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Erfan Muhamad Fauzi
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CALL
Published by UIN Sunan Gunung Djati Bandung
ISSN : -     EISSN : 27232417     DOI : https://dx.doi.org/10.15575/call
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
CALL is a journal that presents Critical Analysis on Language and literature. This journal focuses on the analysis of text scrutinized by theories from linguistics, literary analysis, discourse analysis, to critical theories. This journal accepted the analysis of text of any language, especially, Indonesian, Malay, Arabic, English, indigenous and modern languages. The official language of this journal is English. The management of journal CALL has been arranged since 2018 but the journal was first published online for Vol. 1, No. 1, in June 2019. This is a biannual journal published in June and December by Program Studi Sastra Inggris, Fakultas Adab dan Humaniora, UIN SUnan Gunung Djati Bandung.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 7 Documents
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Search results for , issue "Vol. 5 No. 2 (2023): CALL" : 7 Documents clear
REPRESENTATION OF THE MESSAGE OF PEACE IN THE FILM KINGDOM OF HEAVEN (2005) Debiliya, Debiliya; Nurholis, Nurholis; Sudjatnika, Tenny
CALL Vol. 5 No. 2 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i2.15483

Abstract

There were efforts to send a message of peace seem necessary to eliminate all kinds of terrorist stereotypes against Muslims. Many western films were produced to convey the message of peace were made with many attempts. One of these is Ridley Scott's Kingdom of Heaven (2005), set during the Crusades in the late 12th century as a historical piece from the Battle of Jerusalem. This study focused on the character structure of the film Kingdom of Heaven in such a way that the message of peace is conveyed in the film. The study used a qualitative approach combined with the descriptive analysis approach of Charles Sanders Peirce's semiotic theory, called the trichotomy of sign meaning. Data collection techniques using observation, identification and documentation for the film Kingdom of Heaven. The results showed that the image of the message of peace expressed in the film was a war in the name of religion and does not seem to defend a particular religion, but is shaped by different interests. In conclusion, the film determined that not all westerners are good and not all Muslims are bad. Keywords: kingdom of heaven, signs messages of peace, Charles Sanders Peirce's semiotic theory
RACISM AS MANIFESTATION OF WHITE SUPREMACY IN BLACKKKLANSMAN AND 13TH FILMS Bachron, Alfa Sebastian; Hkikmat, Mahi Mamat; Nurrachman, Dian
CALL Vol. 5 No. 2 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i2.17061

Abstract

This research aimed to present how white supremacy was represented in 13th by Ava DuVernay and BlacKkKlansman by Spike Lee and to identify and analyse how the characters in 13th by Ava DuVernay and BlacKkKlansman by Spike Lee deal with the racist system. According to Abrams literary criticism is a method to describe events in the film. Seek to understand and interpret the meaning of an event of human behaviour interaction in a particular situation according to the researcher's perspective. Research that literary criticism aimed to understand the literary object under study in depth. The method used was to explore sources of information and data in the form of popular literature, which is films. Using a postcolonial approach, both films had a theme of racism, and also white supremacy in the USA. The issue of racism and white supremacy has resurfaced after more and more cases of racism by white people against black people. The characters in both films find racism from white people, they will try to fight against racism with various kinds of struggles. Keywords: postcolonialism, racism, white supremacy
POLYSEMY IN FROZEN (2013) MOVIE Darojatun, Desri Utari; Nurhapitudin, Irman; Sulaeman, Dedi
CALL Vol. 5 No. 2 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i2.18569

Abstract

Objectives of this study were to analyze types of polysemy in the and to interpret polysemous words realized in the Frozen movie script. A method of this study was qualitative that produced descriptive data. The data were words that contained polysemy. A source of data in the study was Frozen (2013) movie scripts. The data were analyzed using suitable theories, including the type of polysemy proposed by Apresjan (1974) and meaning proposed by Lyons (1981). Based on the analysis, it was found that there are 26 pairs of data of polysemy that consist of two types of polysemy; 20 pairs of data are regular polysemy and six pairs of data were irregular polysemy. In the Frozen movie script, regular polysemy is more dominant than irregular polysemy because regular polysemy has the same systematic word but is different semantically or non-synonymous. Meanwhile, irregular polysemy has the same or true meaning as other words, and even it has no systematic relation. In conclusion, polysemy can arise in spoken or written language, so that the ambiguous word that have more than one meaning are categorized into polysemy.  Keywords: polysemy, meaning, frozen, movie script, semantics
COHESIVE DEVICES IN DONALD TRUMP’S FIRST SPEECH AS THE AMERICAN PRESIDENT Rahman, Rezi Fauzi; Firdaus, Dadan; Ardiansyah, Erlan Aditya
CALL Vol. 5 No. 2 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i2.21719

