cover
Contact Name
Ranang Agung Sugihartono
Contact Email
ranang@isi-ska.ac.id
Phone
-
Journal Mail Official
ranang@isi-ska.ac.id
Editorial Address
-
Location
Kota surakarta,
Jawa tengah
INDONESIA
Capture : Jurnal Seni Media Rekam
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 14 Documents
Search results for , issue "Vol. 5 No. 1 (2013)" : 14 Documents clear
PENYUTRADARAAN PROGRAM DOKUMENTER DHUKUTAN : EKSISTENSI AGAMA JAWA Fibriani, Lina Bayu; Sjafi'i, Achmad
Capture : Jurnal Seni Media Rekam Vol. 5 No. 1 (2013)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v5i1.1781

Abstract

This artwork describes about Javanesse culture existence which is applied into Dhukutantradition in the Nglurah society. Problems of this research are how Dhukutan tradition in theMenggung's sites as a Javanese existence indicated in documentary movie? Meanwhile, theconcept of directing is used observation,interview,and books as a reference.Then,the series ofresearch were developed into ideas in treatment namely story telling non linier and expository.This documentary movie uses four segments in the treatment 1) short introducing about Java inthe Dhukutan tradition; 2) religion and Dhukutan tradition as a phenomenon in Nglurah village;3) Dhukutan tradition process, and 4) Menggung's sites. In addition, informative is as adocumentary characteristic movie having traditional information in Nglurah. In the educationside,Javanese existence is applied in the Dhukutan.Keywords : Director, Dhukutan, Javanese religion, and documentary
BENTUK DAN GAYA PENUTURAN FILM DOKUMENTER BERBASIS BUDAYA DAERAH PB XII: BERJUANG UNTUK SEBUAH EKSISTENSI D.A, N.R.A. Candra
Capture : Jurnal Seni Media Rekam Vol. 5 No. 1 (2013)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v5i1.1783

Abstract

This study aimed to describe the form,narrative style and dramatic flow of the film PBXII: Berjuang untuk Sebuah Eksistensi. So far, to understand the advantages and limitations ofdocumentary film in conveying messages is to divide it into three basic parts of documentaryfilm.Through aesthetic touches on the film, a documentary film director tries to convey thespecial things that became the basic theme of the documentary.IGP.Wiranegara, through workbased culture documentary film, seeks to show the form and style of its own narrative in thetheme of the film.The film is narrated dramatically by the director by give a viewpoint of thestrong character for the characters to show the relation of the content and message of the film.Through picture of the central figure and role model,the figure of a Pakubuwana XII tried hardin order that Surakarta palace still exist as part of the cultural community in Central Java,especially Surakarta (Solo).Keywords:Form,style,movies,documentary, culture,and the region
EKSPLOITAS1TUBUH WANITA DALAM FILM HOROR DARAH JANDA KOLONG WEWE NAFSU POCONG Sunarto, Ucu Andritama; Prilosadoso, Basnendar Herry
Capture : Jurnal Seni Media Rekam Vol. 5 No. 1 (2013)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v5i1.1785

Abstract

This research entitled Darah Janda Kolong Wewe Nafsu Pocong telling the backgroundabout the curiosity about why woman became a main actor or object in the movies in the everyscene. Hence, this research used qualitative concerning how woman image was visualized bysemiotics (Roland Barthes) showed at Darah Janda KolongWewe Nafsu Pocong. In addition, theresult showed that horror movies were commonly visualized with exploitation againts woman'sbody as an vulgar object.Keywords: Woman's body,horror movies,and exploitation
STEREOTYPING PEREMPUAN DALAM SUAMI-SUAMITAKUT ISTRI TRANSTV Zamroni, Muhammad; Primadewi, Nerfita
Capture : Jurnal Seni Media Rekam Vol. 5 No. 1 (2013)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v5i1.1787

Abstract

This research describes about one of television genre programs called Suami-suamiTakut Istri.The problem is how stereotyping of woman's character in the Suami-suamiTakut Istriprogram? In addition, this research uses qualitative design and semiotic signification. From theresult,this research showed the stereotype of the woman's figure.There are particularly threestereotypes showed character, acting territory, and the relationship between men and women.Furthermore,the kinds of stereotypes among others indicate that a figure is feminine,emotional,domestic acting, and as a male sex object.Therefore, it is a proof that the sitcom Suami-suamiTakut Istri in Trans TV is not a program which empowers women because it is still on thestereotype to women.Keywords: Stereotype,sitcom,and Suami-SuamiTakut Istri

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