoilets in Surakarta. To find out if the disabled people had difficulty or even felt the ease and comfortwhen using the facility. Anthrophometric measurements were essential to see if they fitted their dimensions with the needs of the users, especially those with disabilities.The research object was a portable public toilet located on Jl. Slamet Riyadi Surakarta. The methodused is descriptive with qualitative approach supported by quantitative data, or could also be calleddouble research strategy that was the use of various methods in solving a research problem. Quantitative here using numerical data from field observation measurements, then compared with referencesand in the analysis based on interpretation of researchers taken from field data and interviewees.The results of the research were expected to be input to the Surakarta City Government and otherstakeholders, in order to provide a good public facility in accordance with the rules of anthrophometryof portable public toilets that could be made to function optimally. The results of this study were alsoexpected to provide teaching material on Interior Design Study Program ISI SurakartaKeywords: Disable accessibility Anthrometry,
IKONOGRAFI RELIEF CANDI PENATARAN Afrizal, A.,
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2117

Abstract

The article titled “Kajian Ikonografi Relief Candi Penataran” was intended to find the textual andcontextual meaning of relief that was located in the Penataran Temple cluster, especially PendapaTeras II Penataran Temple. With iconography approach would be obtained a deeper and broadermeaning of an art work, although understanding on the contextual and symbolic aspects was alsoneeded. Thus, in the study of iconography there were aspects of diachronic, synchronic, and symbolic. In the study of Sri Tanjung relief, its diachronic aspects related to the history of temple relief asa dialectical motion, idea, or artistic concept based on the progress from beginning to end based onthe time sequence. The synchronic aspect related to the interrelatedness of the various social, cultural, and even mental facts of the society of an age in which art was produced. In the case, the SriTanjung relief would find its context when examined through the search of socio-cultural history atthe time of temple relief making and been analyzed based on the idea of relief presenting. In the studyof Sri Tanjung relief, it was understood that humans who had been willing to think about their Lord,humans who had been willing to obey or being obedient as an expression of their love for the God,and humans who had devotion to their God. If humans had reached a pure level in their heart andmind then that was where humans reached perfection. Perfection in the concept of Java meant humans had merge or ‘manunggal’ with God. Manunggal meant God was inside humans, in their heart thatcould not be separated. Perfection in terms of its form was because they was a perfect manifestationor image of God’s image, he reflected God’s name and attribuuted in complete. The perfection in termsof knowledge was because they had attained the highest level of consciousness, that was, to realizethe unity of their essence with God.Keywords: adaptation, iconography, morality, Sri Tanjung relief
DESAIN TATA DISPLAY PASAR BUAH SEBAGAI DAYA TARIK WISATA BELANJA DI PASAR GEDHE HARDJONAGORO Ariyanto, Ahmad Fajar; Mahendrapati, Alexander Nawangseto
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2118

Abstract

Traditional market in Surakarta is still preserved and being part of economic activity of the society,despite the increasing number of supermarkets. The revitalization of these markets is one of the medium-term development plans of Surakarta because compared to the other sources, traditional markets make the biggest contribution to the local government revenue. One of these markets is thewestern part of Pasar Gedhe Hardjonagoro whose commodities are fresh fruits. Unfortunately, therehabilitation and renovation programs are only focused on the main building. The inside area wherethe trade activities between sellers and buyers happen is excluded from the rehabilitation program.Considering Pasar Gedhe as a tourist destination, the needs of market management especially fordisplaying the product is essential to attract the consumers and tourists. This article is the result of anapplied research in interior design about the design of display system of fruit sellers in the westernpart of Pasar Gedhe Hardjonagoro in Surakarta. This applied research is a qualitative descriptiveanalysis with case study approach. The work employs functional, ergonomic, thematic, and stylishapproaches for the design solution. The result acquired from the interior design research is a zoningwhich is divided into selling, circulation and service, outdoor zone, and managing the circulation andtwo-side services, and creating the interior theme. While the result on the display design is the designneeds to be able to functionally support the trade activities, easy to maintenance, solid, long-lasting,safe, the display system represents the locality, and how the commodities can be an interesting visualattraction. The display system is designed to be an open layout system so that it creates a sociocultural interaction for the people within the market.Keywords: Pasar Gedhe rehabilitation, zoning, display system, functionality, visual attraction.
PELATIHAN SABLON DENGAN TEKNIK COLET CRAYON BAGI SISWA BERKEBUTUHAN KHUSUS DI SLB BINA KARYA INSANI KARANGANYAR Syafi’i, Achmad
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2119

