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Agung Zainal Muttakin Raden
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LPPM UNIVERSITAS INDRAPRASTA PGRI KAMPUS A. GEDUNG 3 LANTAI 2 Jl. Nangka No. 58 C (TB. Simatupang), Kel. Tanjung Barat, Kec. Jagakarsa, Jakarta Selatan 12530, Jakarta, Indonesia
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INDONESIA
Cultural Syndrome
Published by Universitas Indraprasta PGRI
ISSN : -     EISSN : 26853825     DOI : https://doi.org/10.30998/cs
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Cultural Syndrome welcomes and acknowledges high quality theoretical and empirical original research papers, case studies, review papers, literature reviews, book reviews, conceptual framework, analytical and simulation models, technical note from researchers, academicians, professional, practitioners and students from all over the world. Cultural Syndrome focused to publish high-quality articles in the field of Cultural Studies, Art and Humanities, Visual Culture, and other related fields of Humanities and Social Science. The scope of this jurnal to study Design Thinking, Visual Communication, Photography, Creativity, Typography, Graphic Design, Semiotics, Communication Design, Visual Design, Design Education, Visual Rhetoric, Signage Design, Wayfinding & Environmental Graphics, Critical Thinking, Popular Cultures, Media Studies, Visual Cultures, Folklore, Folk Art, Performing Art and Cultural Heritage.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 6 Documents
 1 
Search results for , issue "Vol 1, No 2 (2019): Cultural Syndrome" : 6 Documents clear
Transformation Tradition: Incorporating Technology and Local Culture in Sundanese Script Agung Zainal Muttakin Raden; Rustopo Rustopo; Timbul Haryono
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6494.342 KB) | DOI: 10.30998/cs.v1i2.238

Abstract

The Sundanese script has a philosophy of life for the Sundanese people, this script is a system for writing Sundanese. The traditional writing system in Sundanese began in the 14th century to the 19th century. This article will discuss the role of digital technology in creating the Sundanese script, using ATUMICS method, ATUMICS is an acronym for Artifact, Technique, Utility, Material, Icon, Concept and Shape. The ATUMICS approach is carried out to review the transformation of tradition in the Sundanese script. The ancient Sundanese script and the modern Sundanese script will be compared with ATUMICS approach. the results of this study were to determine the change or transformation of tradition in the Sundanese script. Transforming tradition is a way to create a new product derived from traditions, with adjustments to the six elements contained in the ATUMICS theory. Transformation of tradition is an effort to maintain tradition in the modern era which is adjusted to the times.
Human Fetal Development And The Ways Of Asthabrata As An Idea In The Creation Of Sinjang Batik Tulis Danang Priyanto; FP Sri Wuryani
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1725.009 KB) | DOI: 10.30998/cs.v1i2.231

Abstract

Human beings which are wired as leaders should live based on the practice of transcendent value and total clarity on noble deeds. It functions as a guideline in living to avoid the crisis of morality that often occurs today. One of the values in this leadershipquality is the teaching of asthabrata containing the noble deeds of a leader who symbolized in the elements of the universe: the fire, the ground, the water, the air, the moon, the clouds, the sun, and the stars. The stage of human fetal development occurs from the age of one to nine months. These stages, along with the teachings of asthabrata become the base of an idea in the creation of batik art. The idea comes from the question of how to process the development stages of human fetal and ways of asthabrata as a base on creating the batik artwork which conveys sublime values about leadership. The purpose of this batik artwork creation are:incorporating the concept of human fetal development as part of human life cycle with the tradition of batik; Conveying the sublime sublime of leadership based on the asthabrata which refers to human nature as a natural born leader. The creation processcovering the method of design exploration, design process, and batik as a result of design by establishing the combination ofhuman fetal development and the asthabrata. The result shows nine sinjang batik tulis artworks, covering; Hamasesa Tan Pilih Warna (manage without seeing the color), Sukci (sacred), Hanguripi Sagung Dumadi (give strength to all life), Girise Kang Samya Miyat (be who you want to see), Sorota Hayem Angayomi (make peaceful and full protection), Jembar Tanpa Pagut(sincerity without limit), Muntir Tan Ana Pedhote (infinite rotation), Panengeraning Keblad (signpost), and Ngudi Kasampurnan(sharpening perfection). 
Rethinking Bamboo: An Asian Eco-Interior Design Language with Ecological Branding in East Asia Nurhaya Baniyamin; Shamzani Affendy Mohd Din
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2318.812 KB) | DOI: 10.30998/cs.v1i2.229

