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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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Articles 12 Documents
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Search results for , issue "Vol. 6 No. 1 (2014)" : 12 Documents clear
Penciptaan Karya Seni Lukis Kaca Dengan Teknik Layer Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v6i1.445

Abstract

Traditional glass painting in Indonesia are all just move the painting of medium canvas / cloth into the medium of glass. This makes traditional glass painting closed character of the medium. With this in mind it is ultimately the writer interested to study the creation of works of art glass to approach contemporary art discourse. Is expected to emerge glass paintings that have novelty or is present in the composition of the exploration areas, symbols, and meanings. In addition, this study also explores the creation of techniques, tools and materials work. Not only use metal paint painting techniques as well as traditional glass painting but using layer technique. This layer techniques to maximize the clarity of glass that had not explored in the practice of traditional glass painting.Keywords: Painting glass, experiment, layer technique
Kontemplasi Diri Dalam Lukisan -, Syamsiar
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v6i1.447

Abstract

Creating works on the theme of contemplation themselves in my paintings come from my series of contemplative experience in life that are particularly religious. That is an afterthought to an essential aspect of my life, that I experienced a wide range of activities, observe and biodiversity during the past and the present are associated with signs of the presence or existence of God in the mystery of life that I live everyday. The formulation of the concept of self-creation is a religious contemplation as a means to achieve harmony, harmony and happiness in life. Creation method using the theory of the creation process LHChapman among others 1). Efforts to find an idea (the inception of an idea) or find a source of ideas, inspiration or inspiration, 2). Enhance, develop, and establish initial ideas (elaboration and refinement), 3) .Visualisasi into the medium (heention in a medium) .Media to be used in the embodiment of the works are oil on kanvas.Subject matter in creating works rooted in reflection of contemplation myself among others: drapery (Inside the cloth) and other subjects such as a series of letters of the Arabic alphabet, clouds, light and so forth as a visual form to affirm the meaning of the painting.Keywords: self-contemplation, the creation of art, paintings

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