Abstract

Screen printing businesses still had great opportunities to serve as potential entrepreneurial activities. The purpose of screening training with colet crayon technique to students with special needs(disabled) in SMPLB and SMALB Bina Karya Insani was to prepare the skills of SLB students in orderto gain recognition and be able to be independent in society besides could be used for entrepreneurship. Activities that were carried out involving 40 studentsof Deaf-Speech impaired (B-class) andMentally Disables (C-class). The execution technique used brainstorming method and the method ofspecial classroom action techniques. The brainstorming method was used so that the active workshopparticipants expended their ideas in the form of visual design to be transferred on paper throughscreen printing with colet crayon technique. While the specific classroom action method was meant,was a persuasive approach, because people with special needs required more attention. So with theindividual approach in fishing ideas and their imagination, students were expected to be honed andwell developed.Keywords: colet crayon, screen printing, special need students.
IDENTITAS VISUAL DESA WISATA BATIK COKROKEMBANG MELALUI ENVIRONMENT GRAPHIC DESIGN SEBAGAI PENGEMBANGAN DI KABUPATEN PACITAN Prilosadoso, Basnendar Herry; Suyanto, S.,; Rosmiati, Ana; Handriyotopo, H.,
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2120

Abstract

Moral value awareness had begun to be shifted by the western culture that tended to be incompatiblewith the condition of our society. This research was an effort to give reinforcement of local wisdomcontained in wayang beber figure, as a source for the development of batik patterns of Pacitan. Thegeographical condition of Pacitan Regency was very potential to be developed as a superior ecotourismwhere Pacitan got the nickname as Word class karst geopark tourism area. The economic condition ofthe community was mostly supported by a variety of small and medium industries. Batik industrydeveloped rapidly and had great potential to be developed and improved from the aspect of productivity, so that later could increase the economic level of Pacitan society. This research used actionresearch theory where there were four stages, namely select a focus, collect data, analyze and interpret data, and take action. Methods performed in several stages: assessment, design, socialization,mentoring and training, production, and launching. The research results aimed to increase batikproductivity and creativity through the development of Cokrokembang batik tourism village, Ngadirejo,Pacitan through corporate identity design, so it was expected to increase the economy of the peopleand the opening of the leading tourist attraction in Pacitan.Keywords: local wisdom, corporate identity,, batik tourism.
REINTERPRETASI PENDAPA PADA DESAIN INTERIOR “THIRD SPACE” SEBAGAI FASILITAS KOMUNITAS MENUJU SOLO KOTA KREATIF Hastuti, Dhian Lestari; Santosa, Cahyono Budi
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2121

Abstract

Surakarta is one of initiators of Indonesia Creative Cities Network (ICCN), which takes importantrole in the establishment of Creative Cities in Indonesia. It required synergy among penta helix academicians, businessmen/ladies, government, people, and medias to produce creative ecosystem. WhileSurakarta community is the center of the implementation and program implementation and creativeeconomic development program within the pattern of interaction, connection and collaboration offive (5) elements mentioned above. In order to create the pattern, it requires informal and formalspace to facilitate creative activity for community members. In urban community this space namedThird Space which is a new space typology after a home and work place. In Javanese community thefunction of this space provided by pendapa. Pendapa has been long time to function as a place forsocial interaction between the host and its neighborhood. This article is a result of artistic researchwhich shows reinterpretation of immaterial value of pendapa into architecture and Third Space interior design. Design method based on user need and three various research methodologies, namelyscenario based survey, co-creation session and focused interview. Philosophy, socio-culture, function and ergonomic approaches are used as a base to redesign pendapa. It achieves ‘’meeting tree’’ orkayon, a two (2) floors building with Indisch style, Scandinavian interior design. The process andThird Space design produce synergy embodiment between academician and community to supportSolo, A Creative City program.Keywords: Creative City, penta helix synergy, community, reinterpretation of pendapa, kayon, Scandinavian design.
PANDHU MUKSA DALAM PAMUKSA KARYA KI NARTO SABDO Triyogo, YB Rahno
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2122

