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INDONESIA
Humaniora
Published by Universitas Bina Nusantara
ISSN : 20871236     EISSN : 24769061     DOI : -
Core Subject : Humanities,
Humanities
The journal invites professionals in the world of education, research, and entrepreneurship to participate in disseminating ideas, concepts, new theories, or science development in the field of Language, Culture, Visual Communication Design, Interior and Furniture Design, Character Building, Law, International Relations, Psychology, and Communications through this scientific journal.
Arjuna Subject : -
Articles 35 Documents
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Search results for , issue "Vol. 3 No. 2 (2012): Humaniora" : 35 Documents clear
Forgotten Fundamental Meaning of Graphic Design in Indonesia Yasser Rizky
Humaniora Vol. 3 No. 2 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i2.3407

Abstract

This article forwards questions about graphic design in Indonesia. Most people here, even graphic designers or graphic design academics do not know the answer to the question of what graphic design is. This condition brings out a new question of whether we really have a graphic design culture in Indonesia. If we trace back to the cause of it all, we will find a fact how a human interest discourse is still very rare in our country. Even when we find one, it tends to be a very subjective compilation of opinions instead of a strongly-based study. In further look, this is one of the reasons of why many graphic designers are stirred into ineffective work process causing unequal partnerships in their professional projects. For this, we have none to blame but ourselves and the system that we’ve created. 
Desain Sampul Majalah sebagai Ujung Tombak Pemasaran Lintang Widyokusumo
Humaniora Vol. 3 No. 2 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i2.3408

Abstract

Amid the proliferation of electronic media competition, the role of conventional media such as magazines still becomes a promising choice. The recency of printing techniques, finishing and layout software currently enable more rapid publication of a magazine. Its presence in every corner of the city increasingly makes it easier for consumers to buy and makes it a complete source of information plus attractive bonus which is always a tempting offer in each issue. Amid the hundreds of magazine design magazine rack is on store / stall / supermarket sales how can a magazine survive? Surely, the role of creativity of magazine cover designs as a bridge of communication to the customers becomes the forefront of marketing which is highly important. 
Ilusi Optis dalam Dunia Seni dan Desain Jonata Witabora
Humaniora Vol. 3 No. 2 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i2.3409

Abstract

Visual is everything to do with vision. The ability of our brain to interpret visual is what we call visual perception. In the development of art and design, many artists and designers study visual perception and embody it in their works. One part of visual perception which attracts artists and made as the base on their work is optical illusion. This, in turn creates new streams in the world of art and design. Optical illusion is an anomaly in visual perception, a deceiving experience occurs beyond the control of the observer. Article maps out what optical illusions is, and identify a variety of optical illusions and their application in art and design. 
Peran dan Perkembangan Ilustrasi Joneta Witabora
Humaniora Vol. 3 No. 2 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i2.3410

Abstract

Humans are social creature, therefore the need to communicate is the foundation of human nature. Communication has a variety of ways and forms, one of which is to communicate visually. Visual communication is an early form of human expression of the need to interact, and is the origin of the fine arts. The illustration is one of the disciplines that have long existence. The development of the illustration cannot be separated from human history. The world of social and cultural, science and technology has become home to the world of illustration to flourish. Article presents  the existence of illustrations, mapping the functions and the roles of illustration provide a more in-depth knowledge in the use of visual imagery. 
Film Animasi sebagai Medium Dokumentasi Kekayaan Alam, Intelektual, Budaya, dan Dinamika Sosial Politik Ardiyansah Ardiyansah
Humaniora Vol. 3 No. 2 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i2.3411

Abstract

Animation is a medium that has the ability to represent a visual phenomenon as a whole. Animation is not just a work of image-driven, but the work depicted motion, as expressed by Norman McLaren, Canadian animator Academy Award winner. As the interpretation of the motion, the animation is not subject to the laws of nature, so there is no limitation including movements that cannot be done in the real world or recorded in the live-action movie. So is the characterization or characterizations in the animation can be so free and open more opportunities for exploration. This advantage makes the animation a favorite medium to draw the attention of the audience, especially in the growing era of digital animation technology. Animation is now not only used for entertainment purposes, but has penetrated other fields such as education, tourism, health care, and so on. As a cultural product, animation, as well as films and works of art of human culture in general, is a historical marker that describes the spirit of an era that functions inherent in the animated film documentation of socio-political dynamics of a nation in a given period. This paper describes the process of documentation of natural, intellectual, cultural and socio-political dynamics in countries that intensively utilize the medium of animation.  

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