cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Salsa Solli Nafsika
Contact Email
essa.navzka@upi.edu
Phone
+62895346080851
Journal Mail Official
ftv_fpsd@upi.edu
Editorial Address
Jl Dr Setiabudi No 229 Isola Kec Sukasari Kota Bandung Jawa Barat 40154 Bandung Provinsi Jawa Barat 0222009198
Location
Kota bandung,
Jawa barat
INDONESIA
Cinematology Journal Anthology of Film and Television Studies
Published by Universitas Pendidikan Indonesia
ISSN : 27977099     EISSN : 27979903     DOI : https://doi.org/10.17509/ftv-upi.v0i0
Core Subject : Art,
Arts
The Aesthetics and Film Sciences Expertise is a group of expertise that covers areas of study that are more scientific and related to film practice The subjects included in this expertise are in the scientific areas of Television Film History Television Film Studies Film and Television Semiotics Film and Television Aesthetics Archipelago Cultural Analysis Methodology Film and Television Production Management Media and Cultural Literacy and Film and Television Criticism Television developed in the FTV curriculum This KBK is more related to the profession of filmmaking practitioner directors producers editors camera engineers sound engineers artistic directors film actors documentary filmmakers casting action and visual effects such as screenwriters critics film historians film curators film lecturers film managers and experts film conservation Popular culture and mass media have a relationship like two sides of a coin knitting into an inseparable whole The popularity of a culture is very dependent on the mass media to be introduced and then become part of peoples lives For the mass media constructing and exposing culture to be popularized has become the pulse of life It is not surprising then that todays mass media are familiar as creators and owners of popular cultural content In addition to marketing the culture itself the media also tries to always present programs that are loved by the community While in the Motion Picture Aesthetics KBK the focus is on the profession of film and other motion picture practitioners such as animation the KBK for Media Studies and Popular Culture tries to see the potential of other professions that do not only study moving pictures Producer profession content production related to the broadcasting industry to studies related to programs carried out in other work practices which are related to the process of disseminating information to a wide audience So the professions that are part of the main focus in the KBK for Media Studies and Popular Culture are important factors especially in the current era of new media
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 5 Documents
 1 
Search results for , issue "Vol 4, No 3 (2024): October" : 5 Documents clear
The Application of Lacan's Psychoanalytic Theory to the Character Development of Miki Sayaka and Sakura Kyouko in the Anime Madoka Magica
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 3 (2024): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i3.66436

Abstract

This study analyzes the deconstruction of the heroism myth in Puella Magi Madoka Magica through the lens of Lacanian psychoanalysis and Roland Barthes' Mythologies theory. The primary issue addressed in this research is how the series' narrative dismantles the traditional heroism myth commonly associated with the magical girl genre through the character arcs of Sayaka Miki and Kyouko Sakura. The research questions focus on how Lacan’s psychoanalytic stages are reflected in the development of Sayaka and Kyouko, as well as how the myth of heroism in the series is reproduced and deconstructed through Barthes' concept of modern mythology. The aim of this study is to reveal how Puella Magi Madoka Magica critiques the concept of heroism in popular culture and reconstructs existing myths to expose the exploitative system governing magical girls. This research employs a qualitative methodology with a narrative analysis approach, examining key episodes that represent the psychological transformations of the main characters. The findings indicate that Sayaka experiences the collapse of her idealism due to a confrontation with an unforgiving reality, whereas Kyouko undergoes a reconstruction of her worldview that ultimately contradicts her initial beliefs. The series not only deconstructs the heroism myth within the magical girl genre but also portrays how individuals struggle with the disparity between expectations and reality within an oppressive symbolic system.
Semiological Studies of Christian Symbolism in the Film and Series Neon Genesis Evangelion
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 3 (2024): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i3.66435

Abstract

This study analyzes the use of Christian symbolism in the film and series Neon Genesis Evangelion through a semiological approach. The research employs a semiotic analysis based on Charles Sanders Peirce's theory. The findings indicate that Neon Genesis Evangelion systematically employs Christian iconography to depict the existential transformation of humanity in an apocalyptic context. The cross, which appears in the explosions following the defeat of each Angel, serves as a marker of divine death while also signifying salvation. The Lance of Longinus, traditionally used in Christian teachings to confirm the death of Jesus on the cross, functions in the series as the primary instrument in the Third Impact event—a reality reconstruction that blurs the boundaries between destruction and re-creation. Additionally, the use of Angel names derived from the Christian angelic hierarchy reinforces the spiritual narrative that intertwines religious mythology with the fictional world-building of Neon Genesis Evangelion. Through this analysis, the study asserts that Christian symbolism in Neon Genesis Evangelion is not merely aesthetic or decorative but constructs a complex dialectic concerning human existence, suffering, and the pursuit of salvation. The series demonstrates how religious symbols can be adapted in popular media to convey broader narratives about the meaning of existence and human destiny within the landscape of contemporary culture.
Depiction of Indonesian Independence War in ’Jenderal Soedirman’ Movie
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 3 (2024): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i3.70046

