cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Rudi Salam
Contact Email
pdr.journal@unm.ac.id
Phone
+6285255641615
Journal Mail Official
pdr.journal@unm.ac.id
Editorial Address
Jl. Bonto Langkasa, Makassar 90222 » No. Hp : 085255641615
Location
Kota makassar,
Sulawesi selatan
INDONESIA
PINISI Discretion Review
Published by Universitas Negeri Makassar
ISSN : 25801309     EISSN : 25801317     DOI : -
Core Subject : Economy, Science, Social,
Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Social Sciences
PINISI Discretion Review is an-Opened Access journal and published twice a year every March and September. It publishes the research (no longer than 5 years after the draft proposed) in term of PINISI Discretion Review: public administration, public policy, management, bussiness administration, leadership, behavioristic, organization conceptual or empirical contributions on methodological issues in administration research.
Arjuna Subject : Ilmu Sosial - Administrasi Publik
Articles 16 Documents
 1   2 
Search results for , issue "Volume 4, Issue 1, September 2020" : 16 Documents clear
Beyond Watt Market Roundabout Audiences: Redesigning Tourists Oriented Theatres in Calabar Yta, Edisua Merab
PINISI Discretion Review Volume 4, Issue 1, September 2020
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/pdr.v4i1.14790

Abstract

Calabar, a coastal town in South-South Nigeria, has had a long-standing history of cultural tourist-oriented theatre performances. And today, its image as a tourist city has grown in leaps because of the Christmas Festival (A 32-day entertainment art and cultural events) it hosts annually plus other tourism products or attractions that complement the festival. Carnival seems to be a major attraction. Other attractions are not emphasized. This study explored how tourism-oriented theatres can be developed to add to existing attractions and increase varieties for tourists. The study used a combination of research methods including experiential theatre performances, participant observation, and focus group discussion. Findings show that local culture and arts and creative industries i.e., theatre can be used to promote destinations and enhance their attractiveness. They can help build the image of the city and promote indigenous arts and culture. This research significantly models the utility of theatre in the service of tourism and urban development. Some key recommendations this research makes include, the collaboration of the tourism industry, the performing arts sectors, and private business owners. Creating demand and market for specially packaged theatre products for tourists working with travel agencies to ensure that theatre is taken from the mainstream to the tourists.
Increasing Community discourse and Action on GBV prevention in Akai Effa and Idundu, Cross River State Yta, Edisua Merab; Umukoro, Gloria Mayen; Ekpe, Moses Essien
PINISI Discretion Review Volume 4, Issue 1, September 2020
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/pdr.v4i1.15272

Abstract

Gender-Based Violence is an issue of high global concern and has serious implications for every aspect of women’s lives. The aim of the study was twofold, to increase awareness and knowledge of community members on the contexts in which GBV occurs through the narrative based methodology. It also sought to generate community actions and stem the tide of gender-based violence in Akai Effa and Idundu, Cross River State. The work used a creative narrative based research methodology to explore the contexts in which GBV and inequalities occur. The study had several phases including advocacy visits, production of films, film tours, and the formation of neighbourhood committees. The film “Women of our Land” was a collage of various scenes from different authors produced by DreamBoat Theatre for Development Foundation including; Tess Onwume’s ‘The Broken Calabash’ and ‘The Reign of Wazobia’, Edisua Yta’s ‘Because I am a woman’ and ‘Wives, mothers and daughters’ TV, and radio serials, Liwhu Betiang's ‘The First Stone’, Data Phido’s ‘Rainbow City’ and Chris Nwamuo’s ‘The Substitute’. The film (an enter-educate strategy) was used as a starting point for dialogues in the communities. About three hundred community members were involved in Akai Effa and Idundu and the project ran for six months. Findings identified the following factors as manifestations of gender-based violence in the communities: Domestic violence especially wife battery, sexual abuse, harassment and rape of young girls, restriction placed on women's economic activities, loss of land, assets, and properties, forceful ejections, and young girls denied opportunities to go to school. It is recommended that an extension of project time is essential to allow for adequate behaviour change and stamp out GBV in our communities.
A Critical Assessment of the Role of Religion Towards Peaceful Coexistence in Nigeria Ottuh, Peter. O. O.; Onimhawo, John A.
PINISI Discretion Review Volume 4, Issue 1, September 2020
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/pdr.v4i1.14526

Abstract

Every human society is pruned to one kind of crisis or the other. Nigeria as a nation is not exempted. In Nigeria since her independence in 1960, it has been bedeviled with one crisis or the other, among which are ethnic, political and religious crisis. To resolve these crises, different methods of conflict resolution have been employed without lasting success. This paper is a critical examination of the functions of religion in ensuring peaceful coexistence in Nigeria. From the earliest time of human existence on earth, humans in every generation have encountered divergence typology of religious experiences which makes man to be pruned to experience more. Looking at it from a sociologically perspective, religion is a complex phenomenon that is mixed with culture yet, constituted by cultic practices of rituals and worship; and also, of a doctrine and an institutional organization. The dogmatic sphere of a given religion is inevitably difficult to ascertain, because it consists of a complicated and expansive system of beliefs that are organized throughout the generations of believers. The findings of this research have shown that the problems of religious disharmony, disunity, intolerance and non-peaceful coexistence among the numerous adherents of religions in Nigeria can be resolved by the positive roles religion plays. The paper concludes that Nigeria as a country has reached a philosophical and historical epoch where it is necessary to abandon the negative and anachronistic aspects of her culture and religion and integrate the positive elements of religion.
Biblical Deborah and Mary Mitchell Slessor – A Comparison in Time and Space Eyo, Ubong E.
PINISI Discretion Review Volume 4, Issue 1, September 2020
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/pdr.v4i1.14791

