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Dhani Kristiandri
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Repertoar Journal Prodi Seni Musik Jurusan Seni Drama, Tari dan Musik Fakultas Bahasa dan Seni (FBS) Universitas Negeri Surabaya Gedung T14 Lantai 2 Kampus UNESA Lidah Wetan Surabaya 60213 Jawa Timur - Indonesia email : repertoarmusik@unesa.ac.id
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Kota surabaya,
Jawa timur
INDONESIA
Repertoar Journal
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 27461718     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Repertoar is a periodical scientific journal dedicated to publishing papers and research works in the field of music. This journal includes research articles along with ideas, which fall into the scope of: 1. Music 2. Music Works 3. Ethnomusicology 4. Music Therapy 5. Film Music 6. Digital Music
Arjuna Subject : Seni dan Humaniora - Musik
Articles 13 Documents
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Search results for , issue "Vol 6 No 2 (2026)" : 13 Documents clear
The Creative Process and Melodic Structure Analysis of Mahalini's Song Sial, Mawang's Version -, Farika Nur Damayanti
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to describe Mawang's creative process in arranging the song "Sial" and to analyze its melodic structure.  The research used qualitative methods, including observation, online interviews via WhatsApp video calls, and document analysis.  Mawang took a creative approach by listening to the original version of the song in depth and developing musical ideas spontaneously, without altering its structure, arrangement, or musical elements, as a form of respect for Mahalini's work.  The production process involved simultaneous recording of vocals and instruments, followed by mixing and mastering.  The song's melodic structure consists of Verse I, Pre-Chorus, Chorus, Verse II, Pre-Chorus, Chorus, Bridge, and Coda.  Analysis of the melodic motifs reveals four in the Verse section, two in the Pre-Chorus, five in the Chorus, four in the Bridge, and five in the Coda.  These motifs involve literal repetition techniques, ascending and descending sequences, and augmentation.  This study shows that the creative process is an important medium for developing ideas for unique and diverse arrangements.
The Presentation Form of the song "Toba Dream: Theme Song" by the Marture Music Group in the Batak Toba Ulaon Unjuk Wedding Ceremony Manurung, Nandita Aurel
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to describe the components of the presentation and analyze the structure of the song "Toba Dream: Theme Song" during the ulaon unjuk manomu-nomu stage of a Batak Toba wedding. This study uses a descriptive qualitative method through non-participant observation, structured interviews, and documentation. Data analysis techniques included data collection, data observation and presentation, and data conclusion. The results of this study show that the presentation form of the song "Toba Dream: Theme Song" in the Ulaon Unjuk procession has components that support the performance, namely musicians, musical instruments, songs presented, fashion, stage setting, sound system, audience, as well as the time and place of the event. The presentation form of the song "Toba Dream: Theme Song' during the initial procession of ulaon unjuk manomu-nomu, performed by the Marture music group, was presented in the form of Gondang music with a presentation structure divided into Intro, verse I, chorus I, verse II, chorus II, verse III, chorus III, verse IV, interlude, chorus IV, and ending. From the results of this analysis, it can be seen that Gondang music serves as entertainment and accompanying music, as well as providing structure and rhythm for the entire wedding ceremony.
The Presentation Form and Function of Gondang Uning-uningan by the Sabas Group in the Traditional Batak Toba Wedding Ceremony in Jambi Gultom, Rian Naftanael
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to describe the presentation and function of Gondang Uning-uningan Grup Sabas in traditional Batak Toba wedding ceremonies in Jambi. This study uses a descriptive qualitative method. Data collection techniques include observation, interviews, documentation, and literature study. The compilation process begins with the first stage of data reduction, followed by data presentation and conclusion drawing. The analysis found elements of presentation in the traditional Batak Toba wedding ceremony in Jambi that are incorporated into the ceremony, including the presentation, number of musicians, performance time, number of songs, and performance venue. In the presentation of Gondang uning-uningan, the songs performed are correlated with the wedding party. These include the procession of making tua ni gondang (gondang mula mula), the presentation of tintin marangkup (tintin marangkup), the presentation of ulos (ulos passamot), kasihnya seperti sungai, emeni simbolon), and paulak une (gondang hasahatan and si tio-tio). Seven functions of the Sabas Group's Gondang uning-uningan in Batak Toba traditional wedding ceremonies were found, including emotional expression, aesthetic appreciation, entertainment, communication, symbolism, physical response, and social norms.

Page 2 of 2 | Total Record : 13

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