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INDONESIA
Greget
Published by Institut Seni Indonesia Surakarta
ISSN : 1412551X     EISSN : 2716067X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Greget focuses on theoretical and empirical research in the Dance Arts. The journal welcomes the submission of manuscripts with the theoretical or empirical aspects from the following broadly categories.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 5 Documents
 1 
Search results for , issue "Vol 5, No 2 (2009)" : 5 Documents clear
KAYA TARI “MANUKSMA” SIKAP TANGGAP MEMBACA LINGKUNGAN Dwi Wahyudiarto
Greget Vol 5, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2709.728 KB) | DOI: 10.33153/grt.v5i2.293

Abstract

Chronicle Wanamarta (is] the part of Wanaparwa episode which (is) human being kisah-kasih story with universe. Meruapakan Wanamarta a veiy forest (of] serious condition and is ghostlike, and laterthen.transform to become a big empire as linuwih satriya punjering. Understanding to forest meaning in fact can come near from various dimension. Forest from symbolic meaning dimension, from dimension life (of] universe, from dwelling place side [all] genie, natural ecology dimension, as forest human being dwelling place, as place work, as theft farm, as and asset properties (of] state, and Still many again. How in fact (all] pandawa in face of various the problems, (is] to become the part of gegelisahan which finally have to take choice in forest attitude. Pendawa as excellent orderer, Bima have the spirit (of] remarkable (job/activity], DesignerArjuna offis beauty (of] reliable, Nakula very skilled in farming and developing crop, Observer animal Sadewa and Puntadewa very strong in idea in my me (of] pujabrata in base on spritual work (a II] panda waKeyword: Puppet, Enviroment
Surono Seniman Serba Bisa Sriyadi Sriyadi
Greget Vol 5, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5612.219 KB) | DOI: 10.33153/grt.v5i2.295

Abstract

The process of an artist’s journey through life is closely related to his or her social and cultural environment. Surono is an artist who is highly regarded, especially in the traditional art of wayang orang (a form of traditional Javanese stage show). He is not only skilled in the art of wayang orang but also as a dancer, singer, director, comedian, and Javanese gamelan musician, and is therefore often referred to as a “complete” artist. Keywords: Artist, all-rounder, and creativity.
Implementasi Konsep Kesantunan Budaya Jawa pada Seni Pertunjukan Langendriya Mandraswara Mangkunegaran Sutarno Haryono
Greget Vol 5, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4856.049 KB) | DOI: 10.33153/grt.v5i2.297

Abstract

When Mangkunegara IV was in power in the Mangkunegaran (1853-1881), he created several new art forms, one of which was Langendriya Mandraswara, which uses as its media both verbal and non-verbal components. The verbal component, traditional Javanese singing, or tembang macapat, is adapted to suit the social strata and takes into consideration the principle of politeness. The non-verbal component expresses a particular character. The integration of the two components creates a clearer, more communicative, and more aesthetic meaning.Keywords: Politeness, verbal and non-verbal components
Perempuan dalam Seni Pertunjukan Tari Kelompok “Sahita” Dewi Kristiyanti
Greget Vol 5, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6129.276 KB) | DOI: 10.33153/grt.v5i2.289

Abstract

“Sahita” first appeared in 2001, and is a group of activists who work on women’s issues. Sahita has to date succeeded in creating six dances, namely Srimpi Srimpet, Srimpi Ketawang Lima Ganep, Iber-iber Tledek Barangan, Pangkur Brujul, Seba Sewaka, and Gathik Glindhing. These works are viewed by the community as the reformation of women’s roles in a broader life context. The dancers’ movements originate from traditional Javanese dances, and are performed with free, natural, and expressive movements which reflect women’s struggle to attain gender equality.Keywords: Women’s concept, dance performance, and friendship.
Wayang Wong Lakon Lumbung Tugu Mas dalam Ritus Suran Desa Tutup Ngisor, Magelang Dwi Wahyudiarta
Greget Vol 5, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4927.958 KB) | DOI: 10.33153/grt.v5i2.291

Abstract

The story of Lumbung Tugu Mas in the Javanese stage show (wayang wong) in the Suran ceremony in Tutup Ngisor village, Magelang, is believed to have the power to expel evil spirits, and has an important meaning for the community, giving them the hope of prosperity. The figure of Semar in this story has an important symbolic value, which is still adhered to by the supporting community. The other function of the story is to fulfil social and aesthetical needs. Keywords: Lumbung Tugu Mas story, meaning, and symbol.

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