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Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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Articles 12 Documents
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Search results for , issue "Vol. 10 No. 1 (2018)" : 12 Documents clear
EKSPLORASI TEKNIK FACE DAN BODY PAINTING UNTUK MENAMBAH ARTISTIK PAGELARAN BATIK FASHION ART WEAR Syamsiar, S.,
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v10i1.2176

Abstract

ABSTRACTThis artistic research is conducted to explore face and body painting techniques. Its application to the model in fashion batik fashion show. Face painting is a painting that only uses the face as a medium (the field to be painted), while the body painting medium is the whole body from the neck to the feet. The creation process model refers to contemporary art in which art barriers are not limited to a combination of face and body painting, batik fashion art wear, dance art and music art, which is packaged in the form of a fashion show. Kind of batik fashion art wear is selected batik carnival fashion, glamorous batik fashion, Fashion Batik Klasic and fashion batik casual. The four forms of fashion batik is chosen because it is often displayed in the event of a major fashion show in the city of Solo.Creation methods include Exploration (Observation, exploration of objects and the subject of creation), Improvisation (Experiments to make sketches of face design and body painting), Embodiments (creation of works and Fashion show performances). Creation of the work of face and body painting is expected to be able to produce artwork face and body painting the right model used in batik fashion art wear fashion, and able to add artistic batik fashion art fashion wear. Keywords: Face painting, body painting, fashion, batik, artistic, art wear.
KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA Himawan, Muhammad Hendra
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v10i1.2177

Abstract

ABSTRACTThis article is the result of research examining how the development of public art, definitive public space sculpture and conventions that surround it, to see the extent to which the political dimension sees how to make the existence of public sculpture as a tool of legitimacy of power, development of image and power and contact with social discourse that develops in society.From the qualitative method of the Slamet Riyadi Statue on Jalan Slamet Riyadi, the Major Achmadi Statue in the Banjarsari Lima Proximity (Proliman), 45 Banjarsari Monument Statue (Serangan 4 Hari Monument in Surakarta) is located in Banjarsari Park, and the Statue Soekarno at Manahan Sports Complex, Surakarta, found that the existence of the statue was a proof of how the symbolic system was carried out to legitimize power by government authorities.Various forms of work that illustrate the dominance of militaristic icons compared to civilian icons, which shows how the quo vadis of military-civil relations are explicit and implied. Furthermore, this research found evidence that so far there have been a lot of public space sculptural works that do not idolize the public's need for living space.Symbolic power practices are continuously echoed through a system of visual language and symbolization that shows how power sneaks under the conscious space of society. The community is not aware of how the power system stands and hides behind these sculptures of public space, whatever the reason for their establishment; inheritance of nationalism, development of moral values, even ideology.Keywords: history, public space sculpture, symbolic of power, Surakarta City

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