Abstract

The film Jenderal Soedirman is a cinematic representation that portrays Indonesia's struggle for independence through the perspective of guerrilla warfare. However, the film also highlights the political dilemmas and differing strategies among historical figures, particularly between the paths of diplomacy and armed resistance. This study aims to analyze the narrative structure and the representation of the independence struggle in the film using Klaus Krippendorff’s content analysis approach and Roland Barthes’ semiotics. Through a qualitative method, the research examines how the film constructs meaning through signs and symbols that reinforce the notions of heroism and nationalism. The findings show that the film not only narrates General Soedirman's physical journey in guerrilla warfare but also reveals the ideological battles underlying the fight for independence. The film constructs General Soedirman as a symbol of resilience and morality in the face of colonial domination. The implications of this study affirm that cinema plays a vital role in shaping collective memory and nationalism. Furthermore, this research opens space for further exploration of historical representation in Indonesian cinema and how films can influence public understanding of the nation’s history.
Analysis of Historical Values and Family Dynamics Amidst the 1998 Riots in The Movie “Di Balik 98”
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 3 (2024): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i3.69990

Abstract

The 1998 riots were one of Indonesia's darkest events at the end of the New Order era, the reign of President Soerharto. These riots were caused by the multidimensional crisis around 1997-1998 which culminated in the May 1998 tragedy. The movie "Di Balik 98" dared to raise this riot as the background of a family drama-themed movie. The purpose of this research is to analyze the historical value and family dynamics contained in the film "Di Balik 98". This research uses a qualitative method with a semiotic approach which is described through 3 aspects namely sign, object, and interpretant. The results of this study show that the film "Di Balik 98" is successful in depicting history, this is evidenced by the analysis of the depiction of the Trisakti Tragedy, looting, arson, and ethnic Chinese discrimination. Soeharto's resignation is the culmination of the movie and the answer to the tragedy that occurred. Giving 3 points of view in the movie successfully gave the audience how the depiction of 3 families with their respective dynamics went through the 1998 tragedy. The implications of this research include an indepth understanding of Indonesian history, family dynamics in facing socio-political crises, as well as reflections on social change and its impact on people's daily lives.
Interpreting Food Images in Gina S. Noer's Films
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 3 (2024): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i3.66131

Abstract

In an evolution of cinematography, the depiction of food in film serves not only as a visual element but also as a means of conveying artistic messages. This research aims to comprehend how Gina S. Noer, an Indonesian filmmaker, imbues meaning into the depiction of food in her works. Through an analysis of her films, including “Dua Garis Biru” and “Like and Share” this study explores various semiotic analysis employed by Noer to communicate the underlying significance of food imagery. The study utilizes film analysis and semiotics to interpret the use of food as symbols and metaphors within the context of the stories presented by Gina S. Noer. This research contributes to a deeper understanding of the use of food imagery in a cinematic context, particularly within the works of Gina S. Noer. These insights may serve as a foundation for further exploration into how visual elements such as food can enhance the audience experience and deepen the narrative significance in the context of Indonesian cinema.

Page 1 of 1 | Total Record : 5

 1 

Filter by Year

2024 2024


Reset
Filter By Issues
All Issue Vol 6, No 1 (2026): February Vol 5, No 3 (2025): October Vol 5, No 2 (2025): June Vol 5, No 1 (2025): February Vol 4, No 3 (2024): October Vol 4, No 2 (2024): June Vol 4, No 1 (2024): February Vol 3, No 3 (2023): October Vol 3, No 2 (2023): June Vol 3, No 1 (2023): February Vol 2, No 3 (2022): October Vol 2, No 2 (2022): June Vol 2, No 1 (2022): February Vol 1, No 3 (2021): October Vol 1, No 2 (2021): June Vol 1, No 1 (2021): February More Issue