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Nurul Ilmi Idrus
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Emik : Jurnal Ilmiah Ilmu-Ilmu Sosial
Published by Universitas Muslim Maros
ISSN : 2654394X     EISSN : 26544261     DOI : -
Core Subject : Humanities, Social,
Humanities Social Sciences
Jurnal EMIK berisi artikel-artikel ilmiah dalam bidang ilmu-ilmu sosial yang didasarkan pada hasil-hasil penelitian yang relevan, teori dan review buku.
Arjuna Subject : Ilmu Sosial - Antropologi
Articles 6 Documents
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Search results for , issue "Vol. 7 No. 1 (2024)" : 6 Documents clear
Pataka: Media Informasi dalam Kegiatan Mahasiswa Hasmawati, Hasmawati
Emik Vol. 7 No. 1 (2024)
Publisher : Universitas Muslim Maros

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46918/emik.v7i1.2190

Abstract

In the current era where everything is instantaneous, things can be done using the internet or online media so that something to be done can be done more effectively, such as disseminating information online is easier than disseminating information offline. Social media has become the dominant communication medium used by society and as a medium for obtaining information, including among students. In the midst of the onslaught of online media, offline media, named Pataka, still exists today. This article deals with this. This research using a qualitative approach was carried out in Makassar City between September and December at Hasanuddin University. Those who participated in this research were 10 college students, consisting of three women and seven men, aged between 19 and 21 years, who were recruited using purposive sampling. The findings of this research show that pataka is interpreted in relation to three aspects, namely: pataka as a visual communication tool, sacred media, representation/symbol of student body, and marker for the location of the implementation of students’ body activities. Pataka have various shapes and functions: small square pataka, large square pataka, and rectangular pataka. The small square pataka functions as a marker for activities carried out outside the campus. The large square pataka serves to place the institution's logo. Although large square pataka can be used outside or inside campus, generally large square pataka is used for stage backgrounds. Meanwhile, the rectangular pataka functions as a welcome banner. Even though in this current era the onslaught of technology is so powerful, pataka as an offline medium is still used among college students. The fundamental aspects that underlies why pataka still exists today because pataka has become part of the tradition of a student body in their institutional activities. Apart from that, the existence of pataka is also a symbol of unity and solidarity of student body members.
Sumangêqna Wanuaé: Konstruksi Sosial dan Identitas Lembaga Adat Desa Wanua Tosora di Kabupaten Wajo Wardana, Ardi
Emik Vol. 7 No. 1 (2024)
Publisher : Universitas Muslim Maros

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46918/emik.v7i1.2197

Abstract

The Village Traditional Institution (LAD) is an institution that carries out traditional functions and is established on the initiative of the village community, which is recognized by the state based on the Regulation of the Minister of Village PDTT RI Number 21 of 2020. LAD Wanua Tosora was formed based on an agreement between the Village Government, the Village Consultative Body, and the community Tosora Village. While most literature related to LAD looks at the role of traditional institutions, this article focuses on the existence of LAD Wanua Tosora in advancing local culture despite facing various challenges.This qualitative research was carried out in Tosora Village, Wajo Regency employing in-depth interview and observation as data collection methods. The informants who participated in this research were 10 people consisting of seven men and three women aged between 24 and 49 years. They are the Tosora Village Head and Trustees, LAD Chair, LAD Members, Chair of the LAD Inauguration Committee, leaders (community, traditional), cultural observers, farmers and village youth, who were recruited purposively.The study shows that the establishment of the Tosora Village Traditional Institution (LAD) faces various challenges, especially regarding the purpose of its formation which is debated between cultural preservation or the potential for new feudalism. The formation of the LAD through community initiatives and an agreement with the village government was formalized by Village Regulation Number 3 of 2022. However, along the way, there was resistance from the community, from the noble descents, and a lack of understanding of local cultural values of the LAD officials. This creates tension and resistance, as well as worsen the relationship between LAD and local communities. Although LAD aims to promote and to preserve culture, its effectiveness is hampered by performance of LAD officials, poor communication, and the insignificant social contribution of LAD officials.
Resiliensi Pelaku Bisnis Kuliner di Masa dan Pasca Pandemi Covid-19 di Kota Makassar Khomeiny, Mohammad
Emik Vol. 7 No. 1 (2024)
Publisher : Universitas Muslim Maros

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46918/emik.v7i1.2251

Abstract

The Covid-19 epidemic, which began in March 2020, has had an impact on MSMEs worldwide. Most study of Covid-10 looks at the medical aspects of Covid-19 and how people get survived from Covid-19, this article focuses more on resilience of culinary business actors in facing situations during and after the Covid-19 pandemic. This qualitative research was conducted in the metropolitan city of Makassar. Those who participated in this research were seven culinary business actors who are vary on the basis of age, sex, type of business, length of business. Data was collected through the combination of in-depth interview and observation. The results indicate that as a form of resilience during pandemy Covid-19, culinary businesses in Makassar City improving business/financial management, using digital platforms, promotions/advertisements, product innovations and changing service forms. A number of factors that influence the level of online culinary business resilience in Makassar, namely business experience, smaller business scale, their determination to cultural and religious values, open minded in terms of innovation or input and criticism as well as impartial government policies and programs. In order to survive during and after Covid-19 pandemic, culinary business actors apply a specific marketing business strategy.
Hemp Makassar: Pendirian, Hambatan dan Respon Masyarakat Terhadap Perjuangan Legalisasi Ganja Medis PutriHasan, Salsabila Layla
Emik Vol. 7 No. 1 (2024)
Publisher : Universitas Muslim Maros

