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INDONESIA
Jurnal Media dan Komunikasi Indonesia
Published by Universitas Gadjah Mada
ISSN : -     EISSN : 2721396X     DOI : https://doi.org/10.22146/jmki.51114
Core Subject : Humanities, Education, Social,
Humanities Languange, Linguistic, Communication & Media Social Sciences
Jurnal Media dan Komunikasi Indonesia (JMKI) published by the Department of Communication Science, Faculty of Social and Political Sciences, Universitas Gadjah Mada. JMKI is dedicated to publish and disseminate research, studies, theories, and phenomena in communication science. The scope of the manuscript to be published in the JMKI is a manifestation of the Department of Communication Science’s vision "Crafting Well Informed Society." JMKI is published twice a year and invites researchers or practitioners from various disciplines to write about media and communication issues such as, but not limited to, journalism and media, entertainment media, advertising, public relations, cultural studies, film studies, and game studies.
Arjuna Subject : Ilmu Sosial - Komunikasi
Articles 5 Documents
 1 
Search results for , issue "Vol 2, No 1 (2021): March" : 5 Documents clear
Yellow in Black and White: Representasi Identitas Asia oleh Rich Brian dalam Musik Hip-Hop di Amerika Serikat Nokia Putri Andika Lainsyamputty
Jurnal Media dan Komunikasi Indonesia Vol 2, No 1 (2021): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.58795

Abstract

The representation of the Asian race in the US music industry is still relatively small. However, Rich Brian, a person of Chinese descent with Indonesian nationality, succeeded in his career by carrying out the hip-hop genre that was firmly rooted in African-American (black) racial groups in the United States, a country which was dominated by Caucasian (white) races. This study aims to uncover how Brian represented his identity in the US hip-hop music scene using Stuart Hall's circuit of culture theory. The object of this research is the lyrics of several songs in Rich Brian's album. Through the analysis process, it was found that Brian did not cover the nationality and race identity he had. He precisely positioned himself on the spectrum of social identity. This then affects the representation of identity that he does in his songs, including revolving around the theme of the meaning of identity and stereotypes of the Asian race, as well as the struggles experienced by Asians who are part of minority groups in the United States.
From Scorching Desert to Tropical Paradise: New Form of Video Game Orientalism in Far Cry 3 Angga Prawadika Aji
Jurnal Media dan Komunikasi Indonesia Vol 2, No 1 (2021): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.60739

Abstract

This paper provides an analysis of different form of orientalism found in the third title of the popular Far Cry game series.  The open world system offered by Far Cry 3 brings a new nuance in the discourse of orientalism in video games, especially within the context of military shooter game. It provides both opportunities and challenges for developers to build ‘world’ as real as possible for players to explore. This construction process often reflects the orientalism practices shown by game developers in describing Eastern society and culture. Through a variety of activities such as hunting, exploring, sailing, and killing enemy forces, the player acts as a 'western mediator' who intepret the simulated Eastern world as a strange and mysterious territory.
EKSISTENSI DEVELOPER GAME INDEPENDEN INDONESIA (Studi Kasus Eksistensi Developer Game Indepeden Agate Studio, Creacle Studio, dan Digital Happiness Dalam Perspektif Ekonomi Politik Komunikasi) Ardian Indro Yuwono
Jurnal Media dan Komunikasi Indonesia Vol 2, No 1 (2021): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.63054

Abstract

This study aims to understand how Indonesian independent game developers strive to exist in the competitive game industry. This research uses case study method with a political economy approach based Vincent Mosco’s political economy of communication. The political economy aproach are commodification, spatialization and structuration. This research conclude how Creacle Studio, Agate Studio and Digital Happiness carry out various commodification, spatialization and structuration practices in maintaining their independent studios in the Indonesian video game industry. The three studios practice political economy in different ways to survive in the video game industry.
Dinamika Online Persona Akun Anonim Twitter Penggemar KPop Kirana Wistiani Ayundari; Pulung Setiosuci Perbawani
Jurnal Media dan Komunikasi Indonesia Vol 2, No 1 (2021): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.63068

Abstract

This article addresses the psychological aspect of the need for comfort and freedom of self expression among KPop fans, which actualized through anonym account on twitter. KPop is one of the so-called interest whichhas some activities that always being compared to fanastim and still can't be accepted freely to general public. As part of the minorities, KPop fans are seeking for a place that could give them freedom for presenng their identities as fans who are actively participating in KPop fandom activities, and that place is none other than using pseudonym account on Twitter.A survey of 400 respondents who are using KPop anonym account on Twitter showed that privacy is the reason for 300 respondents to use anonymous accounts. The results of the mean test on the five dimensions of online persona variables are nickname (3.59), trust (3.78), online idenfication (3.44), grandiosity (3.09), and self-esteem (2.97). The results of the mean test on the group dynamics variable dimensions are connection (3.37), supportive interaction (3.07), affective (4.05), and cognitive (4.16). Seeking for a privacy and entertainment as a form of seperating themselves from face-to-face environment could give KPop fans to interact more about their KPop interests or even talking about their private lives through virtual environments, which is Twitter.Through interacons by using pseudonym, there are times when KPop fans are not just talking about theirKPop interests, but also showing their idenes and also their private lives as a phase when they're interacting with other KPop fans. Therefore, these could lead to an enchancement where solidarity are felt within KPop fandom in Twitter, and this could also give each KPop fans the feeling of being accepted and feeling lucky when they couldn't present themselves freely in a real life before and here they become more open and happy on this Twitter environment.
Representasi Karakter Ayah Pada Film NKCTHI : Nanti Kita Cerita Tentang Hari Ini Tigy Ambar Silvanari
Jurnal Media dan Komunikasi Indonesia Vol 2, No 1 (2021): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.63311

Abstract

The background of this research is motivated by an interest in the patriarchal cultural practices that apply to Indonesian society. Where one of them is related to the dominance of men as fathers in the family sphere. A number of roles in the family are constructed in the position of the father. Film is one of the media that can portray father as the main character. The depiction of the father character in Indonesian films in the 90s has shifted from the 2000s to the present. One of the family-themed films that make the main character of the father in the current era is the NKCTHI: Nanti Kita Cerita Tanpa Hari film. This film is interesting to study, because the character of the father is shown by taking pictures from various points of view. So it would be interesting if a study was conducted on the depiction of the father's character in the NKCTHI: Nanti Kita Cerita Tentang Hari Ini film. This study uses a qualitative method with Peirce's semiotic analysis to get a picture of the representation of the father's character through the signs, objects, and interpreters in the scenes in the NKCTHI: Nanti Kita Cerita Tanpa Hari ini film. The results of this study indicate that the character of the father in this film is still represented as a dominant figure through his role as a protector so that it can be associated with the practice of patriarchal culture that is still valid in Indonesia, especially in the family sphere.

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