Abstract

Pamuksa was a play told us that heaven and hell were a mere options. Heaven was togetherness withthe God, the divine source of happiness, while hell was the opposite. Pandhu and Tremboko hadpicked the fruit of their choices. Pandhu went to hell not because of his fault and sin but rather by hisown choice. Pandhu’s choice to prefer worldly life was a reckless attitude that did not reflect sarirahangrasa wani. Due to the devotions of his sons: Bratasena and Arjuna, and with support by theangels, Pandhu was saved. This study discussed the moral aspect, therefore a moral approach wasused. The result of this study were the moral messages that first, if humans wanted to be happy thenthe heavenly value was the first and foremost priority. Second, that children’s devotions to the parentswas able to save the parents from disgrace which in Javanese tradition was referred as mikul dhuwur,mendhem jero.Keywords: heaven and hell, option, children’s devotion, save.
SAPUT POLENG DALAM PENCIPTAAN KARYA SENI LUKIS DENGAN TEKNIK OPAQUE DAN IMPASTO Suyasa, I Nyoman; Rahman, Deni
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2123

Abstract

The research titled “Saput Poleng dalam Penciptaan Karya Seni Lukis dengan Teknik Opaque danImpasto” was an art creation research based on the development of painting that served as an awareness media of nature conservation by raising local wisdom as symbol of natural balance. Polengcloth was a symbol of natural balance. In everyday life, Hindus in Bali, especially in Hindu ritualactivities, often wore objects or woven fabrics with various colors, such as white, red, yellow, or amixture of these colors. The variety of colors used was not just for enhancing the beauty of theceremonies in order to make them look splendid, but actually the use of color was based on thephilosophical meaning derived from the Vedic scriptures. This research used several methods of artistic research (art creation). These stages included: research, experimentation, contemplation, and formation. The research was focused on the meaning of poleng cloth in nature conservation, usingmetaphor language in its disclosure, visualizing it by combining opaque technique and impasto technique. These technique was used to create cloth characters and tree characters. Utilized acrylic paintas the ingredient, because in addition to dry quickly, this paint brought unexpected effects added tothe artistic value. The hope was, by creating this painting in addition to experimenting and exploringfor new possibilities in combining opaque techniques with wider and free impasto techniques, thepainting was also became awareness media to be more concerned with nature conservation.Keywords: Saput poleng, metaphor, opaque and impasto.
ANTROPHOMETRI DAN AKSESBILITAS DIFABEL PADA TOILET UMUM PORTABEL DI SURAKARTA Hapasari, Putri Sekar
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2124

Abstract

Public toilets for persons with disabilities were important tool used as a support for the smooth functioning of disabled persons in the public sphere. Portable public toilets were usually used to supportcertain activities that were considered incapable of being facilitated by permanent toilets. This studyaims to determine the level of anthrophometry and accessibility of people with disabilities in portabletoilets in Surakarta. To find out if the disabled people had difficulty or even felt the ease and comfortwhen using the facility. Anthrophometric measurements were essential to see if they fitted their dimensions with the needs of the users, especially those with disabilities.The research object was a portable public toilet located on Jl. Slamet Riyadi Surakarta. The methodused is descriptive with qualitative approach supported by quantitative data, or could also be calleddouble research strategy that was the use of various methods in solving a research problem. Quantitative here using numerical data from field observation measurements, then compared with referencesand in the analysis based on interpretation of researchers taken from field data and interviewees.The results of the research were expected to be input to the Surakarta City Government and otherstakeholders, in order to provide a good public facility in accordance with the rules of anthrophometryof portable public toilets that could be made to function optimally. The results of this study were alsoexpected to provide teaching material on Interior Design Study Program ISI SurakartaKeywords: Disable accessibility Anthrometry,

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