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46918/emik.v7i1.2252

Abstract

Cannabis which is still classified as a class one narcotic under law No. 35 of 2009 in Indonesia, has led to the formation of several organizations advocating for the legalization of cannabis, especially for medical purposes in Indonesia. This article deals with how Hemp Makassar struggle to advocate the legalization of cannabis for health in Indonesia. This qualitative research was conducted in the City of Makassar. The study involves ten informants which vary on the basis of sex (three women and seven men), age (between 21 and 38 years), position in Hemp (official staff and members of Hemp). Observation and in-depth interview are two types of data collection methods employed in this study. The study indicates that Hemp Makassar originated from a branch of LGN that splits off because they felt they were not given authority by the central LGN, as their methods of movement were considered deviant. Hemp's struggle is not just about speak out on the streets, but it also involves various methods and engages in different activities. On the way, Hemp faces various obstacles in its struggle to advocate the legalization of cannabis, namely misunderstandings, regulations and media involvement. The public's response to Hemp's struggle is divided into two: those who oppose and those who support the legalization of cannabis for health. Rejection towards the legalization of cannabis is often based on concerns about its social and health impacts, but those who support the legalization of cannabis are people who know and have experienced the positive benefits of cannabis.
“Nilai-nilai Bawah Tanah:” Tinjauan Antropologis Tentang Anarkisme Dalam Paradigma Cultural Studies di Kalangan Anak Muda Kota Makassar Fajri, Muhammad Faris Al
Emik Vol. 7 No. 1 (2024)
Publisher : Universitas Muslim Maros

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46918/emik.v7i1.2257

Abstract

The anarchist punk subculture started with a spirit of resistance, but unfortunately the popular culture that absorbed this subculture has caused it to lose its resistance essence. Despite its spirit, the subculture has been integrated into the very system it previously resisted. This article focuses on the ways in which young people in Makassar City consume "underground values" and their anarchic forms of expression in adopting these values through creativity, especially in the form of music. This research uses Critical Ethnography as a cultural research approach that uses a critical paradigm, which criticizes and offers solutions to cultural injustice, marginalization, exploitation, and subordination. The Cultural Studies paradigm highlights conflicts, interests, and power in culture. The informants in this article are young people who join a group that consumes "underground values" on a daily basis. The data collection techniques used in this research are through interviews and participatory observation used in the context of qualitative research because it allows researchers to directly observe the actions, attitudes, and atmosphere that exist. The informants in this study were determined by purposive sampling with reference to the following criteria: Young people who join subcultures that consume “subteterranean value” and express them in their daily lives. The results show that political norms and culture influence individual experiences, even encouraging adaptation to expectations that may conflict with personal desires. The transformation of subcultures and "underground values" that originally focused on resistance to the dominant culture, but later integrated into the structure of the dominant culture. The influence of the dominant culture creates alienation and inequality, limiting the freedom of individuals to shape their identity. "Underground values" are a form of alternative and counterculture to the dominant culture, reflecting strong values of collectivism and anti-hierarchy. Despite the transformation, the essence of underground values continues to criticize capitalism and conventional norms in society. This subculture continues to offer a space for expression, despite the pressures and changes that occur over time.
Musik Indie Makassar: Makna, Proses Publikasi, dan Lokalitas Haeruddin, Kurniawan
Emik Vol. 7 No. 1 (2024)
Publisher : Universitas Muslim Maros

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46918/emik.v7i1.2259

Abstract

Indie music, which is based on the “do it yourself spirit,” allows performers to create works freely without any demands. Indie music moves, develops and slowly creates its own flow. Indie music in its own way chooses to be outside the mainstream or does not follow market orientation. While there is a lot of related existing literatures, little (if any) has studied the locality of indie music. This article fills the gap This research with a qualitative approach was carried out in Makassar City. Those who participated in this research were 10 people, who varied based on the basis of age (between 20 and 38 years) and status (four musicians and six music listeners). Data was obtained from in-depth interviews and observations. The study indicates that indie music is a type of music that originates from a form of freedom of expression that is not tied to industry standards and is not market-oriented. Indie music is not a genre, indie is the principle of independence of a musician. Indie music is never synonymous with a certain music genre, indie music is free to choose its genre. Indie music not only contains value in terms of its lyrics, but also in terms of its musicality. There are three stages that indie musicians go through before their work is finally published, namely the pre-production, production and distribution stages. The locality of music creates uniqueness in the world of indie music. However, this locality is not just about creating a geographically identifiable voice, but also about celebrating local heritage, culture and experiences. Meanwhile, indie musicians not only create music, but also become part of a community that grows together. Collaboration on a local scale creates a sense of togetherness, strengthening deep bonds between musicians and their communities. Adaptive attitudes are a major force in the world of indie music and adaptive schema in indie music refers to an approach that allows flexibility and evolution in musical creativity

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