Abstract

The presence of cohesive devices in speech plays a crucial role in representing the functioning of language. Beyond enhancing the effectiveness of written communication, cohesive devices guide listeners into the realm of context, fostering a shared understanding of meaning. This research focuses on analyzing grammatical and lexical cohesions in Donald Trump's inauguration speech from the 2016 United States presidential election, which took place on January 20th, 2017. The objective of the study is to explore the representation of both grammatical and lexical cohesions. A qualitative method was employed, and data were extracted from pauses in Trump's speech, specifically noting cohesive devices. The findings reveal that grammatical cohesion encompasses references, substitutions, ellipsis, and conjunctions. Lexical cohesions identified include repetition, synonymy, antonymy, hyponymy, meronymy, and collocation. Repetition was observed in 29 pauses, substitutions in 6 pauses, ellipsis in 8 pauses, and conjunctions in 31 pauses. Regarding lexical cohesion, the study identified repetition in 32 pauses, synonymy in 10 pauses, antonymy in 5 pauses, hyponymy in 3 pauses, meronymy in 2 pauses, and collocation in 6 pauses. However, it was noted that incohesive instances occurred in the case of conjunctions, potentially influenced by the situational or contextual factors. In conclusion, this study sheds light on the diverse cohesive devices employed in Trump's inauguration speech, emphasizing the significance of context in understanding language use.  Keywords: cohesive device, conjunctions, ellipsis, grammatical cohesion, lexical cohesion, substitutions
SUBTITLING STRATEGY AND READABILITY OF DIRECTIVE SPEECH ACT IN GENSHIN IMPACT PROLOGUE CHAPTER SUBTITLE Noegraha, Rafy Apryan; Handoyo, Raden Pujo; Dhiyaningrum, Ambhita
CALL Vol. 5 No. 2 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i2.22617

Abstract

The phenomenon of gaming easily accessible online getting popular leads to the advancement not only on technological aspect of game, but also on the interaction of the game and users. Accordingly, subtitling strategy and readability of directive speech act in genshin impact prologue chapter subtitle becomes the main concerns of this study. Based on subtitling strategy by Gottlieb (1992), translation quality assessment by Nababan (2012), and directive speech act theory by Searle (1976), this study aimed to identify and analyze those aspect in video game Genshin Impact prologue chapter subtitle. The data were gathered from subtitle of prologue chapter of video game Genshin Impact. This research was conducted by using descriptive qualitative and quantitative method, also with total sampling method for answering the research questions. The results showed that there are 5 types of directive speech act that found, 7 of 10 strategies of subtitling that applied, and the readability level of the translation was readable. The study concluded that the data were utterances between the characters are explanations and introductions of the game since the data were on the prologue chapter. Then, the quality of readability in subtitle was considered readable due to most frequently used strategy was paraphrase. Keywords: translation, subtitling strategy, directive speech act, readability, genshin impact
PERSONIFICATION IN KALILA WA DIMNA AND METAPHOR IN 1001 NIGHTS WITHIN ABBASID ERA Alwasilah, Galang; Rusmana, Dadan; Sakinah, Myrna Nur
CALL Vol. 5 No. 2 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i2.27559

Abstract

This study examined literary works of the Abbasid era, focusing on narratives from 1001 Nights and Kalila Wa Dimna. It tried to contribute to the understanding of Abbasid literature. Through textual analysis and library research, the study explored the cultural and social dimensions of the era. It used a descriptive qualitative method. The findings revealed there were frequent use of personifications and metaphoric existed in both literary works, which enhanced characterization and conveyed moral lessons. The narratives from 1001 Nights and Kalila Wa Dimna provide captivating stories that entertain readers and offer insights into human experiences and wisdom. In conclusion, there were limitations in the reliability of the narratives and the subjective nature of the evaluation. Keywords: Abbasid era, 1001 Nights, Kalila Wa Dimna, personification, metaphor
‘FOUR LEGS GOOD, TWO LEGS BETTER’: THE CHANGE OF UTOPIA TO DYSTOPIA IN GEORGE ORWELL’S ANIMAL FARM Hasan, Mariwan; Aziz, Akar; Mawlood, Yahya
CALL Vol. 5 No. 2 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i2.29097

Abstract

This research is an analysis of the allegorical plot of Animal Farm and its clever usage of anthropomorphism in the change from a peaceful farm to a tyrannical one. This paper indicates the major features of the change from a utopian farm to a dystopian one, such as the perpetually increasing amount of labour that each animal has to undertake, the obvious decrease of ration which the pigs use for trading otherwise, the disturbing intervention into animals' personal freedom and thought by the totalitarian pigs and many more accounts that further establish such change. The aim of this was to shed light on those distinct paths that may lead any society towards dystopia, lest any community may have already begun going down such paths, to alert them and reverberate the sounding alarm. At the beginning, this research dealt with an introduction to the background of the time and literary movement that was present during the process of writing Animal Farm, namely the rise of the Stalinisit regime, and the surge of Utopian/Dystopian novels. The second chapter studies previous research written on the same topic as this one, the early events in Animal Farm and their effect on shaping the farm, and the significance of freedom within the farm. The third chapter consists of demonstrating the fundamental changes that contributed to the decline of the farm into its eventual dystopian nature, and a conclusion on the matter. The paper uses a textual and historical approaches in analyzing the texts of the novella.  Keywords: utopia, dystopia, orwell, labour, liberty, tyranny, commandment, censorship

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