Abstract

This paper investigates “Biblical Deborah and Mary Mitchell Slessor – A Comparison in Time and Space and Lessons for Contemporary Africa.” Worthy of note is the fact that, for some of the religions of the world women are a problem; from time immemorial they have been subordinate to men, second-class in the family, politics and business, with limited rights and even limited participation in worship. This was not different from the epochs of both biblical Deborah (Judges 4-5) and Mary Mitchell Slessor, the White Queen of Okoyong. In the time where patriarchy was the rule of the day, there arose two women at different places, times yet with similar circumstances to salvage the people and bring about God’s mission to the human race. Though both operated within the context of the mission of the church, theirs was missio dei not missio ecclesia, because in their age, missio ecclesia used more of patriarchal instruments while mission dei was/is involve in using human and the entire inhabited world (oikoumenē). The peculiar things about the epochs of both Deborah and Mary Slessor are best described in the text, "...in the days of Jael, the roads were abandoned; travelers took to winding paths. Village life in Israel ceased, ceased until I, Deborah, arose, arose a mother in Israel” (Judges 5:6-7). Both characters are worth studying in close comparison with each other, and this is one of the reasons for this paper. Drawing insights from both characters using historical methodology in the study of religion and the Feminist Biblical Hermeneutics of the Reconstruction of Biblical History among other feminist theories as approaches in evaluating Judges 4 & 5 and content analysis research methodology in respect of the life of Biblical Deborah and the life of Mary Mitchell Slessor, the work concludes that in the missio dei, God’s whose plan is for an egalitarian society uses all genders equally to bring to pass God’s mission. The significant of this work lies not only in it providing a tool for further academic research but in the lessons to be drawn for the present political and religious dispensation in Africa in particular and the world in general.
Creative Cultural Synergy: Towards the Africa of the Future Ogar, Tom Eneji; Edor, Edor John
PINISI Discretion Review Volume 4, Issue 1, September 2020
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/pdr.v4i1.15273

Abstract

In this paper, we discussed Creative Cultural Synergy: Towards the Africa of the Future in ensuring an enduring development in a competitive and globalized world. Africa today is far from being a viable continent – as most social institutions that should regulate socio-political life are weak and human instincts predominate individual conduct. As a result, the task of nation building has become a mirage. Rather than see these problems within their larger social and cultural context, people tend to place hope on reforms with narrow economic focus. The issue of the African future in African philosophy is that of how best to achieve freedom and development in Africa without compromising the African identity. Defining the African project today is situated in the cultural confusion generated by the assault on the consciousness of its people. Several narratives have been put forward to explain this malaise. This paper concludes that there is need for a cultural and reconstructive examination as a tool in African philosophy to set up the Africa of the future. A creative cultural synergy using some aspects of the African culture with that of others would guarantee its cultural autonomy without setting apart from others in their quest for development. Textual and content analysis approaches are adopted in this research.
Consolidating the Gains and Reshaping the Future of Democracy in Nigeria Bisong, Peter B.; Asira, Asira E.
PINISI Discretion Review Volume 4, Issue 1, September 2020
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/pdr.v4i1.14527

Abstract

Nigeria has practiced uninterrupted democracy from 1999 to date. She has however, little to show for this long practice of what was hitherto perceived as the harbinger of good things. This paper argues that the slow growth of democracy in Nigeria, has nothing to do with a defect in democracy itself, but with the nature of Nigerians. Democracy viewed on its own is good, but the way it is practiced in Nigeria has made it not to flourish. The paper recommends steps to be taken by all Nigerians, in order to consolidate democracy and to reposition it for future dividend delivery.

Page 2 of 2 | Total Record : 16

 1   2 

Filter by Year

2020 2021


Reset
Filter By Issues
All Issue Volume 9, Issue 1, September 2025 Volume 8, Issue 2, March 2025 Volume 8, Issue 1, September 2024 Volume 7, Issue 2, March 2024 Volume 7, Issue 1, September 2023 Volume 6, Issue 2, March 2023 Volume 6, Issue 1, September 2022 Volume 5, Issue 2, March 2022 Volume 5, Issue 1, September 2021 Volume 4, Issue 2, March 2021 Volume 4, Issue 1, September 2020 Volume 3, Issue 2, March 2020 Volume 3, Issue 1, September 2019 Volume 2, Issue 1, September 2018 Volume 1, Issue 2, March 2018 Volume 2, Issue 2, March 2019 Volume 1, Issue 1, September 2017 More Issue