Abstract

This article takes a look and survey of the approaches in interior design possibilities and expressions in applying the use and particular structural qualities of bamboo. This particular material has gained much interest due to its quality of being rapidly replenishable, thus allowing it as an alternative to more depleting resources such as timber and other materials. The paper focuses on the higher applications of bamboo and the recent corporate space design and its typological function gain from the application of bamboo as an interior design strategy and aesthetics. With the move by the United Nation on having 17th initiatives under Sustainable Development Goals (SGDs), this study will discuss further how bamboo could be improving the quality of life in the countries with the tropical climate where bamboo vastly grown and reliable as one sustainable material in construction of structure outdoor, indoor and also to be used widely in arts & craftsmanship in the region.
Character Visualization on Kumbakarna Wanda Macan Wayang Kulit Purwa Surakarta Style Herliyana Rosalinda
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (722.046 KB) | DOI: 10.30998/cs.v1i2.240

Abstract

This article discusses the visual analysis of one type of Wanda character Kumbakarna wayang kulit purwa Surakarta style. Kumbakarna is one of the younger siblings of Dasamuka (Rahwana) in the Ramayana story. His face and figure are the same as his brother's in the form of a giant (blind) but his soul and heart are contradictory, he has a knight's soul even though it is on the antagonist's side. These two opposites rarely occur in puppet characters. In general, the giant character has a ferocious nature, evil and not callous, but this does not apply to the character of Kumbakarna. This article tries to describe and analyze the Kumbakarna figure from the side of his wanda, looking for distinguishing elements in terms of the anatomical features of the Kumbakarna wanda that symbolize the good figure and knight behind the sinister physical features.
Architecture Ecologised: Nature’s Patterns and Abstractions in Malay Built Traditions Ismail Jasmani; Norzalifah Zainal Abidin; Shamzani Affendy Mohd Din; Puteri Shireen Jahn Kassim
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1051.293 KB) | DOI: 10.30998/cs.v1i2.232

Abstract

The following paper discusses analysis and morphology of key motifs and patterns drawn from a range of cases in Malay architecture and built form, which arise of centuries of observation of nature and its eventual artistic expressions in building elements. They focus on patterns found in many traditional buildings repeatedly across the Nusantara. These patterns, taken from flora and fauna of the region, recall how woodcarvers, artisans and builders were inspired by the living beings which they found surrounding them. The paper highlights that these nature-related motifs represent a ‘regionalising’ aesthetic strategy, which vary in terms of location, and which builders and patrons of architecture used to regionalize and ‘localise’ their buildings and cases. The hand-drawn motifs in the study were thenrelated to the symbolic and spiritual meaning of them, highlighting that these meaning could be again re-instated in modern architecture. The motifs could represent a spiritual and regional means of re-infusing the built environment with a ‘soul’ and meaning, in the midst of modernization and urbanization. 
The Balustrade and the ‘kekisi’: A strategy in infusing Malay identity through filters and railings in South East Asian urbanism and architecture Norzalifa Zainal Abidin; Puteri Shireen Jahn Kassim; Zumahiran Kamaruddin
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2791.222 KB) | DOI: 10.30998/cs.v1i2.234

Abstract

Fundamentally, the element of the Malay decorative kekisi is either as a perforation between inside and outside or separation between two functional spaces are endemic in the traditional world. The same functions can be re-engaged in the modern world, to encourage good airflow and natural ventilation, rather than fully dependent on air conditioning. The paper discusses how the element itself reflects a fusion and unity of both form and function. It has sustainable and climatic functions and also has versatile elements which can be inserted to infuse identity consciousness and expressions in a range of scale of spaces, construction elements and forms. In this paper, the generic elements and their cultural variations are highlighted in the traditional building of Melaka and Kedah in Malaysia.

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