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INDONESIA
Greget
ISSN : 1412551X     EISSN : 2716067X     DOI : -
Core Subject : Humanities, Art,
Greget focuses on theoretical and empirical research in the Dance Arts. The journal welcomes the submission of manuscripts with the theoretical or empirical aspects from the following broadly categories.
Articles 2 Documents
Search results for , issue "Vol 11, No 1 (2012)" : 2 Documents clear
Tari Tayub Dalam Upacara Sedekah Laut Longkangan Masyarakat Munjungan Yayuk Retno Wati
Greget Vol 11, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2933.734 KB) | DOI: 10.33153/grt.v11i1.453

Abstract

Tayub is a genre of folk art in which the movements are still quite simple. This study of Tayub uses a qualitative descriptive method in order to provide a complete picture and present the data obtained about the art of Tayub in a Longkangan ceremony in the village of Munjungan in the district of Trenggalek. The data was collected, classified, and interpreted in order to obtain a complete set of data by using an ethno-choreological approach. Tayub is used as a part of the Longkangan ceremony in the village of Munjungan. In connection with the function of Tayub in a fertility ritual, it is performed as part of the Longkangan sea-offering ceremony. This ceremony is surrounded by numerous conditions and requirements, such as the time of the ceremony which must be in the month of Dulkaidah or Longkang. The Tayub performance takes place on the Blado Munjangan coast. Tayub is an essential part of the Longkangan ritual and the local community believe that if Tayub is not performed, danger may strike. The Tayub performance holds an important position in this ceremony as an expression of the community about their traditional beliefs. Keywords : Tayub, Longkangan, Ceremony.
Konsep Dasar Bagi Seorang Penari Sutarno Haryono
Greget Vol 11, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (144.578 KB) | DOI: 10.33153/grt.v11i1.459

Abstract

There are two aspects which place emphasis on creativity as one of the main motivations of a dancer to increase his or her ability to project a creative interpretation, create empathy, and possess a social perspective. This emphasis includes the meaning of an idea which is reinforced through creative activity by looking at something with a broader perspective. The creative discovery of a dancer is essentially as important as developing ideas, and also the final result. As such, it is hoped that a dancer will determine and react to changes and developments in the art community by producing a personal interpretation in the form of a dance performance. Keywords : Basic concepts, Basic skills, and Dancer. 

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